While your heart still beats
The pavement was slick and there
were potholes and too many trees by the side of the
winding road. The first to go were two juniors who
were cutting school, doing what teenage boys do,
driving too fast, maybe drinking or passing a bowl
while the tires screeched and the car fishtailed.
They ended up upside down in the creek that snaked by
the road. They died. There were others in high school
who died in car accidents, too, though at this point
I mainly remember the names of the survivors
(thanks, Facebook,
with your updated images of people from the past).
Since my grandmother
died,
I’ve developed a strong sense of mortality, of my
own, of other peoples’, of the various cats and
dogs that have been in my life. Sometimes it hits
me more than others, generally when I’m feeling
low and isolated, when the sun hasn’t been out in
weeks. It doesn't help that I've been spending an
hour or two a day writing out the details of
illness and death for my novel manuscript. And
I’ll have dreams about these
people,
the dead from high school, usually as represented
by David Anderson, the last one to die, the one
who made it into the yearbook, a ghost by the time
the book was printed.
There are other “deads” as my son calls them, like
Carolin, a friend from college who had some sort of
birth defect that we never discussed. She’s been gone
for seventeen years, sometimes still visits me in my
dream version of our college dorm. My grandfather
shows up less and less now as I deal with the past,
though I am sometimes reminded of how much there is
to deal with (another nod to Facebook, where people
who knew me peripherally during one of the darkest
times in my life show up, and I remember just how bad
it was and I want to die with the memory).
As I was wrestling again with that long-ago past,
something that I keep thinking should be a “dead”
itself at this point, as I was having a good cry
after washing the dishes Thursday night, Nora, our
Russian squirrel hound, came clicking into the
kitchen. She likes to comfort the sad and
inexplicably lonely, especially if it involves a pat
or two for her. I knelt down to stroke her chest and
was struck again with memory. There I was, ten years
old, in what used to be my grandmother’s room,
petting Greta the miniature schnauzer. Greta's fur
was warm and soft. She groaned as I scratched behind
her ears, reached out a paw as if to say "Don't
stop." At the time, I was struck with the exquisite
transience of it all, the way a heart stops and the
lungs give out, the vulnerability of our soft bodies
and delicate skulls. Disease creeps in. A car slams
into a tree and then into you. You ignore the deep
cough until it is too late. No matter the trajectory
of the story, we all know how it ends.
Greta was killed by a hit-and-run driver when I was
in seventh grade, about six months after we left my
grandfather's house for Wilmington. He let her out
when he was getting the mail. As he limped to the
mailbox, Greta trotted to a neighbor's yard. She was
halfway across the street when a car came tearing
past and knocked her into a ditch. Either the driver
didn't see her or didn't care to stop and my
grandfather caught only a glimpse of the car's tail
lights. It was the violent conclusion of Greta's
brief story.
I knelt in the kitchen, my arms around Nora, and
added up the dead. I felt their hands in mine, the
touch of a gentle paw, the sound of a meow. Greta and
I sat together in the dusty sunlight, her eyes brown
and serious, her heartbeat strong. Sidney played a
game of capture, batted at the pencil I pushed under
the door. Louise
curled up on the
dining room table, a dog pretending to be a cat. I
brushed against a boy in a hallway as he ran by,
late for class. And my grandmother croaked out
"Tie a Yellow Ribbon" while I giggled from the
swing that hung from the maple tree. Even the tree
is gone now, but like the rest it exists in my
memory, in the stories I tell.
I held Nora tighter, tried to appreciate the moment,
knowing I would think about it when she was gone. And
the sweetness of it almost killed me.
Top photo by Jane Underwood,
Writing
Salon mistress and photographer
extraordinaire.
Bottom photo by Mr. T from Nora's first week with us
in 2003.
After writing this prompt and struggling with various
versions of it for the blog, I got out my senior high
school yearbook (theme: "A Unique Blend." I had
forgotten that high school yearbooks had themes),
just to check on some of the facts. There was David
Anderson, still in with the living seniors, but at
the front of the book was a dedication to three other
people from our class who had died, two of them in
car accidents: Pat O'Donoghue, Rob Klaczkiewicz, and
Joe Lombardino. There were others who died while I
was at school, specifically those upperclassmen in
the first paragraph of this post, though I could have
some of my facts wrong about the accident. They died
in the mid-80s, well before our lives were digitally
monitored, before you could have a Facebook page even
after death. The fact that there was no trace of
these young men made me sad. It was almost as if they
had never existed.
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I can walk under ladders
My husband defended his dissertation.
I am typing in a sun-filled room, buoyed by three sleeping, contented kitties.
The laptop has been around almost six years and is going strong.
My marriage is better than it ever was.
There is more than enough food to eat today, this week, this month.
Our son is happy, healthy, and full of imagination.
Nora-dog is curled up in a patch of sun, perhaps dreaming of chasing squirrels or nibbling on giant biscuits.
Blogging has brought me both friendship and readers. I am grateful for both.
We live in a lovely house.
Twenty-four years ago today, something terrible happened, but I survived intact. Enough.
I am a writer.
I can transcend.
I'm lucky. I'm lucky. I'm lucky.
Thank you for being a part of it.
New blood

Nick’s existential angst or blood lust, take your
pick, has taken the form of 2:00 a.m. howling. He’s
the loudest cat I’ve ever known, full of throaty
confidence and the ability to project, the kind of
cat depicted in old-time cartoons, sitting on the
fence yowling as neighbors hurl shoes. He’s an opera
singer belting out a sad little tune, “Let me out!”
or “I must kill!”
It must seem like a cruel joke when we get out the
cat fishing line, the feathers attached to a stick.
As I whip them around the bedroom, the feathers turn
and beat through the air as though they were birds'
wings. Like all cats, Nick has an active imagination
and allows himself to be taken in for a few minutes.
He hustles and jumps, takes a very strong cat arm and
pins the fluorescent feathers to the carpet in one
swipe. The feathers crunch and crumble as Nick snaps
his jaws against them, tries to carry his prize
downstairs.
I am actually tempted to let him out – it feels cruel
to keep him from something he loves and clearly knows
well. My other cats have all been indoor-only from
the beginning so they didn’t know what they were
missing. But I know that it isn’t a safe world out
there and we signed a contract saying that his paws
would never touch dirt or concrete sidewalks again.
Perhaps it’s time to take in a budgie or two, a
little something to make life more interesting for
our 2:00 a.m. howler.
Hanging on a curtain

But that isn't the point of this post. I want to
apologize for being an absent presence in the
blogging world. I haven't been up to visiting or
commenting on blogs. Updating this one has become
increasingly time-consuming. Because of the software
I use, every time I have a new post I must export the
entire blog and then upload it onto a server, a
process that take about half an hour or more. It
isn't simple or quick. Writing the posts takes a long
time, too, sometimes five or six hours. I have
limited writing time and have to start pursuing
freelance work. There are a few reasons for this,
including the fact that my husband is about to take
the equivalent of an 8% salary cut through 21
furlough days in the next year. (Ahhh, California!) I
would also like to chip away at longer stories and to
deepen my writing which just isn't possible in the
blog format.
I'll be a more present online presence soon, one way
or another. In the meantime, please don't take it
personally that I haven't been by. I'm trying to be
present in my own life, figuring out a way to get
beyond the longing to immerse myself in deep
narrative. To move beyond the longing, I have to leap
in or give up. I have no intention of giving up.
Image: Rainbow in Berkeley, June
2009.
Crying the rodent death blues / The beast in me
Take the case of Happy.
Happy (short for Happy Easter) was a golden hamster my grandmother gave to me for Easter 1976. He came complete with a Habitrail, one of those cages with a main unit attached to smaller annexes via clear tubes. It was just like a wild hamster warren except translucent, plastic, and above ground. Watching Happy scurry through the tubes, from wheel to main cage to tiny den was amusing. He impressed me with his ability to get through tiny spaces. I would scoop him out of the cage and cup my hands around him, leaving an opening that got smaller and smaller over time. Happy was always able to make it through.
One winter morning, hamster feed in hand, I opened the Habitrail and discovered it empty. All of that time spent squeezing through my fingers had been training for Happy’s escape. His disappearance was upsetting, but even more devastating was the discovery a few days later of his tiny corpse in the basement. It was stiffened with rigor mortis, hamster toes stuck in a permanent curl. Happy’s last meal had been rat poison.
By the age of seven, I had lived through a few pet deaths, all of the feline variety. Sheba had been hit by a car, Amber was anemic, and Regis bothered his neutering stitches until infection creeped in. Each death brought tears, but with Happy it was different. For many months after the hamster’s untimely death, I rode a wave of grief. On long rides to my grandparents’ or on the walk to school, the loss would hit me.
Dinnertime was the toughest, with all that time to think under the monotony of adult conversation. My mother, her someday husband Jim and I would be sitting at the white picnic table in the kitchen and I would feel a pang. The spinach soufflé would grow cold on my fork as I stared past Mom and out the window into the backyard. Happy was buried back there, his corpse stuffed for one final time into a toilet paper tube. I imagined him in better days, pushing his way through my open-toed shoes, doing endless laps on the wheel, escaping from my fingers. I couldn’t contain my sigh, the big exhale of emotion.
“Do you know what I’m thinking about now?” Long silence, then another sigh, “I’m thinking about Happy.”
These words of grief, repeated many times over that year, were not taken seriously.
By age eleven I was ready to try rodent stewardship again, this time with a gerbil. Perhaps it is a sign of Happy’s hold on my heart that I no longer remember the gerbil’s name. He (or she) was also cut down in the prime of life, a victim of illness. He had been listless all day, sitting in a corner of his cage, not touching his food. The gerbil refused to open his mouth whenever I presented an eyedropper full of restorative honey water. I hovered over the sickbed into evening. As night came, a summer storm rolled in. The sky flashed with lightning and my gerbil took his final breaths in an echo of thunder. After it was over, I reached out and stroked his still-warm body with an index finger. And then – an indication of my future impulses? – I immediately wrote my version of the night’s events: “Death of a Gerbil.”
My mother and Jim teased me for what they interpreted as my overemotional response to almost everything. Jim also thought I was too serious and would describe the child me as being like a 42-year-old woman (as I approach the last year of my 30s, his description makes even less sense). The labels were applied with a grain of contemptuous truth to everything from my asthmatic coughing fits that led to vomiting as well as my often-expressed desire in sixth-grade to kill myself.
Over the years I’ve learned how to regulate my external emotional responses, but I still have a flair for the melodramatic that usually comes out in my writing. For example, I started this post with some ideas about the loop of deep self-doubt that occasionally runs through my mind. The initial paragraph read very differently:
I am afraid to see a psychic, for what she may tell me about what she sees in my soul. Will she feel the energy, the darkness that is eating me from within? One look in my eyes, a quick riffling through my internal dialog, and the extent of the rottenness at my core will be clear. She’ll have to make something up, be polite, get me out of there.
This is grown-up melodrama. Like my grief for Happy, when these feelings hit, they are genuine. I acknowledge that there are times when I feel rotten and hollow. This doesn’t mean I am rotten and hollow – my feelings are not objective reality, but to deny them and their origins would be denying part of myself, part of my internal life.
I fight these moments of darkness. But I am convinced they are part of being human and will never fully go away. We don’t want to acknowledge feelings of deep inadequacy, so most of us go around trying to pep-talk ourselves into feeling better. We don’t want to face the beast within.
The good in us, the light, is powerful. It can lift us above the void. But if you feel pangs of self-doubt, why not acknowledge the reality of the feeling, trace it as far back as you can, and move on? Don’t underestimate your ability to confront the beast.
The darkness within doesn’t define us. We are far more complex than that.
For readers who are now thinking of the Nick Lowe song, here it is, as sung live by Johnny Cash, a man whose life was defined in some part by his attempts to push through the darkness. Next post: blog of the month.
Louise Peevish
"Oh, Louise is being peevish again," we'd say. "Louise Peevish."

It was the move back to Maryland that did her in.
There were stories of other dogs that had cracked
after hearing the tests at Aberdeen Proving
Ground,
dogs that pushed their way through second story
window screens, desperate to escape the sounds of
the bomb and munitions tests across the river. The
aural bombardment contributed to Louise’s general
nervousness, but now when a thunderstorm blew
through town, she was absolutely inconsolable. No
drug calmed her. By the time you got the pill
down, the storm had passed.
One afternoon, my mother drove with Louise to the
local grocery store. Mom rolled the windows down a
safe distance, locked the doors, and entered the
market.
She was filling a plastic bag with green beans when
she heard a little girl’s voice. “Look, Mom, there’s
a dog shopping in the Acme.”
“Not my dog,” thought Mom, as she weighed the beans
and continued to the toiletry aisle. The little girl
spoke again. “Look, Mom, the dog is still shopping in
the Acme!”
“Not my dog,” thought Mom again. She glanced past the
row of shampoos to the plate glass windows – were
those thunderclaps she heard? – when she saw Louise,
panting heavily, on the run from one of our favorite
check-out guys, a kid who worked his way up from
bagger and always made friendly conversation. Louise
darted for the automatic doors, heading along the
sidewalk in the direction of the Chat-n-Chew.
Abandoning her cart, Mom also ran for the door.
Outside, storm clouds were gathering force. She
watched Louise scatter a school of carpenters, men in
dirty jeans and mud-caked work boots, as the dog
passed the restaurant and made a left into the
hardware store. Mom followed, pushing past customers,
until she found Louise in the back of the store,
trembling by the PVC piping.
My mother stayed there with her until the storm
passed, then walked her back to the car and drove
home, sans groceries. Apparently, the dog panicked
when she heard the approaching thunder, pushed
through an open car window and went looking for Mom.
We were grateful that she wasn't hit by a car.
About two years after the Acme incident, I came home
from grad school for a visit. Things were grim.
Kevin, my mother’s long-term boyfriend, had been
diagnosed with a rare bone marrow disease. My mother
was close to declaring bankruptcy. And Louise was
getting more peevish and skittish.
Her fits of panic weren't limited to thunderstorms;
now the dulled explosions from Aberdeen were having a
similar effect. She was terrified. If no one was
home, she would attempt to escape -- Mom was afraid
she would force her way through a closed window,
pictured a return home to bloodied shards of glass
and no dog. If someone was home, she would scratch
and pace, pant and whine. Louise was suffering.
I went with my mother to the appointment. We sat with
Louise, stroked her as the vet depressed the needle.
It was over quickly.
On the ride home, we didn't speak.





