While your heart still beats
The pavement was slick and there
were potholes and too many trees by the side of the
winding road. The first to go were two juniors who
were cutting school, doing what teenage boys do,
driving too fast, maybe drinking or passing a bowl
while the tires screeched and the car fishtailed.
They ended up upside down in the creek that snaked by
the road. They died. There were others in high school
who died in car accidents, too, though at this point
I mainly remember the names of the survivors
(thanks, Facebook,
with your updated images of people from the past).
Since my grandmother
died,
I’ve developed a strong sense of mortality, of my
own, of other peoples’, of the various cats and
dogs that have been in my life. Sometimes it hits
me more than others, generally when I’m feeling
low and isolated, when the sun hasn’t been out in
weeks. It doesn't help that I've been spending an
hour or two a day writing out the details of
illness and death for my novel manuscript. And
I’ll have dreams about these
people,
the dead from high school, usually as represented
by David Anderson, the last one to die, the one
who made it into the yearbook, a ghost by the time
the book was printed.
There are other “deads” as my son calls them, like
Carolin, a friend from college who had some sort of
birth defect that we never discussed. She’s been gone
for seventeen years, sometimes still visits me in my
dream version of our college dorm. My grandfather
shows up less and less now as I deal with the past,
though I am sometimes reminded of how much there is
to deal with (another nod to Facebook, where people
who knew me peripherally during one of the darkest
times in my life show up, and I remember just how bad
it was and I want to die with the memory).
As I was wrestling again with that long-ago past,
something that I keep thinking should be a “dead”
itself at this point, as I was having a good cry
after washing the dishes Thursday night, Nora, our
Russian squirrel hound, came clicking into the
kitchen. She likes to comfort the sad and
inexplicably lonely, especially if it involves a pat
or two for her. I knelt down to stroke her chest and
was struck again with memory. There I was, ten years
old, in what used to be my grandmother’s room,
petting Greta the miniature schnauzer. Greta's fur
was warm and soft. She groaned as I scratched behind
her ears, reached out a paw as if to say "Don't
stop." At the time, I was struck with the exquisite
transience of it all, the way a heart stops and the
lungs give out, the vulnerability of our soft bodies
and delicate skulls. Disease creeps in. A car slams
into a tree and then into you. You ignore the deep
cough until it is too late. No matter the trajectory
of the story, we all know how it ends.
Greta was killed by a hit-and-run driver when I was
in seventh grade, about six months after we left my
grandfather's house for Wilmington. He let her out
when he was getting the mail. As he limped to the
mailbox, Greta trotted to a neighbor's yard. She was
halfway across the street when a car came tearing
past and knocked her into a ditch. Either the driver
didn't see her or didn't care to stop and my
grandfather caught only a glimpse of the car's tail
lights. It was the violent conclusion of Greta's
brief story.
I knelt in the kitchen, my arms around Nora, and
added up the dead. I felt their hands in mine, the
touch of a gentle paw, the sound of a meow. Greta and
I sat together in the dusty sunlight, her eyes brown
and serious, her heartbeat strong. Sidney played a
game of capture, batted at the pencil I pushed under
the door. Louise
curled up on the
dining room table, a dog pretending to be a cat. I
brushed against a boy in a hallway as he ran by,
late for class. And my grandmother croaked out
"Tie a Yellow Ribbon" while I giggled from the
swing that hung from the maple tree. Even the tree
is gone now, but like the rest it exists in my
memory, in the stories I tell.
I held Nora tighter, tried to appreciate the moment,
knowing I would think about it when she was gone. And
the sweetness of it almost killed me.
Top photo by Jane Underwood,
Writing
Salon mistress and photographer
extraordinaire.
Bottom photo by Mr. T from Nora's first week with us
in 2003.
After writing this prompt and struggling with various
versions of it for the blog, I got out my senior high
school yearbook (theme: "A Unique Blend." I had
forgotten that high school yearbooks had themes),
just to check on some of the facts. There was David
Anderson, still in with the living seniors, but at
the front of the book was a dedication to three other
people from our class who had died, two of them in
car accidents: Pat O'Donoghue, Rob Klaczkiewicz, and
Joe Lombardino. There were others who died while I
was at school, specifically those upperclassmen in
the first paragraph of this post, though I could have
some of my facts wrong about the accident. They died
in the mid-80s, well before our lives were digitally
monitored, before you could have a Facebook page even
after death. The fact that there was no trace of
these young men made me sad. It was almost as if they
had never existed.
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A virulent strain of grief
And then there was what happened to Kevin.

I’ve written about Kevin,
my mother’s long-term boyfriend, here before, in
short bursts of roundabout language. He came into our
lives when I was fourteen and nothing was ever really
the same again. By the time I was fifteen, I was
living in the Little House with disastrous results
and he and my mother were at the thin edge of
eighteen tumultuous years together. Kevin is starting
to lose his mythical qualities, has become more human
in my mind in the last year, more culpable and weak.
He was a bully, really, a smart and witty bully,
though that of course was not the whole of him.
[Warning:
The below goes into detail about an illness and a
harrowing hospital stay and may be upsetting to some
readers.]
In March 2002, Kevin, 55 years old, died of, well,
it’s a little murky. He was in the final stages
of myelofibrosis,
a bone marrow disease, though it was probably
pneumonia that did that last dirty work. With
myelofibrosis, the bone marrow becomes fibrous and
hard. Blood production that normally occurs in the
bone marrow moves to other organs -- the spleen, the
liver -- in a last-ditch effort to make blood, a
phenomenon with the poetic name extramedullary
hematopoesis. These organs try, but ultimately fail,
to make useful blood. Instead, they produce bad
blood, the cells immature and misshapen, blood that
does a half-assed job of keeping the body healthy.
People with myelofibrosis are often anemic; they
bruise easily and are susceptible to infection and
bone pain. While there are drugs to manage this
disease, there is no cure outside of a stem cell
transplant, which is always a dicey position. If you
have it, one way or another, myelofibrosis will
eventually kill you. Or more accurately, an infection
will kill you. Or you will develop leukemia. Or you
will develop a wasting illness. Or your liver will
cease to work (because of the extramedullary
hematopoesis).
Before March 2002, before we called in hospice and
accepted the fact that Kevin’s death was imminent,
Kevin spent six months in the hospital, nearly all of
it in the Critical Care Unit (like an intensive care
unit) or a unit one step below Critical Care. Trying
to write about that time in a way that makes any
sense is impossible. I’ve tried it, tried to come up
with a timeline and a reason why he ended up on a
ventilator (aka respirator) shortly after he was
admitted and how early on we thought he was going to
slowly bleed to death until a miracle worker
hematologist/oncologist came up with a genius
solution to get Kevin’s blood to clot, and how Kevin
couldn’t swallow because his epiglottis was damaged
from his emergency intubations, so he couldn’t eat
and how there was a doctor we called Dr. Death
because he insisted on telling Kevin he wasn’t going
to make it, let alone walk again (he was right on the
former, wrong on the latter). Kevin was on the
vent/off the vent. He kept on getting pneumonia. He
was hooked up to tubes and lines, trapped. But alive.
Fall 2001 was full of death and fire, of anthrax
scares and work closures, of mail that came to the
federal library where I worked months old, crispy and
irradiated. It was the beginning of Kevin’s long end,
a journey that required great vigilance on my
mother’s part and the amazing efforts of a large
number of doctors and nurses. Being in CCU for six
months is incredibly intense, all-encompassing, and
stressful, and when a patient is as fragile as Kevin
was, you have to be vigilant. It isn’t that the
professionals aren’t competent, it’s just that they
want to do things, think that action is always the
best course. And sometimes it isn’t.
When I sat down to start my NaNoWriMo novel, all
those details of his hospitalization came out,
details I have stored away for years: the sound of
the ventilator and the beeps of IVs that need
attention; the smell of pneumonic mucus as I
suctioned it out of Kevin's trach; the image of Kevin
trapped under a blanket of tubes and devices, so
fragile you didn't want to touch him (and the
too-late knowledge that he must have been desperate
for touch); the horrors of his frequent intubations,
emergency procedures where doctors had to essentially
jam an air tube down his throat after his oxygen
levels dropped precipitously; the rushed meals at
Taco Bell Express, knowing we had to get back and
that eating in front of him when he was getting his
food, this green sludge, through a stomach tube would
have been horribly cruel; how skinny, impossibly
skinny he became. How, after being bedridden and
hospitalized for three months, he took his 80-pound
frame and a walker and did halting laps around the
CCU, in an act of pure will.
So all this came spewing out last month, disguised
under a new premise with a much younger protagonist.
After the month was over and the first draft off my
head, I realized I had a lot of legwork to do. For
example, I know next to nothing about the disease I
had chosen to grace my unlucky character with. And
what do I know, really, about parental grief, which
is a particularly virulent strain? I've been doing
research, reading books and looking at websites.
There is one blog out there, very detailed and
well-written, created by a mother who was chronicling
her little boy's fight against cancer. That little
boy died in September. The whole thing is horribly
sad (and as I read it, I wonder: why, exactly, am I
doing this?).
When you are in the middle of a
life-and-death-struggle, the intensity of keeping
someone alive, of trying to make them well, it's all
you can think about. Everything becomes medical and
you find out all you can. You learn about the
strength of nurses and the support system that crops
up in a hospital. You learn to live with things you
never thought were possible before. You are steeped
in the smells and sounds of illness and it feels like
it will never end. You don’t want it to end with
death, but sometimes it does and you have to let go
of the struggle. I read this blog and I cry, for this
family and the little boy that will never grow up. I
hope that I can do justice to him and to Kevin and to
all the people who have experienced such prolonged
pain.
The kid at Kevin's grave on Maryland's Eastern Shore,
April 2009.
Perhaps this is an impossibly tall order. What I'm
looking for now is authenticity, a way to write
something that sings and is true and real, that
doesn't exploit illness as a book topic, but brings
it to life and honors those that have gone before us.
It's daunting.
Top image: Kevin at Georgetown
University Hospital, January 2002, about three months
before he died.





