writing prompt

Wild horses

americanindianjane
My mother wanted to be a horse, she wanted to be a beatnik, she wanted to be an American Indian. How disappointing it must have been as she got older, as her hips emerged and her legs lengthened (barely:  she’s five foot two and slight) to see that there were no hooves, that her skin kept its human qualities, never turned a dusty shade of Palamino. By the time she was a teenager, beatniks were out of style and she had given up on the Indian thing, but she never quite let go of her animal spirit.

Summers when I was a little girl we would drive past the horse farms owned by the Duponts, would pull our rusty Datsun over to the side of the road and tiptoe up to the fences, holding hidden handfuls of Dominos sugar cubes. Two cubes in each flattened palm, we would wait for the horses to whinny and walk over, for their soft lips to graze our hands as they picked up the sugar.

The memory is faded now. I hold the fact of it rather than any sensation, and what I see are long grasses and dark, tall fences, a blue sky with clouds raked across it, the vague sense that we were getting away with something.

StumbleUpon.com

Image by Jane Underwood. The image was the prompt.
|

Drum-tight heart

0310000915a 0310000916

Sitting in a cold doctor's office on a sunny morning, looking at my Moleskine notebook, discovering old writing ideas that I will never use. Please steal them. Give them life. Some of them have been trapped in my little notepad for years.

First the
concepts

angel-in-residence

ritual explosives

liquidity of memory

drum-tight heart

fill it up with Ethyl

Then
fill in the gaps

Message on our answering machine, 2003:
Giovanni's got a package for you.

Conversation on a dry, dusty day at
Children's Fairyland:
Father, very angry, to toddler:
You got my shoes dirty right after I cleaned them!
Grandmother, placating: You know how funny he is about his shoes.

Finally, the Moleskine

sc01791292 sc0179129201


Good luck reading my writing. I can barely decipher it myself. And I've been drawing the same doodles since I was twelve.

This post is written in homage to koe whitton-williams of
the half-life of lineoluem and if the walls could talk. I've chosen to go almost all lower-case in this paragraph, but I could be wrong. I'm working without a stylebook.

Next post: a return to narrative.

StumbleUpon.com

Images above: Me, waiting, waiting, for the doctor or, err, the nurse-practitioner
Images below: What I wrote in my notebook while I was waiting

|

I promise that, after two days of sunshine, I will smile


DSC06538wtmkwtmk

What is it about my son’s illnesses that plunge my life into despair, knock me into a pit for the duration? Four days at home with a sick four-year-old, four nights of not-enough sleep, his body sandwiched between my husband and me in the middle of the night, exuding heat, the constant bark of his cough punctuating my waking dreams.

“Just spit it out, cough it up and spit it out,” we told him Wednesday night as he hovered over the sink. His coughs have been from the center of his body, deep and hoarse. He let loose a fishing line of spit, coughed again, and threw up into the basin. It was very matter-of-fact, but he was concerned. "Will I need to go to the doctor now?" he asked. "That's not the bad kind of throw-up, is it?"

“I used to cough until I threw up when I was a kid, too,” I told him as I rubbed his back. “It happened to me all the time.” It did. I had a bum pair of lungs and was prone to bronchitis and middle-of-the-night asthma attacks. It didn’t help that my mother and I lived in a series of mildew pits, that I slept hemmed in by cats drawn by my little girl warmth. I was allergic to both mildew and cats and probably the cigarette smoke that twisted through my grandparent’s place. Used tissues would pile around me like snow drifts. I had a lot of “melodramatic” coughing fits.

The doctor said the asthma was nervousness or hysteria or some such nonsense. I remember turning it over in my mind, that these terrifying attacks, the desperate quivering of my lungs for breath as I sat up in the dark, were emotional. They were my fault, or maybe my mother's, for being a single Mom, for being a bit of a hysteric herself.

The unfortunate thing about running on fumes, about being stuck to the side of a sick boy for four days – I have no perspective. I wish I could tell you of the helpful doctor who helped me manage my asthma, who held out her hand for mine. There was no helpful doctor, though I did at least get an inhaler.

The truth is, I've never wanted to be helped, except maybe in my secret inner heart, and if you don’t want to be helped people generally don’t help you. Maybe it’s safer this way, but it’s also a drag, and when you’re in a funk it only drags you down further.

But give me two days of sunshine and maybe a week of health for the boy and the rest of us and I will leave the funk behind. I promise you that everything will be different, that I will smile back at strangers, will embrace friends and acquaintances. After the long gray winter, spring will come again and I will be filled with warmth and perhaps something resembling happiness. Or contentment. I'd settle for contentment, the absence of grayness.

StumbleUpon.com

Image: Kid in between colds, disguised as a mummy.
Prompt: Write about a time someone helped you

|

Never tasted so sweet

nape


Tanning butter. Warm sun, a plunge into comfortable water, like being in the womb, no difference between you and what surrounds you. Afternoon nap in a hammock with your hair giving off a touch of chlorine. Dinner by candlelight, light ocean breezes flickering the flame. The fish on your plate stares back at you with a dulled eye. Fish never tasted so sweet.

Creamy potatoes with a layer of crunch. Haricots verts steamed and tossed with sesame oil and ginger. You tap the skin on the crème brulee into shards, take a deep drink of Sauternes.

In the dark he comes to you, smooth muscles, breath underwritten by cigarettes and mints. It isn’t a surprise. It isn’t expected. It just is. You accept the gift, a kind of reawakening, the necklace of kisses, his rough voice, the burn of an unshaven cheek. You interlace fingers and he speaks of your beauty, your irresistibility, how you taste like papaya. He has been watching you all week.

Morning brings an empty bed, a freshly-plumped pillow, a trio of hairs tangled on the sheet. In the shower you sigh. Remember. Anticipation only lives once.

StumbleUpon.com

(Soundtrack: La vie en rose, sung by Yves Montand.)
Image by
besia.
From a prompt: Just imagine.

|

Because I am hungry for art

Do you ever feel like you are on the precipice of something, a change, a different way of being, of seeing the world? Well, I'm there, I'm almost there, but life keeps getting in the way. The kid gets sick, I am glued to his side for a few days, and the real world slips away from me until it feels like I'll never be in it again.

But worse than feeling the real world slip away is the feeling that I get when I don't write. It's a kind of lovesickness, an ache of not-having. The only way to feel better is to sit down and start typing. Even if it's painful to write, even when I procrastinate, when I avoid turning on
Freedom for the Mac and bop around the Internet looking up information on John Quine or Anya Phillips (I've been re-reading Please Kill Me and the 70s punk scene is haunting my brain), eventually I get around to writing. Because I have to. It fills me. Without it, I am empty.

I want to write all night, sipping on red wine and smoking the occasional cigarette. I want to go to sleep at 3:00 a.m., sated with language, and wake up for a light lunch of mineral water and salad, of warmed baguette slices smeared with roasted garlic and chevre. After lunch, I want to linger over a book, sip a cup of muddy espresso in preparation to wrestle with words on and off into the night. I
am up at 3:00 a.m. these days, listening to a frustrated cat howl, staring at the billowing curtains as my mind forces me to consider various bleak scenarios, feeling the heat of a feverish, fitful boy as he pushes me off the cliff's edge of the bed. A week of just the two of us -- me and the words -- would cure my angst. One week of writing in a dark room, embraced by a circle of lamplight, feeling the sediment on my tongue as I drain a final glass of wine, letting my mind dance with the headrush of unfamiliar nicotine. Just a week. I would take the time to focus on this useless fantasy in order to discard it before returning to the here and now.

The
Round Robin, with its daily prompts and sweet feedback, helps, but sometimes I still feel like I'm bouncing around in my own mind, where (as usual) it's all about me. Other times, though, I create something that I can't explain, but I like.

So here you go, a piece that is a mix of homesickness and the past and an attempt to transcend. And let's hope for a few weeks of health and clear weather, of writing and creating. Of sanity.


boat


Stained

I want a cylindrical room made of factory glass, the door a piece of carved mahogany salvaged from the She-Wolf, Lord's old boat, the one that is sitting on a trailer in the backyard, the hitch supported by a stack of cinderblocks. Against the cool glass, set into block, the mahogany will seem rustic, warm to the touch. I will rub my hand against it before I enter the room, think of the times we went waterskiing or just bobbed around in the muddy waters of the Elk, my wet ass spreading a dark stain on the boat seat.

Even then that boat was a piece of shit. Lord wasn’t paying attention to it. He let it sit in the water all winter long. The varnish wore off, the gleam melted away. Every year he bought cans of teak oil, stacked them in the shed, and let them sit. Barnacles coated the She-Wolf's hull. They were rough against my hand, cut into my feet as I pushed against the boat into the heavy water.

So, the room. It is lit from within, white light/white heat. Even the ceiling is made of factory glass. The floor, too. It is empty. I will go inside, lock the door, and remove my clothes. I will press myself up against the glass. See if you can tell me what you are looking at, my blurry image refracted in each square. I will light a cigarette, will snuff it out on the rounded wall, again and again. You will see flesh, the death of ember, the end of the spark.

Lord is dead now, too, washed away, though not in the way you would expect. It had nothing to do with water. It was emotion. The dike broke, his water wings deflated, a big hole opened in his roof and the house filled with rain. You want me to tell you about it, to be more direct, but I won’t. I have his boat and my plan. Every weekend I sand down the mahogany, try to remove the stains, think about my cylindrical factory glass room. I picture Lord on the other side, horn-rims slipping off his nose, one hand marking his place in the book. I mystify him and he likes that.

Image by Vinje.

StumbleUpon.com

|

While your heart still beats

treelight


The pavement was slick and there were potholes and too many trees by the side of the winding road. The first to go were two juniors who were cutting school, doing what teenage boys do, driving too fast, maybe drinking or passing a bowl while the tires screeched and the car fishtailed. They ended up upside down in the creek that snaked by the road. They died. There were others in high school who died in car accidents, too, though at this point I mainly remember the names of the survivors (thanks, Facebook, with your updated images of people from the past).

Since
my grandmother died, I’ve developed a strong sense of mortality, of my own, of other peoples’, of the various cats and dogs that have been in my life. Sometimes it hits me more than others, generally when I’m feeling low and isolated, when the sun hasn’t been out in weeks. It doesn't help that I've been spending an hour or two a day writing out the details of illness and death for my novel manuscript. And I’ll have dreams about these people, the dead from high school, usually as represented by David Anderson, the last one to die, the one who made it into the yearbook, a ghost by the time the book was printed.

There are other “deads” as my son calls them, like Carolin, a friend from college who had some sort of birth defect that we never discussed. She’s been gone for seventeen years, sometimes still visits me in my dream version of our college dorm. My grandfather shows up less and less now as I deal with the past, though I am sometimes reminded of how much there is to deal with (another nod to Facebook, where people who knew me peripherally during one of the darkest times in my life show up, and I remember just how bad it was and I want to die with the memory).

As I was wrestling again with that long-ago past, something that I keep thinking should be a “dead” itself at this point, as I was having a good cry after washing the dishes Thursday night, Nora, our Russian squirrel hound, came clicking into the kitchen. She likes to comfort the sad and inexplicably lonely, especially if it involves a pat or two for her. I knelt down to stroke her chest and was struck again with memory. There I was, ten years old, in what used to be my grandmother’s room, petting Greta the miniature schnauzer. Greta's fur was warm and soft. She groaned as I scratched behind her ears, reached out a paw as if to say "Don't stop." At the time, I was struck with the exquisite transience of it all, the way a heart stops and the lungs give out, the vulnerability of our soft bodies and delicate skulls. Disease creeps in. A car slams into a tree and then into you. You ignore the deep cough until it is too late. No matter the trajectory of the story, we all know how it ends.

Greta was killed by a hit-and-run driver when I was in seventh grade, about six months after we left my grandfather's house for Wilmington. He let her out when he was getting the mail. As he limped to the mailbox, Greta trotted to a neighbor's yard. She was halfway across the street when a car came tearing past and knocked her into a ditch. Either the driver didn't see her or didn't care to stop and my grandfather caught only a glimpse of the car's tail lights. It was the violent conclusion of Greta's brief story.

I knelt in the kitchen, my arms around Nora, and added up the dead. I felt their hands in mine, the touch of a gentle paw, the sound of a meow. Greta and I sat together in the dusty sunlight, her eyes brown and serious, her heartbeat strong. Sidney played a game of capture, batted at the pencil I pushed under the door.
Louise curled up on the dining room table, a dog pretending to be a cat. I brushed against a boy in a hallway as he ran by, late for class. And my grandmother croaked out "Tie a Yellow Ribbon" while I giggled from the swing that hung from the maple tree. Even the tree is gone now, but like the rest it exists in my memory, in the stories I tell.

I held Nora tighter, tried to appreciate the moment, knowing I would think about it when she was gone. And the sweetness of it almost killed me.

croppednora


Top photo by Jane Underwood, Writing Salon mistress and photographer extraordinaire.
Bottom photo by Mr. T from Nora's first week with us in 2003.

After writing this prompt and struggling with various versions of it for the blog, I got out my senior high school yearbook (theme: "A Unique Blend." I had forgotten that high school yearbooks had themes), just to check on some of the facts. There was David Anderson, still in with the living seniors, but at the front of the book was a dedication to three other people from our class who had died, two of them in car accidents: Pat O'Donoghue, Rob Klaczkiewicz, and Joe Lombardino. There were others who died while I was at school, specifically those upperclassmen in the first paragraph of this post, though I could have some of my facts wrong about the accident. They died in the mid-80s, well before our lives were digitally monitored, before you could have a Facebook page even after death. The fact that there was no trace of these young men made me sad. It was almost as if they had never existed.

StumbleUpon.com

|

Swann song

gingko


I miss the tall ginkgos with their rotting fruits, the way the berries felt beneath my feet with just enough crunch, a pleasure to step on. The sidewalk was covered with ginkgo leaves, too, bright yellow fans dampened with the rain. A storm had come through the night before, had knocked the leaves off along with the fruit. The air was full of the smell of them, acrid, rotting, sweet.

We were lost and I was defensive about it, but if you were going to be lost, this was the neighborhood to be lost in. The street was tunneled in by wide brick rowhouses, voluptuous Victorians with turrets and whimsical windows accented with stone. Each house had a set of black iron steps, shiny and slick, one-two-three-four, up to the entry. The steps made little caves over doors to English basements, a term which conjures up mold and damp and a view of other peoples’ ankles, the angling of a dog’s leg as it releases a spray of urine against low iron window bars.

He got angry with me after I got angry with him and we had an embarrassing fight in front Martha, a hissy fit that revealed more than we intended. A tense moment with the map revealed my mistake and our luck: we were three blocks from Adams Morgan, a short walk to a few cold beers and a platter of Ethiopian food. The three of us marched from Swann Street to 18th Street, walked uphill against a thin wind. It was getting dark, people were bundled up against the cold. We walked without talking, single-file past the homeless, the crazies, the young people with their know-everything attitude. And then we shared a meal with all the awkwardness of something being over, knowing we had years to go before it would really end.

This is from a Round Robin prompt this week, my (slightly edited) response to a very different photograph.

Photo by Antediluvial.

StumbleUpon.com

|

I serve in this fashion

Silhouettereach


I trace an outline of my daughter’s hand on thin tissue paper. The paper is pink as cotton candy and her hand is limp. She is asleep.
 
I’ve spent the last weekend tracing her limbs and torso while she sleeps, working my way up to her delicate head and wispy hair. I just want to catch an idea of that hair, a tendril here, a mass of frizz there. In her sleep her toes flex like a dancer
en pointe. I follow the stretch of the arch of her foot, sweep up the ball to the tip of her big toe. Elizabeth stirs and tenses as the felt-tipped marker grazes her flesh, but I am stalwart and stay the course, capture the foot for posterity’s sake.
 
Elizabeth is three years old, red-haired and long of limb. Her knees are like mine were when I was her age, stretched and knobby all at once, awkward joints connecting leg bones. I can already see how her hips will jut out at thirteen, will buffer themselves in fat and muscle. Buying pants will become almost impossible for her, will become a source of frustration, and she will start to wear slimming flat-front trousers with wide legs no matter the going fashion. Her skinny legs will protrude from an ample rump, those now-slight hips will grow to temporarily house the wide skulls of ten-and-a-half pound babies. She will slap the first man who remarks on her child-bearing hips and then she will marry him and bear two children in three years.

They will exhaust themselves with fights over money and discipline. When she discovers that he's been sneaking out to Bible study meetings and is on the road to becoming born again, Elizabeth will leave him. I'll take the family in, my 26-year-old daughter and her two preschooler boys, will put aside my plans to redo the upstairs in preparation to sell the place. She'll be practically unemployable, her only experience being reproducing and windexing the glass off the windows, running a vacuum cleaner across the floor so thoroughly that you could eat off of it. It will be as though she were a teenager again, the petty little fights over who left what dish in the sink without washing it, her stealing my cigarettes and popping diet pills so she can stay up all night. I will wonder what happened to my golden years, my "me" time. She'll get an earful every night.

Eventually she will go back to nursing school, will find a new place to live and get a job. One of the night-shift orderlies, an atheist, rational and compelling, will seduce her with stories from his service in the Persian Gulf. He'll move in after their third date and will start whipping that fatherless household into shape. The boys, teenagers by this time, will be desperate to escape the two of them, sick of the discussions of Ayn Rand and the tyranny of other people's gods. There are other things that will keep them away, the sounds that leak from the too-thin walls of the tract house, the atheist's cries in the middle of the night followed by the low dove-coos of their mother soothing him. They will visit me for dinner almost every night and I'll serve them roast beef and potatoes, spaghetti and meatballs, fish sticks and french fries. Sometimes one of the boys will sleep on the pull-out couch, his brother in a sleeping bag on the floor.
 
But for now Elizabeth is a little girl with chubby feet and dimpled elbows. Her neck is thick, strong muscles leading to an unremarkable chin that dips out blandly from under her lower lip. Her dad and I are still debating about whose nose she will have. All children have cute button noses. It takes the hormones and stretching of adolescence to reveal the nose’s true nature.

StumbleUpon.com

|

Suspicious minds

Forget your assumptions. This isn’t any mountain man, not an aging hippie who dropped out of “conventional society” in the mid-sixties, when his beard was still burnished brown and his face unlined and serious. Look at the clothes. His hat is new, the jacket thick and warm. It’s a recently acquired look, summer slumming, an underground acting job.

oldguybeard


Because Frank Smith is an investment banker. A lawyer. A high-powered PR executive. Or so the rumors have it. He showed up in Bank Nile about a month ago, rolled into town in his ’49 Ford truck, which looks beat up but runs suspiciously well. Maya thinks he’s wearing a mouth piece. He talks like he’s been eating ice cream, his tongue slightly numbed, the words not totally clear, but there is no stink of alcohol or sign of the needle. There is no ice cream cone. She swears she’s seen him adjust those just-so nubs of his when he thought no one was looking.

His hand are smooth. Even though the palms are filthy and his fingernails blackened with earth and compost, those aren’t the hands of a man accustomed to hard work. He keeps a dust bowl hoe by the garden patch, makes a show of rustic tools, the rusted metal rake, a long pointed shovel. Frank claims to know about healing herbs, says he’ll fix you up with something for those migraines, will make a poultice for your aching back.

But don’t let that investment banker/lawyer/PR man sell you a goddamned thing.

****

Image from an online costume shop. This post was originally my response to a photo prompt. I keep on returning to it for the blog, but didn't want to use the original picture, for obvious reasons. And if you are in the market for a fake beard, I recommend the fine selection at the Etsy shop I Made You a Beard.

I've been struggling to write and hopefully will be back on track in the next week or two, writing, thinking, and visiting other blogs.

StumbleUpon.com

|

Berkeley type

thebowl


There’s a man with thick silver hair who will save me. I’ll run into him at Good Vibrations or while thumping melons at the Berkeley Bowl. Eyes quizzical, brow scrunched, I'll ask his advice as I peruse the erotica or the tomatoes. “How do I pick a ripe one?” I'll say, then press my lips together in anticipation, run a nervous hand through my own uncombed mane, worry the tear in my formless tee.

He’s capable, my man with silver hair, knows what I require. “I haven’t read this stuff in years,” I’ll tell him, batting my innocent eyes. “A girlfriend of mine recommended the selection here. Do you have any recommendations?” Or:  “My naturopath has finally given me the green light for nightshades, as long as I don’t combine potatoes and tomatoes in the same week. But how can you tell when a pineapple tomato is ripe?”

He’s firm, my man with silver hair. Turns out his name is Nathanial and he stays away from pornography and tomatoes. He scrapes a thin layer of coconut oil on his multigrain toast and makes his own organic soy milk. He lives in a house constructed of bales of hay coated in plaster, collects the rainwater and the grey water to pour over his lush, nightshade-free garden. In a far back corner of his yard, a former girlfriend has constructed a pyramid of empty television sets and we sit and watch in calming yogic poses, balancing our diminishing frames on iron loungers furred with ivy.

Nathanial leads me away from temptation. He slices layers of butternut squash, thin as sashimi, dries them in the sun, and layers them with nut cheeses and frothy cucumber juice:  lasagna! With him I learn the taste of a peach, the value of chastity, the length of my arms from fingertip to fingertip. During our monthly fasts, we see visions, hummingbirds like fairies in the passionflower, fabulous eagles, strong and formidable, emerging from sketchy fog. And my parents appear before me, penitent and humbled. They kneel at my feet and I dismiss them with a forgiving wave. The vision repeats and I never tire of it, my power, the moment of clarity.

When it’s over, when I am saved and clean and about twenty-five pounds lighter, after my visions start to wear thin, Nathanial will move on to the next orphan. He is evangelical, gathering souls away from processed foods and packaged T&A, a beam of light that moves from soul to soul. I want to warn them, the lady paused in front of the cornflakes, the college boy reaching for a six-pack of Milwaukee’s Best, the skittish dog-walker about to cross Dwight: It isn't us he wants. It's the karma.

From a prompt last summer: I am counting. Despite the first-person point of view, this is fictional. Just a reminder.

Image: The infamous
Berkeley Bowl, from a 2005 New York Times article.

|

Chiaroscuro

Part I: The visit

Look. I’m all out of words. They started drifting away from me this morning, when I woke up with the boy at six a.m. As the day continued – conversation with the visitors, trudging off to music class, trudging back, stopping at the store, fixing lunch for the visitors, making conversation with the visitors, entertaining my son, taking care of our various animals, fixing dinner, putting the exhausted child to bed, making more conversation with the visitors – the words just left.

I say I was making conversation with the visitors, but the truth is that by the end of the day I was mainly nodding and sighing sympathetically. It was all I had left. So here I am, bereft of creativity, my mind swimming with stories of thyroid nodules and nerves like tangled spiders’ webs, of early deaths and shattered psyches. What’s in store for me? Should I be so smug about my flexible back and thin, muscular legs? Should I be grateful that my mother taught me the proper way to eat? Or that I inherited her frame and general good health? Maybe I will fulfill my genetic heritage some day soon:  develop an autoimmune disease, succumb to the rot of debilitating depression, start to feel my legs tingle and fret as if they were plugged into the wall.


stepsbw


Part II: Resonance

OK, OK, OK, Part I was the result yet another prompt, from a family visit in September. It was a photo prompt that had nothing to do with the resulting piece. I was going through my old stuff, looking for something, saw this, thought: Aha! That feeling some of us get after too much family time on Thanksgiving. Except I haven't gone home for Thanksgiving in years, and if I did, it would actually be wonderful to be with my mother, though Kevin's absence would still be palpable.

Sometimes I'm afraid that you're getting the wrong impression. Maybe you think that I sit around immersing myself in the past, feeling sorry for myself and penning various memorials to the me who used to be. Or that I prefer to dance with darkness rather than frolic in joy and light.

I write about what resonates and I have a complex relationship with both happiness and the past. The past is always present for me; it informs the present, keeps me grounded. And it provides me with great material. Don't even have to think about it. As for happiness: I am capable of feeling great joy. I'm generally
happy, except when I'm not. The hollows, shadowy, cold as falling snow, call to me. Light is meaningless without darkness. I need texture, a rough patch here and there, a little complexity and strife to make it more interesting.

But maybe my next post will be about puppies. More likely about finishing NaNoWriMo. Or my husband wrapping up his dissertation. Or maybe it really will be about puppies, cute little fluffballs, good enough to eat.

|

8:37, Saturday morning

Tom cups his hands around the egg, his square palms and stubby fingers keeping it safe. He finds eggs fascinating, the weight they hold when they are fresh, uncooked, the way hard-boiling changes their heft. His mother handles them so gently, too, admonishes him not to dangle one over the hard kitchen tile. Yes, they are to be treated gently, unless you want to cook with them, in which case great violence is the key.

eggshell


Every Saturday he and his mother make pancakes and he watches the drama unfold. The eggs, chilled in their container, ignorant of their fate. Then, she selects two. It is never random. She moves from the back of the carton to the front. Surely the last eggs know what’s up, though she shuttles them back to the refrigerator before destroying their brethren. This is when he insists on touching an egg, on holding it for a brief minute, transferring his warmth to its cold shell.

“Do you want to crack one?” she will ask and he always shakes his head:  No. The mess! Tom can tell she is relieved, even though she doesn’t let out a sigh or stretch her thin lips into a smile. It’s the way she angles her shoulders, the slight relaxation, the slump, when he returns the egg. He has become a master of the nonverbal, of the facial expression, trying to figure out the scene before inserting himself into it.

One Saturday, he did drop an egg, just let it go onto the kitchen counter to see what would happen. “Whoopsy!” his mother exclaimed in a too-bright voice as she hurtled herself across the kitchen to get a wipe. The clear white was oozing over the side of the counter, had just started to drip down the cabinets and onto the floor, and the dog, attuned to any utterance that sounded vaguely like “oops” had already honed in on the trail.

This time his mother did sigh, gave out a loud sigh, before taking out her frustration on the dog. “Mandy! OUT OF THE KITCHEN!” She threw up her arms and stomped her feet, glared as Mandy slunk back to the living room. “I’m sorry, Mama,” Tom said, his heart fluttering, as she picked pieces of shell off the counter and attacked the remains with a sponge. The air around them, charged with anger, calmed as she looked up at him. Everything stopped. She reached out and cupped his cheek, leaned over to kiss his forehead.

It’s always the way, she thought, the anger that explodes out of nowhere, like an egg cracked into hot oil. The expression on Tom's face, the knowledge that she
is her mother, that she will be apologizing forever for her lack of self-control, for the spark that she passes on unwittingly. Here's hoping he isn’t as delicate as an egg.

From a prompt: You hold it. As Anne told me recently, the prompts have been good to me lately. Though very shatter-focused.

Image by
Petr Kratochvil.

|

The noises of destruction

There was an oak tree just outside the back window. Brown leaves clung to it through the winter, unwilling to sever their ties until they were forced out by new growth. Some nights, when I was tired of waiting and had a little too much to drink, I would slip out in the dark and throw my empties at it. My mother did the same thing – tossed cheap wine glasses against rustic mantles, flung half-full bottles of Sangre de Toro against cracked linoleum. Broken glass every time. Me? I lobbed 7-ounce Budweiser bottles here, old jelly-jars-turned-cocktail glasses there. Every single one landed with an unsatisfying thud in the frosted grass or clinked against mildewed siding.

One night, frustrated, I drained a 12-ouncer and went outside. Two feet from the oak, I held on to the bottle as if it were a diminutive baseball bat, gripped its neck with my fingers, and slammed the tree with as much force as a slightly drunk sixteen-year-old girl could.



It’s harder to break a bottle than you think.

From a writing prompt last summer: Out the window. NaNoWriMo is beginning to drive me crazy. Sixteen days. 41,000 words. One messy and rambling novel very close to completion.

Bit of trivia: my mother now makes jewelry from pieces of broken glass she finds on the street or breaks on the cement slab in her own back yard, a picture of calm with a broom and dust pan.
|

Away from here

strawberrycreek


We kept on digging that night, pushed through soil rich and dark, encountered earthworms as long as Joe’s middle finger. He had a trowel and I had a pick-axe, but most of the time we used our hands, took off our gloves and did the dirty work directly.

Nobody had told the little one about what had really happened to Tristan. I mean, he knew he was sick and saw the old cat collapse on the kitchen floor, heard the pained meow. He saw me cry and hyperventilate and gather calming forces, but we couldn’t bear to tell him what was happening, what would happen. He hadn't known loss and I swore he wouldn't, not until I was old and sinewy, not until Joe's alcohol-pickled mind had gone south and his hands were blurry with the shakes. I had seen enough of loss myself by age eight, learned early to keep a tenuous hold on other people. My boy, he could remain untouched.

There wasn’t time or money for the vet, so Joe lifted up Tristan's lank body, bony at the spine but swollen around the belly, carried him off into the back yard. I tossed him a kitchen towel still wet from the dish rack. The boy, always his father's shadow, made for the door, but I knelt down and blocked him with a hug. "Tris needs a little privacy, that's all. It's like at the doctor's office. Daddy's giving him medical attention. Why don't we read a book?" We got through two stories when Joe finally came back in, eyes red, the towel clinging to his fingers. "Tristan's ready to see you, kid," Joe told him. I sent the two of them out there alone.

Joe told me later that Tris hadn't put up a fuss. He and the kitty had sat together by the corner of bamboo that Tris loved to hide in, where all you could see in the thick stalks was a pair of shimmering green eyes, maybe the hint of white whiskers. Joe had professed his love while the cat panted, glassy-eyed. Then, a little business with the damp towel. Tristan had even rested a paw on Joe's trembling hand. It was true mercy, over in a few heart-breaking minutes. Before he came back into the house, Joe had shaped him into a comfortable round, pressed his thumb gently against each eye to close it.

He told the boy that it looked like Tristan was taking a little rest now, sleeping off his fit. “Give him a quick pat like a good boy.”

That seemed reckless to me, letting the boy touch him. Didn't Joe remember the heavy quality of dead flesh? Once the heart stops, it's like petting wax. But the boy didn't seem to notice, came in dancing and told me Tris was better, was sleeping.

That’s how we ended up at Strawberry Creek Park, looking like grave robbers, sifting through the dirt in the dark, Tristan in a Teva shoebox tied with butcher’s twine. Fog had blotted out the moon and the damp had sunk into my bones, made me drop the flashlight more than once. Mid-dig, a mama raccoon and her kits peered at us out from the bushes, rustled the leaves with interest. Joe tossed a trowelful of dirt at them. "Git! Git! This isn't a midnight snack." They shambled off in the direction of the creek, looking like hunchbacked cats themselves, all the fur with none of the grace.

A half-hour later, we had a hole two feet deep and just wide enough to jam the Teva box into. Tristan's stiffened body shifted as we pushed him into the hole, hit the sides of the box. I hadn't looked at him since the collapse, but suddenly I had the urge. I made Joe cut the twine so that I could shine in the flashlight and take a final look, could stroke the tips of his fine orange fur.

The next morning we told the boy that Tristan must have taken off, shimmied through a hole in the fence, or through some miracle of will had scaled the nine-foot planks and taken off for a better place. He put his little hand in mine and asked, "Is he OK, mama?" There was only one way to answer it: Tristan was fine, perfect, whole.

Maybe he’s sitting on a rock by the Bay now, eyeing the ground squirrels, dipping a paw into the cold water as he searches for fish. Or he’s stalking a bird in a field of waving grass, tail quietly twitching before the final pounce. Tristan is somewhere out there, away from here.


This was from a writing prompt last summer: write about something you don't want to write about. I didn't want to write about our cat's death, at least not directly, so I wrote this instead. It seems to fit the theme around here these days. It was originally three paragraphs with very little spelled out, but as I expanded it the details it became more gruesome. Not sure what I think of it, but here it is.

Thanks to rcb for the advice to slow down. This one's slower than usual at least!

Image: Strawberry Creek, by
Edwin Deakin, from Berkeley Architectural Heritage Association.

|

Lure

LichtensteinKissV1964


I flicked a career away as easily as I tossed down shots of vodka. The brown shoes and heavy overcoat, the thick wool suit in regulation blue, opaque hosiery that marked red rails around my waist, that made a serpentine path from my navel down: the uniform is all I remember, how the wool smelled alive in the rain, the flecks of mud that the shoes, too high for the job, splattered against my ankles as I walked.

If Robert hadn’t kissed me, I probably would have stayed. We were in the claustrophobic break room, sitting a little too close, but I liked it that way. He smelled like brandy and coffee, with a touch of rot underneath, the sweetness of the grave, reached out with his gloved hand to cover mine. I
wanted him to kiss me, willed it to happen, just to breathe in the warmth, get a little taste of humanity. An exchange of knowledge. Or maybe it was the lure of touch, a desire for contact beyond a fatherly pat on the hand.

Sweat was forming on his forehead. I reached out with my handkerchief to blot it away, traced the scar above his right eyebrow. “Hunting accident,” he said mysteriously. I saw the flash of a Bowie knife, the wince of fists, felt tinny redness fill my mouth. Pouting in concern, I leaned in close, he leaned in closer, and we kissed. His delicate fingers, soft in their leather coats, relentlessly explored my nape. Obedient, I followed his lead. We went from peck to panting and pawing until the door opened.

Filler for NaNoWriMo, from a revised Round Robin prompt last spring. Impossibly short in the face of all the other words I've been tallying lately.

Image: Kiss V, 1964, Roy Lichtenstein.

|

Shoot him 'fore he run now

duckblind


J. had a freezer full of goose breasts riddled with shot. His family owned property on Broad Creek with a duck blind right against the water, where the menfolk, clad in camouflage, would sit on brisk fall mornings, guns poised. He showed me the blind that first summer, took my hand and led me through a tunnel of cornstalks gone brown. We sat close on the austere bench, hidden behind grass that had become hoarse with whispering over the years. I am sure he kissed me in that humid July air because we did a lot of that then, sweet lingering kisses in between fights and sarcasm.

He’d told me that a former tenant of the Sugar Shack, the house he and his brother were renting from their grandmother on the far side of the property, had keeled over one afternoon in the back bedroom, dead from a heart attack. By the time they found the body, the man’s faithful dog had chewed off half of his face. It probably started with wake-up licks that progressed to nips and then frantic biting. But J. was often full of shit, and I’m not sure if he was just trying to scare me. If so, it worked. I’d spend the night there holding it, too nervous to walk the ten feet to the bathroom, picturing the gory scene, the spiritual remains of this lonely person floating over the room.

One muddy November night, when lingering kisses had turned into the fire of post-fight sex, I realized I was on the edge. J. and I had gone from chemical intensity to a kind of in-between thing that wasn’t satisfying but was just enough to keep me hooked. We’d spent the evening at the bar, drinking and picking at each other. By the time we shoveled into the Sugar Shack driveway, my brain was crackling. We had a fight about something ridiculous or something deep-seated and heavy, it doesn't really matter, and at some point I grabbed a shotgun from the gun cabinet.

As I write this, I can’t believe that I did such a thing, so dramatic, so serious. Could I be making this up? No. I was drunk and sad and teetering on the edge of the abyss, so I grabbed one of his (unloaded) shotguns and pointed at my face. Maybe we struggled. All I can remember is me stumbling in the shabby living room of the Sugar Shack where it was cold and damp. J. was lit from behind so that his face was cragged in shadow. I was hysterical with pent-up emotion, struggling to keep hold of this unwieldy gun. Eventually J. took it away and returned it to the cabinet. We went to sleep. I woke up the next morning barely able to move, felt around for his sleeping form and remembered that he was probably hunkered down in the duck blind with his cousins.

I’m sure he chalked the night up to my overgrown sense of drama, another mark against me to go with my unfaithfulness and love of alcohol. Thank god I've tossed aside those crutches for the most part, though I miss the drama sometimes. Drama sparks up the night, shines a little light into the abyss. Without it, you have only darkness, have to bravely perch on the edge until the abyss slowly creeps away. And that's where I seem to be right now for reasons that are unclear to me, dirging it out until the fog lifts.


"Shoot him 'fore he run now," is a lyric to the song "Shotgun," originally by Jr. Walker and the All Stars. Click
here for a danceable, levity-producing version from the documentary Standing in the Shadows of Motown. It features some of the original Motown sessions musicians and the late Gerald Levert as singer.

Image from the
Washington College magazine.

|

A crumb

buster


But first, a preface to the crumb.

I haven't been here lately. My son is out of school until after Labor Day and we've had a series of pet-related good things and bad things. Cat dying: bad. Adopting a kitten and a new adult cat: good. Nora the dog passing a pea-sized bladder stone at the Emergency Vet: bad, though it could have been much worse. Attempting to dissolve remaining stones through antibiotics and diet: good, though if it doesn't work she will still need surgery. Me giving Nora cranberry extract pills with xylitol in them: potentially very bad, since
xylitol can be fatal in small doses to dogs. Nora surviving xylitol exposure unscathed: amazingly, wonderfully good.

In between pet-things and kid-things, I'm still taking the Round Robin, a writing prompt-based class. So here is a crumb for those of you who are still reading this blog, from the prompt
I remember.

I remember that her fingers were thickened by arthritis, were scattered with freckles. Helen’s nails were coffee-stain yellow, bitten down to the quick, and she kept fumbling at the wedding ring on the fine silver chain around her neck.

I looked at her hands because it was easier than looking into her eyes, or letting my gaze drift to her useless foot in its bright blue stocking. Sometimes after a visit I’d look at my own hands and realize that time is written on our hands the fastest of all. Already my knuckles are puckering in idiosyncratic ways and the backs are beginning to resemble the uneven surface of a barren planet, ropy with rocky veins and hairline fracture wrinkles.

Helen wasn’t a worker. The hardest work her hands had seen was the kneading of whole grain bread dough, maybe a bit of digging in the garden. She’d cracked open books, propped them up, her thumb and pinky keeping them open. Me, though, I’d scrapped carcasses in the field, held up splintery boards with the meat of one palm while I grasped a hammer in the other. Some jobs we worked all winter long, if we were lucky inside, but we weren’t always lucky.

I read a book once about men working on a tower, applying mortar and making repairs in the ice and slush of January. They were suspended from ropes attached to scaffolding, wore gloves with the fingers cut out as a symbolic act. Their hands were gouged and scuffed, palms smoothed by rough passes over granite, life and work written on the body.


Image: The kid, pretending to be a cat, because we don't have any good pictures of our actual cats being actual cats. Yes, he is holding an egg mold, which is this fictional cat's weapon of choice. It makes him fly or it's a bomb or he shoots it or something.

|

Join one sentence with another


confetti1


For about eight months now, I've been taking a course at
The Writing Salon called the Round Robin. Once a week the instructor, Jane Underwood, sends a class email with that week's writing prompts and partner assignments. Every day, for no more than twelve minutes, my partner and I each write on that day's prompt, sending the resulting "writes" to each other by email. Occasionally, the prompt is a photograph. Usually it is a phrase (yesterday's was "I feel exasperation tensing my face"), sometimes just a word.

The point is to just do it, to see what happens when we let our words flow without forethought or editing. Each partner responds to the other's work, pointing out the things that they like, encouraging the good. The process is exhilarating and a little scary. I read the prompt, gnash my teeth, and then start typing, not knowing where I'll end up.

And where I end up often surprises me. Mainly I divert my thoughts from real life, bored with the worn roads of
me, well-traveled and devoid of wildlife. The words don't tumble, exactly, they waltz, softshoe onto the page, join me at a leisurely pace. I start with one sentence, join it with another, and before you know it, I have a story. A vignette.

Like this one, so different from what I write here.

Writing prompt: The test

It’s nothing. Just a blank sheet of paper, 8.5 x 11 inches. The doctor passes it to me. I stare at one of the desk legs, slit my eyes until the carpet and wood blend together, a fuzzy field of sand and tree.

Did she mention what I am supposed to do with the paper? Is that the whole point of this test, to see how I react? Origami isn’t my thing, doc. I can’t even fold a paper airplane. And I am not up to folding a cootie catcher. The idea makes me smile, though, a cootie catcher with various diagnoses hidden underneath the flaps, with pictures of clowns and crazies decorating the outside. Pick a number, say the riddle, figure out the problem.

The sheet of paper sits there, like a command: Do something. So I do. I grab it and growl, start ripping, take what I’ve ripped and rip through that as well, doubling, tripling the thickness of the paper until I can’t rip anymore. By now I’m stomping around her desk, going in circles. I take what remains of the paper and toss it into the air, cackling as the confetti drops around us.

I sigh, sit down. “I feel
so much better. Thanks, Dr. Krapinski.”

She offers me a cigarette.

Image from here by way of I Am the Cheese.
More on cootie catchers.

|

Baby, stick around

So. The blog will stay put.

Thanks to
washwords, Koe Whitton-Williams, tricia, Dori, Karen, Bobby Revell, Jennifer D., Melinda, Lorenzo, Candy, Ashe.Selah, lydia, timethief, SmallWorldReads, John Folk-Williams, and Jim for your encouraging words and comments. Your support makes the difference.

Here's a bit of writing inspired by the prompt "Alright, fine. Let's hear your explanation." Well, inspired by that and by reading my grandmother's
burn notebooks, written during my grandfather's long hospitalization, where her anger over his vices and infidelities comes through, clear and Mercurochrome-bitter. I couldn't bring myself to change the names; they are too good to be fictional.

mustangsally

I just went to the track to look at the horses, to watch them ripple around the oval, to see their hooves beat the dust into red clouds. But once I got there, the action sucked me in. Before I knew what my feet were doing, I was standing in front of Les’s booth to place my bets. The air was heavy with money and I was feeling lucky. I’d win enough to pay off the rest of Atlee’s mortgage or maybe just enough to buy a smooth fifth of whiskey. Or even score a downpayment on a new washing machine for you, Vi.

Then I ran into Williard, who had a full flask and offered me a swig or three. Maybe the alcohol clouded my judgment. Maybe I couldn't see what an amateur that jockey was, but I think the race was rigged, that somebody paid him out to fall off the horse. Or maybe they slipped the little guy a Mickey, I don’t know. The end result is that I lost. The flask made a few more visits to my lips and I didn’t feel like going home just yet anyways.

You and the girls were at the cottage and I was planning on sleeping at the empty Tuxedo Park house, but then I remembered Molly. Molly with the blonde hair and long legs, Molly from the Tip Top Club in Salem, a nice easy-going girl. The Mustang knew the way from the track to the bar. It’s no coincidence that they call that car a Mustang. It has all the bucking power and smarts of a horse. It knows where to find the watering holes, knows the trail back home, too.

After I left the Tip Top, I was exhausted, so I took a snooze in my ride. That’s where I was last night, sleeping in the Mustang.

You can ask Molly if you don't believe me.
|

Writing prompt: Give us some trivia

stork
Illustration by Ed Harriss.


I was born with a stork bite on my neck, an egg-shaped mark pink as a salmon fillet. On some children this mark fades, but on me it spread down and around my neck, a two-inch wide necklace of permanent blush. “That’s a natural piece of jewelry,” Mom would say, “Some people pay good money to have that kind of thing tattooed on their skin.” Those people didn’t live in my town. The people in my town thought my neck band was the mark of the Beast. After twenty turtleneck winters and dickey summers, I finally had a plastic surgeon burn that thing off of me. It was worth every cent, every painful minute.

People think that calling them stork bites is cute. Like the stork doesn’t exist and, even if he did (yes, it’s the males that you have to worry about), he wouldn’t nip an innocent baby on the nape of the neck! What do they know about storks? Those birds are aggressive as hell. There’s nothing cute or funny about them or their predilections. That’s the brain stem, you know. One chomp there and you’re paralyzed for life. Dead before you even get a chance to give out a second wail of hello to the world. My parents turned their backs on me for five seconds … five seconds … and that nasty stork took his opportunity.

Still, I’m one of the lucky ones. My father had a younger brother, Cole was his name (they did name him). He was born at home. After the exhaustion of a 33-hour labor, his mother took a nap. The midwife was in the bathroom, and Grandpa — well, Grandpa wasn’t known for hanging out at the scene of a birth or death. By the time the midwife came back into the room, the stork’s work was done. Missy waved that bottle at Cole's face, tried to coax the nipple between bluing lips. When she turned him over, she saw it. This was no salmon mark, but a clear bloodless bite, a chunk of the baby’s neck gone missing.

So. You think the stork brings life, carries babies to their mamas in a soft muslin hammock, all pure and sweet and accommodating? No. Babies are born through blood and sweat and pushing, through exertion, the body like a machine that just keeps going until that thing is out. Then you have to keep watch, for the stork waiting to make his mark, for the death that can creep into the room on innocent-looking sleep, for the deadly cough that you can’t hear from down the hall.

Keep your babies close.

|

Gary Flanagan's Chihuahua

Last week one of my writing prompts was "start with a question," and I ended up with the beginnings of this little bit of silliness. At the moment writing fiction, making an attempt to tell an interesting story, to tell it well and with grace, feels like practice for me. I need a lot of practice. The beginnings of the next great American novel this ain't, but that's OK.

Next post: what I did on my winter blogcation.

And by the way, I have nothing against chihuahuas.

chihuahuaskull
chihuahua skull image from Skulls Unlimited.


Take John and Elise. John was in love with her, but clueless about the ways of women. Not as taciturn as his father, a slab of a man, thick and slow, who tended to talk only after having a few, John had learned little of relationships or communication. He tried, though, bought Elise a toaster oven. He researched and did price comparisons and found one that would fit over the counter. He matched it to her appliances, black and sleek, made sure Elise could cook those frozen tater tots that she loved so much in it.

“Happy Valentine’s Day!”

Elise was expecting flowers, maybe even a dozen red roses or some sort of singing Valentine. She wanted the cliché, craved it after seven arid manless years. There was so much expectation that when she unwrapped the box (how many roses could be in such a huge box? And so heavy?) she burst into tears. What in the hell was
this? John, bless his naïve heart, thought she was crying with joy, until Elise ran out of the living room, opened her kitchen window and flung the toaster oven, still in its box, out into the warm California air.

Start with a question. Focus on intent. For John, love. For Elise, unmet expectation, a dry spell Hallmarked to death, broken by this practical, this
unromantic man. But intent no longer mattered to Gary Flanagan, whose chihuahua was crushed under a toaster oven flung from a third story window. As soon as Elise heard Taquito’s truncated yelp and Gary’s shouts, she knew something bad had happened. She looked at John, still in shock himself at the strange turn the afternoon had taken, through the kitchen doorway and held a finger up to her lips, her bloodshot eyes widening in warning.

And then, she didn’t know why, she felt a surge of lust. Elise marched over to the couch and starting ripping John’s clothes off, pinned him against the flowery cushions. Caution be damned, they consummated their two-week relationship right then and there without saying a word.

In the confusion of expedited passion, her underwear went missing. Afterwards, John went on a hunt, made a big show of it, checked behind the huge ficus in the corner, rifled through the china cabinet, lifted Elise's hair and brushed the nape of her neck with his chapped lips. “Nope. No underwear there, either. Guess you’re just going to have to go commando,” he told her and she laughed like it was the funniest thing in the world. Like it was the first time she heard that one.

Elise picked up a takeout menu from the coffee table. “I don’t know about you, but I’m starving. Chinese?” she asked, waggling a flyer from Mr. Chen’s Vegan Delites. “Chinese!” John responded with a jocular wink as he tossed her bra across the room, just missing the trash can.

Below, on Broome Street, a crowd had gathered. Tacquito’s hind quarters were barely visible under the box and a trickle of blood from his mouth had formed a dark comma on the sidewalk. Laura Falcon from Apartment 16 had heard the impact. She had poked her head out of her window and called the police right away. After putting down the phone, she went out to comfort the victim, that sweet and single Gary Flanagan from the sixth floor, handed him a huge mug of coffee and some chocolate chip cookies. Together they waited, stared up at the bank of windows, row after row of shiny glass with ominous gaps, windows cranked out to catch the breeze. Curtains flapped, blinds shuddered. Potted plants teetering on windowsills had taken on a dangerous quality. "Rows of terrabombs," thought Gary, newly enlightened about the pitfalls of gravity.

There were too many possibilities. “Not a peep from up there. Not a peep.” Gary kept repeating, and Laura would give him a reassuring pat on the shoulder. To Gary it felt creepy, like she was enjoying this chance to make herself useful. Indispensible. After the police took a report, took little Taquito away, she invited Gary into her apartment. He refused. Fred, the condo building's maintenance man, sprayed down the sidewalk as Gary watched, still holding on to the chihuahua's six-foot black leather leash. The comma of blood turned into a rusty cloud and slowly dissipated, washed into the gutter. Gary went back to his one-bedroom, determined to get totally drunk.

John and Elise have never told John, Jr. about the night he was conceived. They’ve grown quite comfortable with each other’s foibles over the last twelve years. He’s better about flowers, and she understands that you show your love in the best way you can. Sometimes she wonders what would have happened if John
had brought flowers. How long it would have taken them to get beyond their assumptions? They couldn't stop talking that night, about the past, about how childhood confusion solidifies into adult surety. Elise is glad he gave her the toaster oven. She wouldn't change what she did that afternoon, wouldn't even alter it even by one second. Without the toss, the truncated yelp, the immediate intimacy of being partners in a crime of happenstance, she and John would never have gotten this far. There would be no John, Jr. It was fate, all around.

The day after the toaster oven incident, John left Gary Flanagan an anonymous apology note stuffed with twenties. The police said it was no use dusting for prints, and it was true, John had worn gloves just in case. Couldn't they have at least tried? Was Taquito's life worth so little? Gary has another dog now, a minuscule mutt from the SPCA who trembles in cold weather, whose barks sound like an infant with whooping cough. Nowadays, he tends to leave the building by the back door, shuffles Pepin past the dumpster and parked cars. He avoids the scene of the crime.

|

Catch up and a writing prompt

It hit last Friday afternoon, hit my son and me practically simultaneously, though he was first. The stomach flu. I had forgotten how thoroughly that could knock you out, though C seems to have an endless reserve of energy. I don't think I've ever seen a kid throw up and then go right on playing. And did I mention the two of us still have colds?

So I barely dropped an Entrecard, didn't even go downstairs for two days, just sat in bed, didn't eat, and spend a lot of cuddling time with my son while my wonderful (and healthy!) husband took care of us and everything else.

But that's not why I'm posting. My writing class has started up again. Back to the daily prompts, thank goodness, which provides a break from harrowing memoir, gives me something else to post. Today's selection is
White. The prompt is first draft, untouched, warts and all. It seemed like an especially appropriate choice for this blog, which operates in shades of grey and distrusts attempts to whitewash the past. And for another blogger's approach on colors as prompts, check out the most recent stuff at Yoga For Cynics. He's always worth a visit, no matter the topic.

White

Can you think of anything more bland? White bread, white rice, white collar. Something devoid of detail; the absence of pigment, of nutrients, of personality. Or perhaps you think of purity when you see the colorless expanse, a bride in her virginal wedding dress, the priest’s collar, the petals of daisy. What’s that all about? Then there’s a blank page or screen, waiting to be filled, the background to the rest of our lives, the tabula rasa. Let’s smudge it or spill the ink, write dirty words or talk about sex, reveal all our secrets. Let’s sully the white.

dirtysnow
Dirty snow. Image from TreeHugger.


White is too much pressure. Don’t you cringe when you see the white pair of pants? The white shoes that must come out after Memorial Day and go back into the closet at the conclusion of the summer? Suddenly I’m picturing a pair of white shoes I had in high school. They were Mias, 80s fashionable, flats with pointy toes that beat my feet into submission. How long were they white? By the time I tossed them aside they were scuffed, grey. They smelled like sweat. Inside, dirty imprints of my heel and toes.

“Do we really need these details?” you ask. “Do we really want the dirt, the skinny, on your white shoes? OK, we can move to other formerly white things, can see how writing about something muddies the page, dirties a secret life. Underwear stained with menstrual blood; t-shirts with their half-moons of brown under the armpits; ring around the collar.

I’m actually thinking about lies, though, secrets, the kinds of lives we say we have and the hidden world underneath. Everyone’s hiding something, is afraid to reveal certain details, has some shame. I say show it to the world, let go of your lily white fantasies.

They are totally unrealistic.

|

Shadowplay

(Let's call this faction.)

The year was marked by the scent of patchouli. It roped and twisted its way into my room, coated the curtains, soaked into my skin. Some pseudo-hippy incense-burning chick with Camarillo brillo hair lived in the room next door and I put up with a lot of unwelcome odors. Pot smoke, sweat masked by scented oils, cigarettes and sandalwood. My least-favorite scent is an amalgam: Fall Term 1987.

Fall Term 1987 wasn’t limited to the waftings of pseudo-hippy chick. There were hints of puke (my own, my friends:  we drank a lot), late night clothes exuding flat beer fumes and the remnants of cigarette smoke, the sticky 18th birthday remains of Coco Lopez and rum. That fall I comforted myself with baked potatoes clotted with butter and sour cream, used their earthy scent as an antidote to the disinfectant-sharp dining hall air.

Then there were the freshly opened condom packets; musty sheets left to go grey on the bed; my roommate’s apple shampoo; and the dangerous pull of Carl’s room across the hall. His walls were bare. In fact, the room was practically empty, save for a dead rose propped up in the empty whiskey bottle on his college-issue desk. I remember the smell of alcohol on his breath, sweet as molasses, as he unlocked the door.

He introduced me to the band Joy Division and to the previously unknown pleasures of the grownup crush, revealed the depths of my ability to obsess about certain kinds of men -- rebellious, prone to dressing in black, ready-made blanks for my projected fantasies. I wrote a short story about him for a freshman composition class that began "Carl is tall, dark, and handsome. Not classically good-looking ...." It was true. He had a Jeff Goldblum look, the dark-haired, smart, slightly nerdy ectomorph with his thick orange turtleneck, heavy boots and thrift store coat. He smelled like whiskey and cloves. The pull to Carl was obsessive. Single-minded. And pointless: I had a boyfriend and Carl was almost completely uninterested in me.

The real danger was Alonzo. Twenty-six, a senior from South America attending our small college on a sports scholarship, Alonzo was friends with Carl, but seemed to prefer the company of freshman girls. Rangy and tall, with hair like the young Kafka, Alonzo hung out in the dorm, crashed our parties, insinuated himself into our budding social lives. “Come on! What’s the problem?” he’d ask, eyes bulging, hand outstretched for my roommate Martha, making an offer we couldn’t refuse.

By the spring semester Martha had dropped out of college to get treatment for her eating disorder. I was unmoored, lost without my fellow drunk from a dysfunctional family. One snow-fresh February night Alonzo offered to take me out for a Procolino’s pizza. Afterwards (his intensity, his forcefulness) I reluctantly went back to his place, a windowless room in a Spanish professor's basement.

shadowplay
Shadowplay II (
Gordana & Marko Zivkovic)


The professor wasn't home. Alonzo switched on a desk light, turned on the clock radio and reached for me. I could smell his cologne in the air. Polo. Not a good sign.

You know where this is going, right? It’s an old and very common story. I hesitate to call it rape, rape with its violence and violations and death threats and nightmares. This was more like coaxed coercion. Alonzo, all exploring tongue and crawling hands, used his knee to push me onto his thin camping mattress. I protested. He insisted, did what he brought me there to do. (I recently found out that Alonzo had been inducted into the college’s athletic hall of fame. The entry noted that he was so eager to get a U.S. education that he was willing to sleep on the floor. Yeah. That's right.)

Afterwards, the room damp with forced intimacy, I focused on the radio. George Michael was singing Faith. Martha loved George Michael. She also had a crush on Alonzo, similar in intensity to my crush on Carl. Now there was something between us. Another lie. I already had a moat of lies between me and my boyfriend, a series of flirtations and one night stands that I excused by thinking of his early treatment of me, as payback for the 1 a.m. visits, the nights he lost to bong hits and Elephant beer. It was getting uglier and uglier, wasn’t it? What was I becoming?

Alonzo the conqueror drove me back to the dorms in the professor's car. I headed for the showers. The coed bathroom was empty, no need to shout all-clear. Little blue toiletries bucket in one hand, towel tossed over the curtain, I turned the hot water on full-force.

I couldn’t wash the smell of him off me fast enough.

|

Writing prompt: Bone tired

Here's a little bleak filler for you while I work on a longer post about the tail end of my isolation, my senior year in college (with a cheery story of a strange coincidence at the end! If it fits.).

Two notes: This
is fiction. And for a much more encouraging take on "Fake it until you make it," check out the post The Greatest Love from the fabulous Melinda Roberts Tyler of Melindaville.

sadpuzzle
Image from It is Called Mount Cope.


I’ve been reduced to this, eating cheese crumbs out of my clothes, stepping over the cat puke on the rug, shuffling outside in a pair of de-elasticized boxers and a translucent t-shirt, ancient and holey, to get the New York Times at 10:30 a.m.

Yeah, I’ll wave at you, neighbor woman from across the street. Hello. Hello. I don’t know your name because you never gave it to me. The first thing out of your mouth when we moved here two years ago was “Don’t park your car in front of my house again.” OK. Thanks for the welcome, lady. That was when I cared, when my skirts were crisped by the drycleaners, when I ran a brush through my hair in front of a wiped-clean mirror, when I spent half an hour every Saturday wrestling with that damn morning glory vine on the fence to keep it in line. I cared what you thought then, Neighbor, but I don’t anymore.

No. I don’t give a fuck. I trace these two years gone and if I cared I might wonder what happened. He left, briefly, though he’s back now. We’re back to the marriage bed, so to speak. I still can’t stand the feel of his hand on my back, how his fingers trace their way down to my ass. Fake it until you make it, the expression goes. That’s his philosophy, anyway, and at least he’s here. Says he’ll stay with me through this little setback of mine. This emotional trough. He claims to know what love is. This is it, supposedly.

But I don’t believe him and wait for him to disappear.

|

Writing prompt: There is grace in that direction

Obviously, Victoria wasn’t planning on falling down the stairs, tumbling like one of her son’s Lego creations, a gymnast gone wrong, cracking and popping along the way. She landed on her back, squinted her eyes at the upside-down view of the chandelier hanging in the stairwell, noticed two burnt-out faux candle flame bulbs. The stairs were in need of a good vacuuming. Two weeks’ worth of animal and human hair had been forming into angry mobs along the corners. They were threatening to rise up and cover the entire surface of the steps. The left wall had a series of equally-spaced gray marks made by her toddler son’s hands as he supported himself while climbing up and down. This vantage was a good reminder to vacuum more often, much like retching into a toilet bowl rimmed with stray hairs and old drops of urine was a push to get out the scrubbing brush.

stairs2
Photo from apartment therapy.


“If only I was drunk,” she thought, remembering those tales of drivers fueled by alcohol miraculously surviving car-totaling accidents, their floppy limbs and carefree attitudes rescuing them from death. Extricated from smashed tin-can cars, they get up and walk away with a sprained wrist or broken toe while their sober counterparts are Medivaced and rushed to emergency surgery. Then she remembered: she was drunk.

This wasn’t normal. “Really, this is an outlying event,” she pictured telling the paramedics. “This is not my standard Tuesday afternoon.” Her stressful weekend had bled into the week and she couldn’t stand the muscle tension, her shoulders pulled tight, the way her tendons held her limbs at awkward angles. Victoria couldn’t even hug her husband properly. Unconvinced by his warmth, by his beating heart so close and welcoming, her body maintained its stiffness. She felt like an impassive observer as her hands thumped him on the back, a prelude to withdrawal.

When Laura suggested sharing a bottle of wine with lunch, Victoria thought: why not? It beats valium. The crisp Sauvignon blanc complemented her crab salad. They each had a tiny glass of Port at the end of the meal over a shared piece of chocolate cake. She felt marvelous.

No. Not drunk. Just a little tipsy, a little loose. Maybe she wasn’t hurt after all. Victoria slowly raised her right arm, then her left. She moved her head from side to side, bent a leg. Sore. Bruised but not broken. Her tailbone ached, and her left hip was probably turning purple, the broken blood vessels leaking into her muscle fibers. She turned around, pushed herself up. How would she explain this one to Barry? Oh, it was easy enough. Chris was in the habit of leaving his toys right by the stairs and both she and her husband had almost tripped multiple times. Maybe this would convince her son to be more careful. Even though he had nothing to do with it.

Once she was off the floor, Victoria inched her way up the stairs, favoring her left leg. To better assess the damage, she went into the bedroom, stripped down to her underwear and stared at her battered image in the mirror. Years before she had fantasized about taking up boxing as a way to get out built-up anger. Intrigued by the idea of sanctioned violence, she wanted the thrill of knocking her fist into another human being, but had never worked up the nerve to sign up for lessons. Victoria balled her freckled hands and took jabs at the mirror as she danced and swayed. Her hip was as dark and soft as a ripe plum. One of her cheeks was yellowing and there was a thin line of clotted blood coming from her nose. Her back ached. But the tension was totally gone.

|

Writing prompt: Many in the park are reading the white butterfly

Many in the park are reading the white butterfly.
I love that cabbage butterfly as if it were a fluttering corner of truth itself!
Tomas Tranströmer, "Streets in Shanghai"

centralparksunbathe
Photograph from Wired New York


Many in the park are reading the white butterfly. Or worshipping the wrinkling God, exposing their winter-white limbs to the sun. Backs against thin towels, resting on hodgepodge quilts or supported by near-dead grass, they lie among the remains of dog shit and crushed beer cans. Four months of relative darkness, of travel wishes: the sea and sky clear, the beach unpeopled, a tropical drink supported by sand. Stuck in the city for the long haul, they celebrate the coming of spring.

They travel from studio apartments, from many-windowed penthouses, stream in from the train station, form in groups released from grubby cubicles. Maybe they are cutting school, calling in sick. It could be that they don’t have anywhere to be in the first place.

She props herself up on her elbows, surveys the landscape of bodies. Across a line felled by desire, a white butterfly floats, a promise fulfilled.

|

Writing prompt: The visitors

kontroleskape
Image from promotional materials for 2005 animated film, Kontrol Eskape.


Daniel came with a backpack full of canned cat food and Max, a fluffy grey tabby artfully splotched with patches of orange, on a leash. As he kissed my cheek, his toothbrush nudged me in the chest. It was tucked into his front shirt pocket alongside a container of floss and a ballpoint pen. He had a change of clothes in the car and had packed a tent, too, just in case.

“I don’t know how long I’ll be staying,” was the first thing out of his mouth. Max, unleashed, threaded my legs and dashed into the living room. Later we found a small disc of cat urine on the floor by the ficus, Max’s lament, his only accident.

I made a crimini mushroom omelet with muenster cheese and served it with a side of crisp potatoes roasted with whole shallots and rosemary sprigs. When Dan emerged from the bathroom, freshly showered, he opened a bottle of Pinot. We sat in eating in silence until the second glass, when he rolled up his left sleeve and showed me the marks, a neat imprint of fingers wrapped around bicep.

“Eric’s at it again.”

His boyfriend was a brute, a nasty sort who was attractive if you didn’t know his back story, didn’t know he was a sweet manipulator that could turn maniacal. Daniel turned and lifted his shirt, revealing an archipelago of bruises on his lower back, a long bloodied scratch across his spine. He never had a mark above the clavicle or below the groin: Eric was strictly covert.

“I forgot to take out the recycling.”

Suppressing a sigh, I reached for his hand, tamping down my guilty urge to blame the victim, give him a hard time for sticking around with beautiful Eric, the work acquaintance I’d set him up with. Eric of the deceivingly kind brown eyes and silken hands, of the long fingers of bendable steel and the high-pitched staccato laugh, a machine-gun guffaw that was as hairtrigger as his rage. I didn’t want to know about it, didn’t want to provide sympathetic catharsis.

“I forgot to take out the recycling, so he dragged me to the bin.”

“I’m so sorry, Daniel.”

A story of kicks by wingtip, recycling carefully sorted and dutifully delivered to the curb, Daniel’s attempts to keep his expression flat and his apologies genuine – Eric wanted simple obedience and sincere contrition, not a melodramatic man-beating scene. Last time it was about dry cleaning, though neither of us can remember whether the issue was overstarching (Eric has very sensitive skin) or Daniel’s forgetfulness, the shirts that weren’t picked up in time for the conference.

“He’s so . . . quiet about it, have I told you that? He doesn’t yell or scream. But his face is terrifying, Janine. It looks like it’s going to collapse on itself. Someday his brow will fold into his mouth and he will reveal himself to be the alien I know he is. Max always runs under the guest bed before anything happens. He’s my early warning system.”

Daniel took off his glasses and rubbed his eyes. I knew tonight wasn’t going to be the beginning of his redemption story, just another painful, repetitive chapter, the time before the revelation. He would be back there maybe even tonight. The reunions were the best part of this, weren’t they? Max would stay with me this time and I would stay out of it.

I leaned back and grabbed another bottle of wine from the rack.

|

Writing prompt: talismans

rabbitsfoot
Image from
The Heart Chronicles. "Vintage" (presumably long dead) rabbit's foot from the Etsy shop marytofts: antiques and curiosities.

Do the talismans protect you? They do not.

Do they bring on a creative rush, make you joyous when you are bereft, give you the courage and faith to love when your heart is stony and withdrawn? They do not.

Then why carry them around? Why write on the bathroom mirror each morning “I will have a great day,” in perky cursive with mauve lip liner if it doesn’t really work? The coffee will overflow, the bus will be late, someone will eat your sandwich from the communal refrigerator.

I knew a girl who used to carry around a rabbit’s foot – lucky for her, unlucky for the rabbit, the joke goes. Whenever she was called on in class, she would pull the foot out of her pocket, would worry worry worry the soft fur. Later she dropped out, ended up as an exotic dancer in that sex shop strip by the airport. Some luck.

I’ve opened umbrellas in the house, I’ve stayed on the thirteenth floor, I’ve watched frozen as a black cat crosses my path. Still here to tell about it, and to say: luck is often random. Sometimes we bring things upon ourselves, the good and the bad, we court the accident or flirt with the firing. Or we pave the way for happiness, work hard, make intelligent choices, drop the bad friends.

It’s not quite a crap shoot. It isn’t hocus pocus. But if your talismans bring comfort, well, that’s ok.

|

Writing prompt: Write about a box

hoarder2
Photo from Columbia News Service


It wasn’t just one box. It was twenty. Or probably more than that – thirty or forty at least. Her mother was a pack rat and a compulsive shopper. In between this visit and the last she had acquired a juicer, a new microwave, an iPod (did she know how to program the thing?), and a set of wooden spoons from a charity based in Africa, in addition to countless other things that Janine couldn’t identify. Some of the boxes were opened and empty; others sat waiting for the knife, their contents in darkness.

It wasn’t just the boxes. It was the newspapers. The books. The bills. There were piles obscuring the windows. Her mother had beaten down a path back to the rest of the house, like a deer makes a path through the brush and undergrowth, to get to the kitchen, the bathroom, the bedroom. Could she get to the bedroom? The couch -- the only piece of furniture without boxes and papers on it -- had been made up like a bed, with a soiled set of sheets and a blood-stained pillowcase.

Janine followed the trail back to the bathroom, walking carefully, one foot placed in front of the other because there wasn’t enough room to walk normally. Willow, her mother’s ancient grey tabby, all bones and croaked meows, darted in front of her. Janine didn’t respond in time and her fall triggered an avalanche of boxes, a flurry of papers as her mother watched from the kitchen.

“Find the birth certificate?” her mother asked. Oblivious.

|

Writing prompt: Its dark and secret heart

mommom1934
Mom-mom, 1934.


My obsession with ghosts started in the sixth grade, though it had its roots in my grandmother’s death two years earlier. We were in the kitchen, putting groceries away when she suddenly clutched at her throat and started gasping for air, frantically motioning to the kitchen chair. I stood there, confused, scared. Finally, I moved the cat, and Mom-mom collapsed into the empty space.

It was up to me to dial 911. We waited 40 minutes for the ambulance to come all the way from Elkton. She was dead or close to it by the time it arrived. Congestive heart failure. In a couple of weeks, my mother, her boyfriend, and I moved in with my grandfather and tried to cope with her absence and our new living situation.

I’m not sure where the Ouija board came from. Maybe it was a Christmas present. I started carrying it around with me, taking it to school, begging my friends to help me contact my grandmother. They went along with it and I believed everything. Mom-mom had a friend named Sam up there in heaven. Everything was all right, and she was watching over me.

ouija-board


My mother took the death chair out of the kitchen, eventually storing it in the attic space over the garage. I was into sleeping in tight spaces, under picnic tables, in tiny tents I set up in the backyard. One night I convinced my best friend to spend the night in the attic with the chair. The space was hot and smelled of cut wood and roofing tar. I kept staring at the empty chair, waiting for my grandmother to appear.

Over the years, through neglect and hard times, I kept on waiting. When, as a teenager, I moved to the Little House adjacent to my grandfather’s place and felt totally alone, I wished for a sign of her presence, a sign that someone was watching over me.

Now I know that such hopes are false.

|

Writing prompt: Watch it!

Tuesday’s prompt, tidied up a bit. Although the people depicted here are real, the event is fictitious. The tone reminds me of the Eavesdrop Writer Blog, a site definitely worth checking out.

The Metro is packed. The threatened end-of-day thunderstorms have arrived and I am jammed in with other hangdog federal workers, soaked tourists, and a crowd of high school students all wearing identical Smithsonian raincoats. I stare at a man’s hairy hand, thick gold ring on his index finger, as I hang on to the pole by the doors. We breathe in the heavy air, faint with adolescent sweat.

tigerlady
Picture from The Janus Museum.

As the warning chime rings and a disembodied voice tells us “Doors closing,” she walks in. I see her almost every day at Union Station sitting by the Christopher Columbus fountain behind a phalanx of plastic bags. “Got any money to spare today, baby?” she’ll ask. Before I encountered her there, she once sat next to me on the Metro, in one of those seats half hidden behind plexiglass at the back of the car.

She’s hard to forget, this middle-aged African American woman, probably homeless, maybe a little crazy. Every morning she gets up and puts make-up on her face, stripes of beige and dark tan, giving herself the face of a bland tiger. Her eyes are always hidden behind sunglasses. Today she wears a threadbare, stained trench coat, tan, stylishly cinched at the waist.

Commuters flatten themselves against daytrippers as the tiger woman forces her way into the car, except for man beside me. “Hey, you: watch it!” he yells. She ignores him, the doors close, and we’re on our way. Next stop, Judiciary Square.
|