Wild horses
Summers when I was a little girl we would drive past the horse farms owned by the Duponts, would pull our rusty Datsun over to the side of the road and tiptoe up to the fences, holding hidden handfuls of Dominos sugar cubes. Two cubes in each flattened palm, we would wait for the horses to whinny and walk over, for their soft lips to graze our hands as they picked up the sugar.
The memory is faded now. I hold the fact of it rather than any sensation, and what I see are long grasses and dark, tall fences, a blue sky with clouds raked across it, the vague sense that we were getting away with something.
Image by Jane Underwood. The image was the prompt.
Drum-tight heart
Sitting in a cold doctor's office
on a sunny morning, looking at my Moleskine
notebook,
discovering old writing ideas that I will never
use. Please steal them. Give them life. Some of
them have been trapped in my little notepad
for years.
First the concepts
angel-in-residence
ritual explosives
liquidity of memory
drum-tight heart
fill it up with Ethyl
Then fill in the
gaps
Message on our answering machine, 2003:
Giovanni's got a
package for you.
Conversation on a dry, dusty day at
Children's
Fairyland:
Father, very angry, to toddler: You got my shoes dirty right
after I cleaned them!
Grandmother, placating:
You
know
how funny he is
about his shoes.
Finally, the Moleskine
Good luck reading my writing. I can
barely decipher it myself. And I've been drawing the
same doodles since I was twelve.
This post is written in homage to koe
whitton-williams of the half-life of
lineoluem and if the walls could
talk.
I've chosen to go almost all lower-case
in this paragraph,
but I could be wrong. I'm working without a
stylebook.
Next post: a return to narrative.
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Images above: Me, waiting,
waiting, for the doctor or, err, the
nurse-practitioner
Images below: What I wrote in my notebook while I was
waiting
I promise that, after two days of sunshine, I will smile
What is it about my son’s illnesses
that plunge my life into despair, knock me into a pit
for the duration? Four days at home with a sick
four-year-old, four nights of not-enough sleep, his
body sandwiched between my husband and me in the
middle of the night, exuding heat, the constant bark
of his cough punctuating my waking dreams.
“Just spit it out, cough it up and spit it out,” we
told him Wednesday night as he hovered over the sink.
His coughs have been from the center of his body,
deep and hoarse. He let loose a fishing line of spit,
coughed again, and threw up into the basin. It was
very matter-of-fact, but he was concerned. "Will I
need to go to the doctor now?" he asked. "That's not
the bad kind of throw-up, is it?"
“I used to cough until I threw up when I was a kid,
too,” I told him as I rubbed his back. “It happened
to me all the time.” It did. I had a bum pair of
lungs and was prone to bronchitis and
middle-of-the-night asthma attacks. It didn’t help
that my mother and I lived in a series of mildew
pits, that I slept hemmed in by cats drawn by my
little girl warmth. I was allergic to both mildew and
cats and probably the cigarette smoke that twisted
through my grandparent’s place. Used tissues would
pile around me like snow drifts. I had a lot of
“melodramatic” coughing fits.
The doctor said the asthma was nervousness or
hysteria or some such nonsense. I remember turning it
over in my mind, that these terrifying attacks, the
desperate quivering of my lungs for breath as I sat
up in the dark, were emotional. They were my fault,
or maybe my mother's, for being a single Mom, for
being a bit of a hysteric herself.
The unfortunate thing about running on fumes, about
being stuck to the side of a sick boy for four days –
I have no perspective. I wish I could tell you of the
helpful doctor who helped me manage my asthma, who
held out her hand for mine. There was no helpful
doctor, though I did at least get an inhaler.
The truth is, I've never wanted to be helped, except
maybe in my secret inner heart, and if you don’t want
to be helped people generally don’t help you. Maybe
it’s safer this way, but it’s also a drag, and when
you’re in a funk it only drags you down further.
But give me two days of sunshine and maybe a week of
health for the boy and the rest of us and I will
leave the funk behind. I promise you that everything
will be different, that I will smile back at
strangers, will embrace friends and acquaintances.
After the long gray winter, spring will come again
and I will be filled with warmth and perhaps
something resembling happiness. Or contentment. I'd
settle for contentment, the absence of grayness.
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Image: Kid in between colds,
disguised as a mummy.
Prompt: Write about a time
someone helped you
Never tasted so sweet

Tanning butter. Warm sun, a plunge into comfortable
water, like being in the womb, no difference between
you and what surrounds you. Afternoon nap in a
hammock with your hair giving off a touch of
chlorine. Dinner by candlelight, light ocean breezes
flickering the flame. The fish on your plate stares
back at you with a dulled eye. Fish never tasted so
sweet.
Creamy potatoes with a layer of crunch. Haricots
verts steamed and tossed with sesame oil and ginger.
You tap the skin on the crème brulee into shards,
take a deep drink of Sauternes.
In the dark he comes to you, smooth muscles, breath
underwritten by cigarettes and mints. It isn’t a
surprise. It isn’t expected. It just is. You accept
the gift, a kind of reawakening, the necklace of
kisses, his rough voice, the burn of an unshaven
cheek. You interlace fingers and he speaks of your
beauty, your irresistibility, how you taste like
papaya. He has been watching you all week.
Morning brings an empty bed, a freshly-plumped
pillow, a trio of hairs tangled on the sheet. In the
shower you sigh. Remember. Anticipation only lives
once.
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(Soundtrack: La vie en
rose,
sung by Yves Montand.)
Image by besia.
From a
prompt: Just imagine.
Because I am hungry for art
But worse than feeling the real world slip away is the feeling that I get when I don't write. It's a kind of lovesickness, an ache of not-having. The only way to feel better is to sit down and start typing. Even if it's painful to write, even when I procrastinate, when I avoid turning on Freedom for the Mac and bop around the Internet looking up information on John Quine or Anya Phillips (I've been re-reading Please Kill Me and the 70s punk scene is haunting my brain), eventually I get around to writing. Because I have to. It fills me. Without it, I am empty.
I want to write all night, sipping on red wine and smoking the occasional cigarette. I want to go to sleep at 3:00 a.m., sated with language, and wake up for a light lunch of mineral water and salad, of warmed baguette slices smeared with roasted garlic and chevre. After lunch, I want to linger over a book, sip a cup of muddy espresso in preparation to wrestle with words on and off into the night. I am up at 3:00 a.m. these days, listening to a frustrated cat howl, staring at the billowing curtains as my mind forces me to consider various bleak scenarios, feeling the heat of a feverish, fitful boy as he pushes me off the cliff's edge of the bed. A week of just the two of us -- me and the words -- would cure my angst. One week of writing in a dark room, embraced by a circle of lamplight, feeling the sediment on my tongue as I drain a final glass of wine, letting my mind dance with the headrush of unfamiliar nicotine. Just a week. I would take the time to focus on this useless fantasy in order to discard it before returning to the here and now.
The Round Robin, with its daily prompts and sweet feedback, helps, but sometimes I still feel like I'm bouncing around in my own mind, where (as usual) it's all about me. Other times, though, I create something that I can't explain, but I like.
So here you go, a piece that is a mix of homesickness and the past and an attempt to transcend. And let's hope for a few weeks of health and clear weather, of writing and creating. Of sanity.
Stained
I want a
cylindrical room made of factory glass, the door a
piece of carved mahogany salvaged from the She-Wolf,
Lord's old boat, the one that is sitting on a trailer
in the backyard, the hitch supported by a stack of
cinderblocks. Against the cool glass, set into block,
the mahogany will seem rustic, warm to the touch. I
will rub my hand against it before I enter the room,
think of the times we went waterskiing or just bobbed
around in the muddy waters of the Elk, my wet ass
spreading a dark stain on the boat seat.
Even then that boat was a piece of shit. Lord wasn’t
paying attention to it. He let it sit in the water
all winter long. The varnish wore off, the gleam
melted away. Every year he bought cans of teak oil,
stacked them in the shed, and let them sit. Barnacles
coated the She-Wolf's hull. They were rough against
my hand, cut into my feet as I pushed against the
boat into the heavy water.
So, the room. It is lit from within, white
light/white heat. Even the ceiling is made of factory
glass. The floor, too. It is empty. I will go inside,
lock the door, and remove my clothes. I will press
myself up against the glass. See if you can tell me
what you are looking at, my blurry image refracted in
each square. I will light a cigarette, will snuff it
out on the rounded wall, again and again. You will
see flesh, the death of ember, the end of the spark.
Lord is dead now, too, washed away, though not in the
way you would expect. It had nothing to do with
water. It was emotion. The dike broke, his water
wings deflated, a big hole opened in his roof and the
house filled with rain. You want me to tell you about
it, to be more direct, but I won’t. I have his boat
and my plan. Every weekend I sand down the mahogany,
try to remove the stains, think about my cylindrical
factory glass room. I picture Lord on the other side,
horn-rims slipping off his nose, one hand marking his
place in the book. I mystify him and he likes that.
Image
by Vinje.
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While your heart still beats
The pavement was slick and there
were potholes and too many trees by the side of the
winding road. The first to go were two juniors who
were cutting school, doing what teenage boys do,
driving too fast, maybe drinking or passing a bowl
while the tires screeched and the car fishtailed.
They ended up upside down in the creek that snaked by
the road. They died. There were others in high school
who died in car accidents, too, though at this point
I mainly remember the names of the survivors
(thanks, Facebook,
with your updated images of people from the past).
Since my grandmother
died,
I’ve developed a strong sense of mortality, of my
own, of other peoples’, of the various cats and
dogs that have been in my life. Sometimes it hits
me more than others, generally when I’m feeling
low and isolated, when the sun hasn’t been out in
weeks. It doesn't help that I've been spending an
hour or two a day writing out the details of
illness and death for my novel manuscript. And
I’ll have dreams about these
people,
the dead from high school, usually as represented
by David Anderson, the last one to die, the one
who made it into the yearbook, a ghost by the time
the book was printed.
There are other “deads” as my son calls them, like
Carolin, a friend from college who had some sort of
birth defect that we never discussed. She’s been gone
for seventeen years, sometimes still visits me in my
dream version of our college dorm. My grandfather
shows up less and less now as I deal with the past,
though I am sometimes reminded of how much there is
to deal with (another nod to Facebook, where people
who knew me peripherally during one of the darkest
times in my life show up, and I remember just how bad
it was and I want to die with the memory).
As I was wrestling again with that long-ago past,
something that I keep thinking should be a “dead”
itself at this point, as I was having a good cry
after washing the dishes Thursday night, Nora, our
Russian squirrel hound, came clicking into the
kitchen. She likes to comfort the sad and
inexplicably lonely, especially if it involves a pat
or two for her. I knelt down to stroke her chest and
was struck again with memory. There I was, ten years
old, in what used to be my grandmother’s room,
petting Greta the miniature schnauzer. Greta's fur
was warm and soft. She groaned as I scratched behind
her ears, reached out a paw as if to say "Don't
stop." At the time, I was struck with the exquisite
transience of it all, the way a heart stops and the
lungs give out, the vulnerability of our soft bodies
and delicate skulls. Disease creeps in. A car slams
into a tree and then into you. You ignore the deep
cough until it is too late. No matter the trajectory
of the story, we all know how it ends.
Greta was killed by a hit-and-run driver when I was
in seventh grade, about six months after we left my
grandfather's house for Wilmington. He let her out
when he was getting the mail. As he limped to the
mailbox, Greta trotted to a neighbor's yard. She was
halfway across the street when a car came tearing
past and knocked her into a ditch. Either the driver
didn't see her or didn't care to stop and my
grandfather caught only a glimpse of the car's tail
lights. It was the violent conclusion of Greta's
brief story.
I knelt in the kitchen, my arms around Nora, and
added up the dead. I felt their hands in mine, the
touch of a gentle paw, the sound of a meow. Greta and
I sat together in the dusty sunlight, her eyes brown
and serious, her heartbeat strong. Sidney played a
game of capture, batted at the pencil I pushed under
the door. Louise
curled up on the
dining room table, a dog pretending to be a cat. I
brushed against a boy in a hallway as he ran by,
late for class. And my grandmother croaked out
"Tie a Yellow Ribbon" while I giggled from the
swing that hung from the maple tree. Even the tree
is gone now, but like the rest it exists in my
memory, in the stories I tell.
I held Nora tighter, tried to appreciate the moment,
knowing I would think about it when she was gone. And
the sweetness of it almost killed me.
Top photo by Jane Underwood,
Writing
Salon mistress and photographer
extraordinaire.
Bottom photo by Mr. T from Nora's first week with us
in 2003.
After writing this prompt and struggling with various
versions of it for the blog, I got out my senior high
school yearbook (theme: "A Unique Blend." I had
forgotten that high school yearbooks had themes),
just to check on some of the facts. There was David
Anderson, still in with the living seniors, but at
the front of the book was a dedication to three other
people from our class who had died, two of them in
car accidents: Pat O'Donoghue, Rob Klaczkiewicz, and
Joe Lombardino. There were others who died while I
was at school, specifically those upperclassmen in
the first paragraph of this post, though I could have
some of my facts wrong about the accident. They died
in the mid-80s, well before our lives were digitally
monitored, before you could have a Facebook page even
after death. The fact that there was no trace of
these young men made me sad. It was almost as if they
had never existed.
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Swann song

I miss the tall ginkgos with their rotting fruits,
the way the berries felt beneath my feet with just
enough crunch, a pleasure to step on. The sidewalk
was covered with ginkgo leaves, too, bright yellow
fans dampened with the rain. A storm had come through
the night before, had knocked the leaves off along
with the fruit. The air was full of the smell of
them, acrid, rotting, sweet.
We were lost and I was defensive about it, but if you
were going to be lost, this was the neighborhood to
be lost in. The street was tunneled in by wide brick
rowhouses, voluptuous Victorians with turrets and
whimsical windows accented with stone. Each house had
a set of black iron steps, shiny and slick,
one-two-three-four, up to the entry. The steps made
little caves over doors to English basements, a term
which conjures up mold and damp and a view of other
peoples’ ankles, the angling of a dog’s leg as it
releases a spray of urine against low iron window
bars.
He got angry with me after I got angry with him and
we had an embarrassing fight in front Martha, a hissy
fit that revealed more than we intended. A tense
moment with the map revealed my mistake and our luck:
we were three blocks from Adams Morgan, a short walk
to a few cold beers and a platter of Ethiopian food.
The three of us marched from Swann Street to 18th
Street, walked uphill against a thin wind. It was
getting dark, people were bundled up against the
cold. We walked without talking, single-file past the
homeless, the crazies, the young people with their
know-everything attitude. And then we shared a meal
with all the awkwardness of something being over,
knowing we had years to go before it would really
end.
This is
from a Round Robin prompt this week, my (slightly
edited) response to a very different photograph.
Photo by Antediluvial.
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I serve in this fashion

I trace an outline of my daughter’s hand on thin
tissue paper. The paper is pink as cotton candy and
her hand is limp. She is asleep.
I’ve spent the last weekend tracing her limbs and
torso while she sleeps, working my way up to her
delicate head and wispy hair. I just want to catch an
idea of that hair, a tendril here, a mass of frizz
there. In her sleep her toes flex like a
dancer en
pointe. I
follow the stretch of the arch of her foot, sweep up
the ball to the tip of her big toe. Elizabeth stirs
and tenses as the felt-tipped marker grazes her
flesh, but I am stalwart and stay the course, capture
the foot for posterity’s sake.
Elizabeth is three years old, red-haired and long of
limb. Her knees are like mine were when I was her
age, stretched and knobby all at once, awkward joints
connecting leg bones. I can already see how her hips
will jut out at thirteen, will buffer themselves in
fat and muscle. Buying pants will become almost
impossible for her, will become a source of
frustration, and she will start to wear slimming
flat-front trousers with wide legs no matter the
going fashion. Her skinny legs will protrude from an
ample rump, those now-slight hips will grow to
temporarily house the wide skulls of ten-and-a-half
pound babies. She will slap the first man who remarks
on her child-bearing hips and then she will marry him
and bear two children in three years.
They will exhaust themselves with fights over money
and discipline. When she discovers that he's been
sneaking out to Bible study meetings and is on the
road to becoming born again, Elizabeth will leave
him. I'll take the family in, my 26-year-old daughter
and her two preschooler boys, will put aside my plans
to redo the upstairs in preparation to sell the
place. She'll be practically unemployable, her only
experience being reproducing and windexing the glass
off the windows, running a vacuum cleaner across the
floor so thoroughly that you could eat off of it. It
will be as though she were a teenager again, the
petty little fights over who left what dish in the
sink without washing it, her stealing my cigarettes
and popping diet pills so she can stay up all night.
I will wonder what happened to my golden years, my
"me" time. She'll get an earful every night.
Eventually she will go back to nursing school, will
find a new place to live and get a job. One of the
night-shift orderlies, an atheist, rational and
compelling, will seduce her with stories from his
service in the Persian Gulf. He'll move in after
their third date and will start whipping that
fatherless household into shape. The boys, teenagers
by this time, will be desperate to escape the two of
them, sick of the discussions of Ayn Rand and the
tyranny of other people's gods. There are other
things that will keep them away, the sounds that leak
from the too-thin walls of the tract house, the
atheist's cries in the middle of the night followed
by the low dove-coos of their mother soothing him.
They will visit me for dinner almost every night and
I'll serve them roast beef and potatoes, spaghetti
and meatballs, fish sticks and french fries.
Sometimes one of the boys will sleep on the pull-out
couch, his brother in a sleeping bag on the floor.
But for now Elizabeth is a little girl with chubby
feet and dimpled elbows. Her neck is thick, strong
muscles leading to an unremarkable chin that dips out
blandly from under her lower lip. Her dad and I are
still debating about whose nose she will have. All
children have cute button noses. It takes the
hormones and stretching of adolescence to reveal the
nose’s true nature.
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Suspicious minds

Because Frank Smith is an
investment banker. A lawyer. A high-powered PR
executive. Or so the rumors have it. He showed up in
Bank Nile about a month ago, rolled into town in his
’49 Ford truck, which looks beat up but runs
suspiciously well. Maya thinks he’s wearing a mouth
piece. He talks like he’s been eating ice cream, his
tongue slightly numbed, the words not totally clear,
but there is no stink of alcohol or sign of the
needle. There is no ice cream cone. She swears she’s
seen him adjust those just-so nubs of his when he
thought no one was looking.
His hand are smooth. Even though the palms are filthy
and his fingernails blackened with earth and compost,
those aren’t the hands of a man accustomed to hard
work. He keeps a dust bowl hoe by the garden patch,
makes a show of rustic tools, the rusted metal rake,
a long pointed shovel. Frank claims to know about
healing herbs, says he’ll fix you up with something
for those migraines, will make a poultice for your
aching back.
But don’t let that investment banker/lawyer/PR man
sell you a goddamned thing.
****
Image from
an online costume shop. This post was originally my
response to a photo prompt. I keep on returning to it
for the blog, but didn't want to use the original
picture, for obvious reasons. And if you are in the
market for a fake beard, I recommend the fine
selection at the Etsy shop I Made You a
Beard.
I've been struggling to write and hopefully will be
back on track in the next week or two, writing,
thinking, and visiting other blogs.
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Berkeley type

There’s a man with thick silver hair who will save
me. I’ll run into him at Good Vibrations or while
thumping melons at the Berkeley Bowl. Eyes quizzical,
brow scrunched, I'll ask his advice as I peruse the
erotica or the tomatoes. “How do I pick a ripe
one?” I'll say, then press my lips together in
anticipation, run a nervous hand through my own
uncombed mane, worry the tear in my formless tee.
He’s capable, my man with silver hair, knows what I
require. “I haven’t read this stuff in years,” I’ll
tell him, batting my innocent eyes. “A girlfriend of
mine recommended the selection here. Do you have any
recommendations?” Or: “My naturopath has
finally given me the green light for nightshades, as
long as I don’t combine potatoes and tomatoes in the
same week. But how can you tell when a pineapple
tomato is ripe?”
He’s firm, my man with silver hair. Turns out his
name is Nathanial and he stays away from pornography
and tomatoes. He scrapes a thin layer of coconut oil
on his multigrain toast and makes his own organic soy
milk. He lives in a house constructed of bales of hay
coated in plaster, collects the rainwater and the
grey water to pour over his lush, nightshade-free
garden. In a far back corner of his yard, a former
girlfriend has constructed a pyramid of empty
television sets and we sit and watch in calming yogic
poses, balancing our diminishing frames on iron
loungers furred with ivy.
Nathanial leads me away from temptation. He slices
layers of butternut squash, thin as sashimi, dries
them in the sun, and layers them with nut cheeses and
frothy cucumber juice: lasagna! With him I
learn the taste of a peach, the value of chastity,
the length of my arms from fingertip to fingertip.
During our monthly fasts, we see visions,
hummingbirds like fairies in the passionflower,
fabulous eagles, strong and formidable, emerging from
sketchy fog. And my parents appear before me,
penitent and humbled. They kneel at my feet and I
dismiss them with a forgiving wave. The vision
repeats and I never tire of it, my power, the moment
of clarity.
When it’s over, when I am saved and clean and about
twenty-five pounds lighter, after my visions start to
wear thin, Nathanial will move on to the next orphan.
He is evangelical, gathering souls away from
processed foods and packaged T&A, a beam of light
that moves from soul to soul. I want to warn them,
the lady paused in front of the cornflakes, the
college boy reaching for a six-pack of Milwaukee’s
Best, the skittish dog-walker about to cross Dwight:
It isn't us he wants. It's the karma.
From a prompt last summer: I am
counting. Despite the first-person point of view,
this is fictional. Just a reminder.
Image: The infamous Berkeley
Bowl,
from a 2005 New York Times
article.
Chiaroscuro
Look. I’m all out of words. They started drifting away from me this morning, when I woke up with the boy at six a.m. As the day continued – conversation with the visitors, trudging off to music class, trudging back, stopping at the store, fixing lunch for the visitors, making conversation with the visitors, entertaining my son, taking care of our various animals, fixing dinner, putting the exhausted child to bed, making more conversation with the visitors – the words just left.
I say I was making conversation with the visitors, but the truth is that by the end of the day I was mainly nodding and sighing sympathetically. It was all I had left. So here I am, bereft of creativity, my mind swimming with stories of thyroid nodules and nerves like tangled spiders’ webs, of early deaths and shattered psyches. What’s in store for me? Should I be so smug about my flexible back and thin, muscular legs? Should I be grateful that my mother taught me the proper way to eat? Or that I inherited her frame and general good health? Maybe I will fulfill my genetic heritage some day soon: develop an autoimmune disease, succumb to the rot of debilitating depression, start to feel my legs tingle and fret as if they were plugged into the wall.

Part II:
Resonance
OK, OK,
OK, Part I was the result yet another prompt, from a
family visit in September. It was a photo prompt that
had nothing to do with the resulting piece. I was
going through my old stuff, looking for something,
saw this, thought: Aha! That feeling some of us get
after too much family time on Thanksgiving. Except I
haven't gone home for Thanksgiving in years, and if I
did, it would actually be wonderful to be with my
mother, though Kevin's
absence would still be
palpable.
Sometimes
I'm afraid that you're getting the wrong impression.
Maybe you think that I sit around immersing myself in
the past, feeling sorry for myself and penning
various memorials to the me who used to be. Or that I
prefer to
dance with darkness rather than frolic in joy and
light.
I write about what resonates and I have a complex
relationship with both happiness and the past. The
past is always present for me; it informs the
present, keeps me grounded. And it provides me with
great material. Don't even have to think about it. As
for happiness: I am capable of feeling great joy. I'm
generally happy, except when I'm
not.
The hollows, shadowy,
cold as falling snow, call to me. Light is
meaningless without darkness. I need texture, a rough
patch here and there, a little complexity and strife
to make it more interesting.
But maybe my next post will be about puppies. More
likely about finishing NaNoWriMo. Or my husband
wrapping up his dissertation. Or maybe it really will
be about puppies, cute little fluffballs, good enough
to eat.
8:37, Saturday morning

Every Saturday he and his mother make pancakes and he
watches the drama unfold. The eggs, chilled in their
container, ignorant of their fate. Then, she selects
two. It is never random. She moves from the back of
the carton to the front. Surely the last eggs know
what’s up, though she shuttles them back to the
refrigerator before destroying their brethren. This
is when he insists on touching an egg, on holding it
for a brief minute, transferring his warmth to its
cold shell.
“Do you want to crack one?” she will ask and he
always shakes his head: No. The mess! Tom can
tell she is relieved, even though she doesn’t let out
a sigh or stretch her thin lips into a smile. It’s
the way she angles her shoulders, the slight
relaxation, the slump, when he returns the egg. He
has become a master of the nonverbal, of the facial
expression, trying to figure out the scene before
inserting himself into it.
One Saturday, he did drop an egg, just let it go onto
the kitchen counter to see what would happen.
“Whoopsy!” his mother exclaimed in a too-bright voice
as she hurtled herself across the kitchen to get a
wipe. The clear white was oozing over the side of the
counter, had just started to drip down the cabinets
and onto the floor, and the dog, attuned to any
utterance that sounded vaguely like “oops” had
already honed in on the trail.
This time his mother did sigh, gave out a loud sigh,
before taking out her frustration on the dog. “Mandy!
OUT OF THE KITCHEN!” She threw up her arms and
stomped her feet, glared as Mandy slunk back to the
living room. “I’m sorry, Mama,” Tom said, his heart
fluttering, as she picked pieces of shell off the
counter and attacked the remains with a sponge. The
air around them, charged with anger, calmed as she
looked up at him. Everything stopped. She reached out
and cupped his cheek, leaned over to kiss his
forehead.
It’s always the way, she thought, the anger that
explodes out of nowhere, like an egg cracked into hot
oil. The expression on Tom's face, the knowledge that
she is her mother, that she will be
apologizing forever for her lack of self-control, for
the spark that she passes on unwittingly. Here's
hoping he isn’t as delicate as an egg.
From a
prompt: You hold it. As Anne
told me recently,
the prompts have been good to me lately. Though
very shatter-focused.
Image by Petr
Kratochvil.
The noises of destruction
One night, frustrated, I drained a 12-ouncer and went outside. Two feet from the oak, I held on to the bottle as if it were a diminutive baseball bat, gripped its neck with my fingers, and slammed the tree with as much force as a slightly drunk sixteen-year-old girl could.
It’s harder to break a bottle than you think.
From a writing prompt last summer: Out the window. NaNoWriMo is beginning to drive me crazy. Sixteen days. 41,000 words. One messy and rambling novel very close to completion.
Bit of trivia: my mother now makes jewelry from pieces of broken glass she finds on the street or breaks on the cement slab in her own back yard, a picture of calm with a broom and dust pan.
Away from here

We kept on digging that night, pushed through soil
rich and dark, encountered earthworms as long as
Joe’s middle finger. He had a trowel and I had a
pick-axe, but most of the time we used our hands,
took off our gloves and did the dirty work directly.
Nobody had told the little one about what had really
happened to Tristan. I mean, he knew he was sick and
saw the old cat collapse on the kitchen floor, heard
the pained meow. He saw me cry and hyperventilate and
gather calming forces, but we couldn’t bear to tell
him what was happening, what would happen. He hadn't
known loss and I swore he wouldn't, not until I was
old and sinewy, not until Joe's alcohol-pickled mind
had gone south and his hands were blurry with the
shakes. I had seen enough of loss myself by age
eight, learned early to keep a tenuous hold on other
people. My boy, he could remain untouched.
There wasn’t time or money for the vet, so Joe lifted
up Tristan's lank body, bony at the spine but swollen
around the belly, carried him off into the back yard.
I tossed him a kitchen towel still wet from the dish
rack. The boy, always his father's shadow, made for
the door, but I knelt down and blocked him with a
hug. "Tris needs a little privacy, that's all. It's
like at the doctor's office. Daddy's giving him
medical attention. Why don't we read a book?" We got
through two stories when Joe finally came back in,
eyes red, the towel clinging to his fingers.
"Tristan's ready to see you, kid," Joe told him. I
sent the two of them out there alone.
Joe told me later that Tris hadn't put up a fuss. He
and the kitty had sat together by the corner of
bamboo that Tris loved to hide in, where all you
could see in the thick stalks was a pair of
shimmering green eyes, maybe the hint of white
whiskers. Joe had professed his love while the cat
panted, glassy-eyed. Then, a little business with the
damp towel. Tristan had even rested a paw on Joe's
trembling hand. It was true mercy, over in a few
heart-breaking minutes. Before he came back into the
house, Joe had shaped him into a comfortable round,
pressed his thumb gently against each eye to close
it.
He told the boy that it looked like Tristan was
taking a little rest now, sleeping off his fit. “Give
him a quick pat like a good boy.”
That seemed reckless to me, letting the boy touch
him. Didn't Joe remember the heavy quality of dead
flesh? Once the heart stops, it's like petting wax.
But the boy didn't seem to notice, came in dancing
and told me Tris was better, was sleeping.
That’s how we ended up at Strawberry Creek Park,
looking like grave robbers, sifting through the dirt
in the dark, Tristan in a Teva shoebox tied with
butcher’s twine. Fog had blotted out the moon and the
damp had sunk into my bones, made me drop the
flashlight more than once. Mid-dig, a mama raccoon
and her kits peered at us out from the bushes,
rustled the leaves with interest. Joe tossed a
trowelful of dirt at them. "Git! Git! This isn't a
midnight snack." They shambled off in the direction
of the creek, looking like hunchbacked cats
themselves, all the fur with none of the grace.
A half-hour later, we had a hole two feet deep and
just wide enough to jam the Teva box into. Tristan's
stiffened body shifted as we pushed him into the
hole, hit the sides of the box. I hadn't looked at
him since the collapse, but suddenly I had the urge.
I made Joe cut the twine so that I could shine in the
flashlight and take a final look, could stroke the
tips of his fine orange fur.
The next morning we told the boy that Tristan must
have taken off, shimmied through a hole in the fence,
or through some miracle of will had scaled the
nine-foot planks and taken off for a better place. He
put his little hand in mine and asked, "Is he OK,
mama?" There was only one way to answer it: Tristan
was fine, perfect, whole.
Maybe he’s sitting on a rock by the Bay now, eyeing
the ground squirrels, dipping a paw into the cold
water as he searches for fish. Or he’s stalking a
bird in a field of waving grass, tail quietly
twitching before the final pounce. Tristan is
somewhere out there, away from
here.
This was
from a writing prompt last summer: write about
something you don't want to write about. I didn't
want to write about our cat's
death, at
least not directly, so I wrote this instead. It
seems to fit the theme around here these days. It
was originally three paragraphs with very little
spelled out, but as I expanded it the details it
became more gruesome. Not sure what I think of it,
but here it is.
Thanks to rcb for the advice to slow down. This one's
slower than usual at least!
Image: Strawberry Creek, by Edwin
Deakin,
from Berkeley Architectural Heritage
Association.
Lure

I flicked a career away as easily
as I tossed down shots of vodka. The brown shoes and
heavy overcoat, the thick wool suit in regulation
blue, opaque hosiery that marked red rails around my
waist, that made a serpentine path from my navel
down: the uniform is all I remember, how the wool
smelled alive in the rain, the flecks of mud that the
shoes, too high for the job, splattered against my
ankles as I walked.
If Robert hadn’t kissed me, I probably would have
stayed. We were in the claustrophobic break room,
sitting a little too close, but I liked it that way.
He smelled like brandy and coffee, with a touch of
rot underneath, the sweetness of the grave, reached
out with his gloved hand to cover mine. I
wanted
him to kiss me, willed
it to happen, just to breathe in the warmth, get a
little taste of humanity. An exchange of knowledge.
Or maybe it was the lure of touch, a desire for
contact beyond a fatherly pat on the hand.
Sweat was forming on his forehead. I reached out with
my handkerchief to blot it away, traced the scar
above his right eyebrow. “Hunting accident,” he said
mysteriously. I saw the flash of a Bowie knife, the
wince of fists, felt tinny redness fill my mouth.
Pouting in concern, I leaned in close, he leaned in
closer, and we kissed. His delicate fingers, soft in
their leather coats, relentlessly explored my nape.
Obedient, I followed his lead. We went from peck to
panting and pawing until the door opened.
Filler for NaNoWriMo, from a
revised Round Robin prompt last spring. Impossibly
short in the face of all the other words I've been
tallying lately.
Image: Kiss V, 1964, Roy Lichtenstein.
Shoot him 'fore he run now

J. had a freezer full of goose
breasts riddled with shot. His family owned property
on Broad Creek with a duck blind right against the
water, where the menfolk, clad in camouflage, would
sit on brisk fall mornings, guns poised. He showed me
the blind that first summer, took my hand and led me
through a tunnel of cornstalks gone brown. We sat
close on the austere bench, hidden behind grass that
had become hoarse with whispering over the years. I
am sure he kissed me in that humid July air because
we did a lot of that then, sweet lingering kisses in
between fights and sarcasm.
He’d told me that a former tenant of the Sugar Shack,
the house he and his brother were renting from their
grandmother on the far side of the property, had
keeled over one afternoon in the back bedroom, dead
from a heart attack. By the time they found the body,
the man’s faithful dog had chewed off half of his
face. It probably started with wake-up licks that
progressed to nips and then frantic biting. But J.
was often full of shit, and I’m not sure if he was
just trying to scare me. If so, it worked. I’d spend
the night there holding it, too nervous to walk the
ten feet to the bathroom, picturing the gory scene,
the spiritual remains of this lonely person floating
over the room.
One muddy November night, when lingering kisses had
turned into the fire of post-fight sex, I realized I
was on the edge. J. and I had gone from chemical
intensity to a kind of in-between thing that wasn’t
satisfying but was just enough to keep me hooked.
We’d spent the evening at the bar, drinking and
picking at each other. By the time we shoveled into
the Sugar Shack driveway, my brain was crackling. We
had a fight about something ridiculous or something
deep-seated and heavy, it doesn't really matter, and
at some point I grabbed a shotgun from the gun
cabinet.
As I write this, I can’t believe that I did such a
thing, so dramatic, so serious. Could I be making
this up? No. I was drunk and sad and teetering on the
edge of the abyss, so I grabbed one of his (unloaded)
shotguns and pointed at my face. Maybe we struggled.
All I can remember is me stumbling in the shabby
living room of the Sugar Shack where it was cold and
damp. J. was lit from behind so that his face was
cragged in shadow. I was hysterical with pent-up
emotion, struggling to keep hold of this unwieldy
gun. Eventually J. took it away and returned it to
the cabinet. We went to sleep. I woke up the next
morning barely able to move, felt around for his
sleeping form and remembered that he was probably
hunkered down in the duck blind with his cousins.
I’m sure he chalked the night up to my overgrown
sense of drama, another mark against me to go with my
unfaithfulness and love of alcohol. Thank god I've
tossed aside those crutches for the most part, though
I miss the drama sometimes. Drama sparks up the
night, shines a little light into the abyss. Without
it, you have only darkness, have to bravely perch on
the edge until the abyss slowly creeps away. And
that's where I seem to be right now for reasons that
are unclear to me, dirging it out until the fog
lifts.
"Shoot him 'fore he run now," is a lyric to the song
"Shotgun," originally by Jr. Walker and the All
Stars. Click here
for a danceable,
levity-producing version from the
documentary Standing
in the Shadows of Motown. It features some of the
original Motown sessions musicians and the late
Gerald Levert as singer.
Image from the Washington
College magazine.
A crumb

But first, a preface to the crumb.
I haven't been here lately. My son is out of school
until after Labor Day and we've had a series of
pet-related good things and bad things. Cat dying:
bad. Adopting a kitten and a new adult cat: good.
Nora the dog passing a pea-sized bladder stone at the
Emergency Vet: bad, though it could have been much
worse. Attempting to dissolve remaining stones
through antibiotics and diet: good, though if it
doesn't work she will still need surgery. Me giving
Nora cranberry extract pills with xylitol in them:
potentially very bad, since xylitol can be fatal
in small doses to dogs. Nora surviving xylitol
exposure unscathed: amazingly, wonderfully good.
In between pet-things and kid-things, I'm still
taking the Round Robin, a writing prompt-based class.
So here is a crumb for those of you who are still
reading this blog, from the prompt
I
remember.
I
remember that her fingers were thickened by
arthritis, were scattered with freckles. Helen’s
nails were coffee-stain yellow, bitten down to the
quick, and she kept fumbling at the wedding ring on
the fine silver chain around her neck.
I looked at her hands because it was easier than
looking into her eyes, or letting my gaze drift to
her useless foot in its bright blue stocking.
Sometimes after a visit I’d look at my own hands and
realize that time is written on our hands the fastest
of all. Already my knuckles are puckering in
idiosyncratic ways and the backs are beginning to
resemble the uneven surface of a barren planet, ropy
with rocky veins and hairline fracture wrinkles.
Helen wasn’t a worker. The hardest work her hands had
seen was the kneading of whole grain bread dough,
maybe a bit of digging in the garden. She’d cracked
open books, propped them up, her thumb and pinky
keeping them open. Me, though, I’d scrapped carcasses
in the field, held up splintery boards with the meat
of one palm while I grasped a hammer in the other.
Some jobs we worked all winter long, if we were lucky
inside, but we weren’t always lucky.
I read a book once about men working on a tower,
applying mortar and making repairs in the ice and
slush of January. They were suspended from ropes
attached to scaffolding, wore gloves with the fingers
cut out as a symbolic act. Their hands were gouged
and scuffed, palms smoothed by rough passes over
granite, life and work written on the
body.
Image: The
kid, pretending to be a cat, because we don't have
any good pictures of our actual cats being actual
cats. Yes, he is holding an egg mold, which is this
fictional cat's weapon of choice. It makes him fly or
it's a bomb or he shoots it or something.
Join one sentence with another

For about eight months now, I've been taking a course
at The Writing Salon
called the
Round Robin. Once a week the instructor,
Jane Underwood, sends a class email with that
week's writing prompts and partner assignments.
Every day, for no more than twelve minutes, my
partner and I each write on that day's prompt,
sending the resulting "writes" to each other by
email. Occasionally, the prompt is a photograph.
Usually it is a phrase (yesterday's was "I feel
exasperation tensing my face"), sometimes just a
word.
The point
is to just do it, to see what happens when we let our
words flow without forethought or editing. Each
partner responds to the other's work, pointing out
the things that they like, encouraging the good. The
process is exhilarating and a little scary. I read
the prompt, gnash my teeth, and then start typing,
not knowing where I'll end up.
And where I end up often surprises me. Mainly I
divert my thoughts from real life, bored with the
worn roads of me, well-traveled and devoid of
wildlife. The words don't tumble, exactly, they waltz, softshoe
onto the page, join me at a leisurely pace. I
start with one sentence, join it with another, and
before you know it, I have a story. A vignette.
Like this one, so different from what I write here.
Writing
prompt: The test
It’s nothing. Just a blank sheet of paper, 8.5 x 11
inches. The doctor passes it to me. I stare at one of
the desk legs, slit my eyes until the carpet and wood
blend together, a fuzzy field of sand and tree.
Did she mention what I am supposed to do with the
paper? Is that the whole point of this test, to see
how I react? Origami isn’t my thing, doc. I can’t
even fold a paper airplane. And I am not up to
folding a cootie catcher. The idea makes me smile,
though, a cootie catcher with various diagnoses
hidden underneath the flaps, with pictures of clowns
and crazies decorating the outside. Pick a number,
say the riddle, figure out the problem.
The sheet of paper sits there, like a command: Do
something. So I do. I grab it and growl, start
ripping, take what I’ve ripped and rip through that
as well, doubling, tripling the thickness of the
paper until I can’t rip anymore. By now I’m stomping
around her desk, going in circles. I take what
remains of the paper and toss it into the air,
cackling as the confetti drops around us.
I sigh, sit down. “I feel so
much better.
Thanks, Dr. Krapinski.”
She offers me a cigarette.
Image from here by way of I Am the Cheese.
More on cootie
catchers.
Baby, stick around
Thanks to washwords, Koe Whitton-Williams, tricia, Dori, Karen, Bobby Revell, Jennifer D., Melinda, Lorenzo, Candy, Ashe.Selah, lydia, timethief, SmallWorldReads, John Folk-Williams, and Jim for your encouraging words and comments. Your support makes the difference.
Here's a bit of writing inspired by the prompt "Alright, fine. Let's hear your explanation." Well, inspired by that and by reading my grandmother's burn notebooks, written during my grandfather's long hospitalization, where her anger over his vices and infidelities comes through, clear and Mercurochrome-bitter. I couldn't bring myself to change the names; they are too good to be fictional.

I just went to the track to look at the horses, to watch them ripple around the oval, to see their hooves beat the dust into red clouds. But once I got there, the action sucked me in. Before I knew what my feet were doing, I was standing in front of Les’s booth to place my bets. The air was heavy with money and I was feeling lucky. I’d win enough to pay off the rest of Atlee’s mortgage or maybe just enough to buy a smooth fifth of whiskey. Or even score a downpayment on a new washing machine for you, Vi.
Then I ran into Williard, who had a full flask and offered me a swig or three. Maybe the alcohol clouded my judgment. Maybe I couldn't see what an amateur that jockey was, but I think the race was rigged, that somebody paid him out to fall off the horse. Or maybe they slipped the little guy a Mickey, I don’t know. The end result is that I lost. The flask made a few more visits to my lips and I didn’t feel like going home just yet anyways.
You and the girls were at the cottage and I was planning on sleeping at the empty Tuxedo Park house, but then I remembered Molly. Molly with the blonde hair and long legs, Molly from the Tip Top Club in Salem, a nice easy-going girl. The Mustang knew the way from the track to the bar. It’s no coincidence that they call that car a Mustang. It has all the bucking power and smarts of a horse. It knows where to find the watering holes, knows the trail back home, too.
After I left the Tip Top, I was exhausted, so I took a snooze in my ride. That’s where I was last night, sleeping in the Mustang.
You can ask Molly if you don't believe me.
Writing prompt: Give us some trivia
Illustration by Ed Harriss.
I was born with a stork bite on my neck, an
egg-shaped mark pink as a salmon fillet. On some
children this mark fades, but on me it spread down
and around my neck, a two-inch wide necklace of
permanent blush. “That’s a natural piece of jewelry,”
Mom would say, “Some people pay good money to have
that kind of thing tattooed on their skin.” Those
people didn’t live in my town. The people in my town
thought my neck band was the mark of the Beast. After
twenty turtleneck winters and dickey summers, I
finally had a plastic surgeon burn that thing off of
me. It was worth every cent, every painful minute.
People think that calling them stork bites is cute.
Like the stork doesn’t exist and, even if he did
(yes, it’s the males that you have to worry about),
he wouldn’t nip an innocent baby on the nape of the
neck! What do they know about storks? Those birds are
aggressive as hell. There’s nothing cute or funny
about them or their predilections. That’s the brain
stem, you know. One chomp there and you’re paralyzed
for life. Dead before you even get a chance to give
out a second wail of hello to the world. My parents
turned their backs on me for five seconds … five
seconds … and that nasty stork took his opportunity.
Still, I’m one of the lucky ones. My father had a
younger brother, Cole was his name (they did name
him). He was born at home. After the exhaustion of a
33-hour labor, his mother took a nap. The midwife was
in the bathroom, and Grandpa — well, Grandpa wasn’t
known for hanging out at the scene of a birth or
death. By the time the midwife came back into the
room, the stork’s work was done. Missy waved that
bottle at Cole's face, tried to coax the nipple
between bluing lips. When she turned him over, she
saw it. This was no salmon mark, but a clear
bloodless bite, a chunk of the baby’s neck gone
missing.
So. You think the stork brings life, carries babies
to their mamas in a soft muslin hammock, all pure and
sweet and accommodating? No. Babies are born through
blood and sweat and pushing, through exertion, the
body like a machine that just keeps going until that
thing is out. Then you have to keep watch, for the
stork waiting to make his mark, for the death that
can creep into the room on innocent-looking sleep,
for the deadly cough that you can’t hear from down
the hall.
Keep your babies close.
Gary Flanagan's Chihuahua
Next post: what I did on my winter blogcation.
And by the way, I have nothing against chihuahuas.
chihuahua skull image from Skulls
Unlimited.
Take John and Elise. John was in love with her, but
clueless about the ways of women. Not as taciturn as
his father, a slab of a man, thick and slow, who
tended to talk only after having a few, John had
learned little of relationships or communication. He
tried, though, bought Elise a toaster oven. He
researched and did price comparisons and found one
that would fit over the counter. He matched it to her
appliances, black and sleek, made sure Elise could
cook those frozen tater tots that she loved so much
in it.
“Happy Valentine’s Day!”
Elise was expecting flowers, maybe even a dozen red
roses or some sort of singing Valentine. She wanted
the cliché, craved it after seven arid manless years.
There was so much expectation that when she unwrapped
the box (how many roses could be in such a huge box?
And so heavy?) she burst into tears. What in the hell
was this? John, bless his naïve heart,
thought she was crying with joy, until Elise ran out
of the living room, opened her kitchen window and
flung the toaster oven, still in its box, out into
the warm California air.
Start with a question. Focus on intent. For John,
love. For Elise, unmet expectation, a dry spell
Hallmarked to death, broken by this practical,
this unromantic
man. But intent no
longer mattered to Gary Flanagan, whose chihuahua was
crushed under a toaster oven flung from a third story
window. As soon as Elise heard Taquito’s truncated
yelp and Gary’s shouts, she knew something bad had
happened. She looked at John, still in shock himself
at the strange turn the afternoon had taken, through
the kitchen doorway and held a finger up to her lips,
her bloodshot eyes widening in warning.
And then, she didn’t know why, she felt a surge of
lust. Elise marched over to the couch and starting
ripping John’s clothes off, pinned him against the
flowery cushions. Caution be damned, they consummated
their two-week relationship right then and there
without saying a word.
In the confusion of expedited passion, her underwear
went missing. Afterwards, John went on a hunt, made a
big show of it, checked behind the huge ficus in the
corner, rifled through the china cabinet, lifted
Elise's hair and brushed the nape of her neck with
his chapped lips. “Nope. No underwear there, either.
Guess you’re just going to have to go commando,” he
told her and she laughed like it was the funniest
thing in the world. Like it was the first time she
heard that one.
Elise picked up a takeout menu from the coffee table.
“I don’t know about you, but I’m starving. Chinese?”
she asked, waggling a flyer from Mr. Chen’s Vegan
Delites. “Chinese!” John responded with a jocular
wink as he tossed her bra across the room, just
missing the trash can.
Below, on Broome Street, a crowd had gathered.
Tacquito’s hind quarters were barely visible under
the box and a trickle of blood from his mouth had
formed a dark comma on the sidewalk. Laura Falcon
from Apartment 16 had heard the impact. She had poked
her head out of her window and called the police
right away. After putting down the phone, she went
out to comfort the victim, that sweet and single Gary
Flanagan from the sixth floor, handed him a huge mug
of coffee and some chocolate chip cookies. Together
they waited, stared up at the bank of windows, row
after row of shiny glass with ominous gaps, windows
cranked out to catch the breeze. Curtains flapped,
blinds shuddered. Potted plants teetering on
windowsills had taken on a dangerous quality. "Rows
of terrabombs," thought Gary, newly enlightened about
the pitfalls of gravity.
There were too many possibilities. “Not a peep from
up there. Not a peep.” Gary kept repeating, and Laura
would give him a reassuring pat on the shoulder. To
Gary it felt creepy, like she was enjoying this
chance to make herself useful. Indispensible. After
the police took a report, took little Taquito away,
she invited Gary into her apartment. He refused.
Fred, the condo building's maintenance man, sprayed
down the sidewalk as Gary watched, still holding on
to the chihuahua's six-foot black leather leash. The
comma of blood turned into a rusty cloud and slowly
dissipated, washed into the gutter. Gary went back to
his one-bedroom, determined to get totally drunk.
John and Elise have never told John, Jr. about the
night he was conceived. They’ve grown quite
comfortable with each other’s foibles over the last
twelve years. He’s better about flowers, and she
understands that you show your love in the best way
you can. Sometimes she wonders what would have
happened if John had brought flowers. How long it would
have taken them to get beyond their assumptions? They
couldn't stop talking that night, about the past,
about how childhood confusion solidifies into adult
surety. Elise is glad he gave her the toaster oven.
She wouldn't change what she did that afternoon,
wouldn't even alter it even by one second. Without
the toss, the truncated yelp, the immediate intimacy
of being partners in a crime of happenstance, she and
John would never have gotten this far. There would be
no John, Jr. It was fate, all around.
The day after the toaster oven incident, John left
Gary Flanagan an anonymous apology note stuffed with
twenties. The police said it was no use dusting for
prints, and it was true, John had worn gloves just in
case. Couldn't they have at least tried? Was
Taquito's life worth so little? Gary has another dog
now, a minuscule mutt from the SPCA who trembles in
cold weather, whose barks sound like an infant with
whooping cough. Nowadays, he tends to leave the
building by the back door, shuffles Pepin past the
dumpster and parked cars. He avoids the scene of the
crime.
Catch up and a writing prompt
So I barely dropped an Entrecard, didn't even go downstairs for two days, just sat in bed, didn't eat, and spend a lot of cuddling time with my son while my wonderful (and healthy!) husband took care of us and everything else.
But that's not why I'm posting. My writing class has started up again. Back to the daily prompts, thank goodness, which provides a break from harrowing memoir, gives me something else to post. Today's selection is White. The prompt is first draft, untouched, warts and all. It seemed like an especially appropriate choice for this blog, which operates in shades of grey and distrusts attempts to whitewash the past. And for another blogger's approach on colors as prompts, check out the most recent stuff at Yoga For Cynics. He's always worth a visit, no matter the topic.
White
Can you think of anything more
bland? White bread, white rice, white collar.
Something devoid of detail; the absence of pigment,
of nutrients, of personality. Or perhaps you think of
purity when you see the colorless expanse, a bride in
her virginal wedding dress, the priest’s collar, the
petals of daisy. What’s that all about? Then there’s
a blank page or screen, waiting to be filled, the
background to the rest of our lives, the tabula rasa.
Let’s smudge it or spill the ink, write dirty words
or talk about sex, reveal all our secrets. Let’s
sully the white.
Dirty snow. Image from TreeHugger.
White is too much pressure. Don’t
you cringe when you see the white pair of pants? The
white shoes that must come out after Memorial Day and
go back into the closet at the conclusion of the
summer? Suddenly I’m picturing a pair of white shoes
I had in high school. They were Mias, 80s
fashionable, flats with pointy toes that beat my feet
into submission. How long were they white? By the
time I tossed them aside they were scuffed, grey.
They smelled like sweat. Inside, dirty imprints of my
heel and toes.
“Do we really need these details?” you ask. “Do we
really want the dirt, the skinny, on your white
shoes? OK, we can move to other formerly white
things, can see how writing about something muddies
the page, dirties a secret life. Underwear stained
with menstrual blood; t-shirts with their half-moons
of brown under the armpits; ring around the collar.
I’m actually thinking about lies, though, secrets,
the kinds of lives we say we have and the hidden
world underneath. Everyone’s hiding something, is
afraid to reveal certain details, has some shame. I
say show it to the world, let go of your lily white
fantasies.
They are totally unrealistic.
Shadowplay
The year was marked by the scent of patchouli. It roped and twisted its way into my room, coated the curtains, soaked into my skin. Some pseudo-hippy incense-burning chick with Camarillo brillo hair lived in the room next door and I put up with a lot of unwelcome odors. Pot smoke, sweat masked by scented oils, cigarettes and sandalwood. My least-favorite scent is an amalgam: Fall Term 1987.
Fall Term 1987 wasn’t limited to the waftings of pseudo-hippy chick. There were hints of puke (my own, my friends: we drank a lot), late night clothes exuding flat beer fumes and the remnants of cigarette smoke, the sticky 18th birthday remains of Coco Lopez and rum. That fall I comforted myself with baked potatoes clotted with butter and sour cream, used their earthy scent as an antidote to the disinfectant-sharp dining hall air.
Then there were the freshly opened condom packets; musty sheets left to go grey on the bed; my roommate’s apple shampoo; and the dangerous pull of Carl’s room across the hall. His walls were bare. In fact, the room was practically empty, save for a dead rose propped up in the empty whiskey bottle on his college-issue desk. I remember the smell of alcohol on his breath, sweet as molasses, as he unlocked the door.
He introduced me to the band Joy Division and to the previously unknown pleasures of the grownup crush, revealed the depths of my ability to obsess about certain kinds of men -- rebellious, prone to dressing in black, ready-made blanks for my projected fantasies. I wrote a short story about him for a freshman composition class that began "Carl is tall, dark, and handsome. Not classically good-looking ...." It was true. He had a Jeff Goldblum look, the dark-haired, smart, slightly nerdy ectomorph with his thick orange turtleneck, heavy boots and thrift store coat. He smelled like whiskey and cloves. The pull to Carl was obsessive. Single-minded. And pointless: I had a boyfriend and Carl was almost completely uninterested in me.
The real danger was Alonzo. Twenty-six, a senior from South America attending our small college on a sports scholarship, Alonzo was friends with Carl, but seemed to prefer the company of freshman girls. Rangy and tall, with hair like the young Kafka, Alonzo hung out in the dorm, crashed our parties, insinuated himself into our budding social lives. “Come on! What’s the problem?” he’d ask, eyes bulging, hand outstretched for my roommate Martha, making an offer we couldn’t refuse.
By the spring semester Martha had dropped out of college to get treatment for her eating disorder. I was unmoored, lost without my fellow drunk from a dysfunctional family. One snow-fresh February night Alonzo offered to take me out for a Procolino’s pizza. Afterwards (his intensity, his forcefulness) I reluctantly went back to his place, a windowless room in a Spanish professor's basement.

Shadowplay II (Gordana & Marko
Zivkovic)
The professor wasn't home. Alonzo switched on a desk
light, turned on the clock radio and reached for me.
I could smell his cologne in the air. Polo. Not a
good sign.
You know where this is going, right? It’s an old and
very common story. I hesitate to call it rape, rape
with its violence and violations and death threats
and nightmares. This was more like coaxed coercion.
Alonzo, all exploring tongue and crawling hands, used
his knee to push me onto his thin camping mattress. I
protested. He insisted, did what he brought me there
to do. (I recently found out that Alonzo had been
inducted into the college’s athletic hall of fame.
The entry noted that he was so eager to get a U.S.
education that he was willing to sleep on the floor.
Yeah. That's right.)
Afterwards, the room damp with forced intimacy, I
focused on the radio. George Michael was singing
Faith. Martha loved George Michael. She also had a
crush on Alonzo, similar in intensity to my crush on
Carl. Now there was something between us. Another
lie. I already had a moat of lies between me and my
boyfriend, a series of flirtations and one night
stands that I excused by thinking of his early
treatment of me, as payback for the 1 a.m. visits,
the nights he lost to bong hits and Elephant beer. It
was getting uglier and uglier, wasn’t it? What was I
becoming?
Alonzo the conqueror drove me back to the dorms in
the professor's car. I headed for the showers. The
coed bathroom was empty, no need to shout all-clear.
Little blue toiletries bucket in one hand, towel
tossed over the curtain, I turned the hot water on
full-force.
I couldn’t wash the smell of him off me fast
enough.
Writing prompt: Bone tired
Two notes: This is fiction. And for a much more encouraging take on "Fake it until you make it," check out the post The Greatest Love from the fabulous Melinda Roberts Tyler of Melindaville.
Image from It
is Called Mount Cope.
I’ve been reduced to this, eating cheese crumbs out
of my clothes, stepping over the cat puke on the rug,
shuffling outside in a pair of de-elasticized boxers
and a translucent t-shirt, ancient and holey, to get
the New York Times at 10:30 a.m.
Yeah, I’ll wave at you, neighbor woman from across
the street. Hello. Hello. I don’t know your name
because you never gave it to me. The first thing out
of your mouth when we moved here two years ago was
“Don’t park your car in front of my house again.” OK.
Thanks for the welcome, lady. That was when I cared,
when my skirts were crisped by the drycleaners, when
I ran a brush through my hair in front of a
wiped-clean mirror, when I spent half an hour every
Saturday wrestling with that damn morning glory vine
on the fence to keep it in line. I cared what you
thought then, Neighbor, but I don’t anymore.
No. I don’t give a fuck. I trace these two years gone
and if I cared I might wonder what happened. He left,
briefly, though he’s back now. We’re back to the
marriage bed, so to speak. I still can’t stand the
feel of his hand on my back, how his fingers trace
their way down to my ass. Fake it until you make it,
the expression goes. That’s his philosophy, anyway,
and at least he’s here. Says he’ll stay with me
through this little setback of mine. This emotional
trough. He claims to know what love is. This is it,
supposedly.
But I don’t believe him and wait for him to
disappear.
Writing prompt: There is grace in that direction
Photo from
apartment therapy.
“If only I was drunk,” she thought, remembering those
tales of drivers fueled by alcohol miraculously
surviving car-totaling accidents, their floppy limbs
and carefree attitudes rescuing them from death.
Extricated from smashed tin-can cars, they get up and
walk away with a sprained wrist or broken toe while
their sober counterparts are Medivaced and rushed to
emergency surgery. Then she remembered: she was
drunk.
This wasn’t normal. “Really, this is an outlying
event,” she pictured telling the paramedics. “This is
not my standard Tuesday afternoon.” Her stressful
weekend had bled into the week and she couldn’t stand
the muscle tension, her shoulders pulled tight, the
way her tendons held her limbs at awkward angles.
Victoria couldn’t even hug her husband properly.
Unconvinced by his warmth, by his beating heart so
close and welcoming, her body maintained its
stiffness. She felt like an impassive observer as her
hands thumped him on the back, a prelude to
withdrawal.
When Laura suggested sharing a bottle of wine with
lunch, Victoria thought: why not? It beats valium.
The crisp Sauvignon blanc complemented her crab
salad. They each had a tiny glass of Port at the end
of the meal over a shared piece of chocolate cake.
She felt marvelous.
No. Not drunk. Just a little tipsy, a little loose.
Maybe she wasn’t hurt after all. Victoria slowly
raised her right arm, then her left. She moved her
head from side to side, bent a leg. Sore. Bruised but
not broken. Her tailbone ached, and her left hip was
probably turning purple, the broken blood vessels
leaking into her muscle fibers. She turned around,
pushed herself up. How would she explain this one to
Barry? Oh, it was easy enough. Chris was in the habit
of leaving his toys right by the stairs and both she
and her husband had almost tripped multiple times.
Maybe this would convince her son to be more careful.
Even though he had nothing to do with it.
Once she was off the floor, Victoria inched her way
up the stairs, favoring her left leg. To better
assess the damage, she went into the bedroom,
stripped down to her underwear and stared at her
battered image in the mirror. Years before she had
fantasized about taking up boxing as a way to get out
built-up anger. Intrigued by the idea of sanctioned
violence, she wanted the thrill of knocking her fist
into another human being, but had never worked up the
nerve to sign up for lessons. Victoria balled her
freckled hands and took jabs at the mirror as she
danced and swayed. Her hip was as dark and soft as a
ripe plum. One of her cheeks was yellowing and there
was a thin line of clotted blood coming from her
nose. Her back ached. But the tension was totally
gone.
Writing prompt: Many in the park are reading the white butterfly
I love that cabbage butterfly as if it were a fluttering corner of truth itself!
Tomas Tranströmer, "Streets in Shanghai"

Photograph from
Wired New
York
Many in the park are reading the
white butterfly. Or worshipping the wrinkling God,
exposing their winter-white limbs to the sun. Backs
against thin towels, resting on hodgepodge quilts or
supported by near-dead grass, they lie among the
remains of dog shit and crushed beer cans. Four
months of relative darkness, of travel wishes: the
sea and sky clear, the beach unpeopled, a tropical
drink supported by sand. Stuck in the city for the
long haul, they celebrate the coming of spring.
They travel from studio apartments, from
many-windowed penthouses, stream in from the train
station, form in groups released from grubby
cubicles. Maybe they are cutting school, calling in
sick. It could be that they don’t have anywhere to be
in the first place.
She props herself up on her elbows, surveys the
landscape of bodies. Across a line felled by desire,
a white butterfly floats, a promise
fulfilled.
Writing prompt: The visitors
Image from promotional materials for 2005 animated
film, Kontrol
Eskape.
Daniel came with a backpack full of canned cat food
and Max, a fluffy grey tabby artfully splotched with
patches of orange, on a leash. As he kissed my cheek,
his toothbrush nudged me in the chest. It was tucked
into his front shirt pocket alongside a container of
floss and a ballpoint pen. He had a change of clothes
in the car and had packed a tent, too, just in case.
“I don’t know how long I’ll be staying,” was the
first thing out of his mouth. Max, unleashed,
threaded my legs and dashed into the living room.
Later we found a small disc of cat urine on the floor
by the ficus, Max’s lament, his only accident.
I made a crimini mushroom omelet with muenster cheese
and served it with a side of crisp potatoes roasted
with whole shallots and rosemary sprigs. When Dan
emerged from the bathroom, freshly showered, he
opened a bottle of Pinot. We sat in eating in silence
until the second glass, when he rolled up his left
sleeve and showed me the marks, a neat imprint of
fingers wrapped around bicep.
“Eric’s at it again.”
His boyfriend was a brute, a nasty sort who was
attractive if you didn’t know his back story, didn’t
know he was a sweet manipulator that could turn
maniacal. Daniel turned and lifted his shirt,
revealing an archipelago of bruises on his lower
back, a long bloodied scratch across his spine. He
never had a mark above the clavicle or below the
groin: Eric was strictly covert.
“I forgot to take out the recycling.”
Suppressing a sigh, I reached for his hand, tamping
down my guilty urge to blame the victim, give him a
hard time for sticking around with beautiful Eric,
the work acquaintance I’d set him up with. Eric of
the deceivingly kind brown eyes and silken hands, of
the long fingers of bendable steel and the
high-pitched staccato laugh, a machine-gun guffaw
that was as hairtrigger as his rage. I didn’t want to
know about it, didn’t want to provide sympathetic
catharsis.
“I forgot to take out the recycling, so he dragged me
to the bin.”
“I’m so sorry, Daniel.”
A story of kicks by wingtip, recycling carefully
sorted and dutifully delivered to the curb, Daniel’s
attempts to keep his expression flat and his
apologies genuine – Eric wanted simple obedience and
sincere contrition, not a melodramatic man-beating
scene. Last time it was about dry cleaning, though
neither of us can remember whether the issue was
overstarching (Eric has very sensitive skin) or
Daniel’s forgetfulness, the shirts that weren’t
picked up in time for the conference.
“He’s so . . . quiet about it, have I told you that?
He doesn’t yell or scream. But his face is
terrifying, Janine. It looks like it’s going to
collapse on itself. Someday his brow will fold into
his mouth and he will reveal himself to be the alien
I know he is. Max always runs under the guest bed
before anything happens. He’s my early warning
system.”
Daniel took off his glasses and rubbed his eyes. I
knew tonight wasn’t going to be the beginning of his
redemption story, just another painful, repetitive
chapter, the time before the revelation. He would be
back there maybe even tonight. The reunions were the
best part of this, weren’t they? Max would stay with
me this time and I would stay out of it.
I leaned
back and grabbed another bottle of wine from the
rack.
Writing prompt: talismans

Image from The Heart
Chronicles. "Vintage" (presumably long
dead) rabbit's foot from the Etsy shop
marytofts: antiques and
curiosities.
Do the talismans protect you? They
do not.
Do they
bring on a creative rush, make you joyous when you
are bereft, give you the courage and faith to love
when your heart is stony and withdrawn? They do not.
Then why carry them around? Why write on the bathroom
mirror each morning “I will have a great day,” in
perky cursive with mauve lip liner if it doesn’t
really work? The coffee will overflow, the bus will
be late, someone will eat your sandwich from the
communal refrigerator.
I knew a girl who used to carry around a rabbit’s
foot – lucky for her, unlucky for the rabbit, the
joke goes. Whenever she was called on in class, she
would pull the foot out of her pocket, would worry
worry worry the soft fur. Later she dropped out,
ended up as an exotic dancer in that sex shop strip
by the airport. Some luck.
I’ve opened umbrellas in the house, I’ve stayed on
the thirteenth floor, I’ve watched frozen as a black
cat crosses my path. Still here to tell about it, and
to say: luck is often random. Sometimes we bring
things upon ourselves, the good and the bad, we court
the accident or flirt with the firing. Or we pave the
way for happiness, work hard, make intelligent
choices, drop the bad friends.
It’s not quite a crap shoot. It isn’t hocus pocus.
But if your talismans bring comfort, well, that’s ok.
Writing prompt: Write about a box
Photo from
Columbia News
Service
It wasn’t just one box. It was twenty. Or probably
more than that – thirty or forty at least. Her mother
was a pack rat and a compulsive shopper. In between
this visit and the last she had acquired a juicer, a
new microwave, an iPod (did she know how to program
the thing?), and a set of wooden spoons from a
charity based in Africa, in addition to countless
other things that Janine couldn’t identify. Some of
the boxes were opened and empty; others sat waiting
for the knife, their contents in darkness.
It wasn’t just the boxes. It was the newspapers. The
books. The bills. There were piles obscuring the
windows. Her mother had beaten down a path back to
the rest of the house, like a deer makes a path
through the brush and undergrowth, to get to the
kitchen, the bathroom, the bedroom. Could she get to
the bedroom? The couch -- the only piece of furniture
without boxes and papers on it -- had been made up
like a bed, with a soiled set of sheets and a
blood-stained pillowcase.
Janine followed the trail back to the bathroom,
walking carefully, one foot placed in front of the
other because there wasn’t enough room to walk
normally. Willow, her mother’s ancient grey tabby,
all bones and croaked meows, darted in front of her.
Janine didn’t respond in time and her fall triggered
an avalanche of boxes, a flurry of papers as her
mother watched from the kitchen.
“Find the birth certificate?” her mother asked.
Oblivious.
Writing prompt: Its dark and secret heart
Mom-mom,
1934.
My obsession with ghosts started in the sixth grade,
though it had its roots in my grandmother’s death two
years earlier. We were in the kitchen, putting
groceries away when she suddenly clutched at her
throat and started gasping for air, frantically
motioning to the kitchen chair. I stood there,
confused, scared. Finally, I moved the cat, and
Mom-mom collapsed into the empty space.
It was up to me to dial 911. We waited 40 minutes for
the ambulance to come all the way from Elkton. She
was dead or close to it by the time it arrived.
Congestive heart failure. In a couple of weeks, my
mother, her boyfriend, and I moved in with my
grandfather and tried to cope with her absence and
our new living situation.
I’m not sure where the Ouija board
came from. Maybe it was a Christmas present. I
started carrying it around with me, taking it to
school, begging my friends to help me contact my
grandmother. They went along with it and I believed
everything. Mom-mom had a friend named Sam up there
in heaven. Everything was all right, and she was
watching over me.

My mother took the death chair out of the kitchen,
eventually storing it in the attic space over the
garage. I was into sleeping in tight spaces, under
picnic tables, in tiny tents I set up in the
backyard. One night I convinced my best friend to
spend the night in the attic with the chair. The
space was hot and smelled of cut wood and roofing
tar. I kept staring at the empty chair, waiting for
my grandmother to appear.
Over the years, through neglect and hard times, I
kept on waiting. When, as a teenager, I moved to the
Little House adjacent to my grandfather’s place and
felt totally alone, I wished for a sign of her
presence, a sign that someone was watching over me.
Now I know that such hopes are false.
Writing prompt: Watch it!
The Metro is packed. The threatened end-of-day thunderstorms have arrived and I am jammed in with other hangdog federal workers, soaked tourists, and a crowd of high school students all wearing identical Smithsonian raincoats. I stare at a man’s hairy hand, thick gold ring on his index finger, as I hang on to the pole by the doors. We breathe in the heavy air, faint with adolescent sweat.

Picture from The Janus Museum.
As the warning chime rings and a disembodied voice tells us “Doors closing,” she walks in. I see her almost every day at Union Station sitting by the Christopher Columbus fountain behind a phalanx of plastic bags. “Got any money to spare today, baby?” she’ll ask. Before I encountered her there, she once sat next to me on the Metro, in one of those seats half hidden behind plexiglass at the back of the car.
She’s hard to forget, this middle-aged African American woman, probably homeless, maybe a little crazy. Every morning she gets up and puts make-up on her face, stripes of beige and dark tan, giving herself the face of a bland tiger. Her eyes are always hidden behind sunglasses. Today she wears a threadbare, stained trench coat, tan, stylishly cinched at the waist.
Commuters flatten themselves against daytrippers as the tiger woman forces her way into the car, except for man beside me. “Hey, you: watch it!” he yells. She ignores him, the doors close, and we’re on our way. Next stop, Judiciary Square.





