Shoot him 'fore he run now

J. had a freezer full of goose
breasts riddled with shot. His family owned property
on Broad Creek with a duck blind right against the
water, where the menfolk, clad in camouflage, would
sit on brisk fall mornings, guns poised. He showed me
the blind that first summer, took my hand and led me
through a tunnel of cornstalks gone brown. We sat
close on the austere bench, hidden behind grass that
had become hoarse with whispering over the years. I
am sure he kissed me in that humid July air because
we did a lot of that then, sweet lingering kisses in
between fights and sarcasm.
He’d told me that a former tenant of the Sugar Shack,
the house he and his brother were renting from their
grandmother on the far side of the property, had
keeled over one afternoon in the back bedroom, dead
from a heart attack. By the time they found the body,
the man’s faithful dog had chewed off half of his
face. It probably started with wake-up licks that
progressed to nips and then frantic biting. But J.
was often full of shit, and I’m not sure if he was
just trying to scare me. If so, it worked. I’d spend
the night there holding it, too nervous to walk the
ten feet to the bathroom, picturing the gory scene,
the spiritual remains of this lonely person floating
over the room.
One muddy November night, when lingering kisses had
turned into the fire of post-fight sex, I realized I
was on the edge. J. and I had gone from chemical
intensity to a kind of in-between thing that wasn’t
satisfying but was just enough to keep me hooked.
We’d spent the evening at the bar, drinking and
picking at each other. By the time we shoveled into
the Sugar Shack driveway, my brain was crackling. We
had a fight about something ridiculous or something
deep-seated and heavy, it doesn't really matter, and
at some point I grabbed a shotgun from the gun
cabinet.
As I write this, I can’t believe that I did such a
thing, so dramatic, so serious. Could I be making
this up? No. I was drunk and sad and teetering on the
edge of the abyss, so I grabbed one of his (unloaded)
shotguns and pointed at my face. Maybe we struggled.
All I can remember is me stumbling in the shabby
living room of the Sugar Shack where it was cold and
damp. J. was lit from behind so that his face was
cragged in shadow. I was hysterical with pent-up
emotion, struggling to keep hold of this unwieldy
gun. Eventually J. took it away and returned it to
the cabinet. We went to sleep. I woke up the next
morning barely able to move, felt around for his
sleeping form and remembered that he was probably
hunkered down in the duck blind with his cousins.
I’m sure he chalked the night up to my overgrown
sense of drama, another mark against me to go with my
unfaithfulness and love of alcohol. Thank god I've
tossed aside those crutches for the most part, though
I miss the drama sometimes. Drama sparks up the
night, shines a little light into the abyss. Without
it, you have only darkness, have to bravely perch on
the edge until the abyss slowly creeps away. And
that's where I seem to be right now for reasons that
are unclear to me, dirging it out until the fog
lifts.
"Shoot him 'fore he run now," is a lyric to the song
"Shotgun," originally by Jr. Walker and the All
Stars. Click here
for a danceable,
levity-producing version from the
documentary Standing
in the Shadows of Motown. It features some of the
original Motown sessions musicians and the late
Gerald Levert as singer.
Image from the Washington
College magazine.
Prognostication

In my dreams, the dead are silent. I’ve never had a
good conversation with a single one of them, just
offer my apologies, bake the bread, pour the coffee.
What is the guilt about? The dead no longer care
about my transgressions. Isn’t it enough that I hold
them here in my subconscious, treat them as gently as
I would a freshly-laid egg?
But this dream was different. We were going to visit
Kevin, who has been gone for over seven years now. As
in real life, I was nervous: would I react properly
to him? Would he toss the verbal slings, so subtle
and cutting, if I didn’t pick up on something, if I
reacted too slowly? Or would he sit there, blue eyes
glowing, as my mother and I circled him like
butterflies, flitting here and there in our attempts
to placate?
Kevin spoke. He used the ethereal language of dreams,
of those who are now ashes and light, but in that
nasal New Jersey accent that I haven’t been able to
replicate in my mind for years. And he was funny, so
funny, because Kevin was bitingly funny. I laughed and
realized how much I missed him, how much time had
gone by and then I woke up, not remembering a word of
his complicated meta-joke.
Time flies on and I die a little every day, lose
another connection, feel the pull of a long-ago past.
Yet my grandfather still shows up at the old house. I
smell his cigarettes, breathe in sawdust, too-sweet
coffee and turpentine. He waits in his cell of a
room, a voiceless old man in a flannel robe, unshaven
and glassy eyed. I rush past the sink filled with
dirty dishes, walk a path of slate to get to a
mailbox that hasn't been opened in years. Sometimes
we take his car for a complicated drive to
Christiana. Maybe we are heading to the hospital,
waiting for someone to hand me a small bundle,
something I've forgotten.
The dead appear without explanation or warning.
Carolin greets me in a too-bright dorm basement,
fixes me with intense eyes. David Anderson sits in a
classroom, shoeless, staring at the algebra equation
on the board. Frank the cat meows for food that I
don't have. And my grandmother, the one I ache to
see, is sick of my inattention and has stopped
showing up at all.
Someday, no one will know that I was sixteen and
angry once. They will remember an old woman deeply
lined, forgetful, with clouded-over eyes, demanding
and harmless. Inconsequential. As though I had been
born without desire, without the power to wound.
Image: Postcard, date unknown.
From you I get the story
Cherry tree on West Street.
I tell myself that when I am dying, leaving the
things of this world, it will no longer matter that I
paved the banks of that river, diverted its flow,
moved the humming stream of desire to my imagination.
What I want with an ache of jealousy, with the pain
of something that was never meant to be, won’t matter
to me then. The impulse – to covet, to pursue, to get
– will be meaningless. Self-denial will have been the
obvious course.
Don’t expect a description here, a list of lusts.
It’s not all about lust (though sometimes, of course,
it is. I am human.). It is the pull and push of
expectation, sadness at the inevitable narrowing of
life. Here I stand on a plank in the river, steering
in the direction of what will be, trying not to gaze
back. My husband is here too, pushing us through the
water, sometimes reaching back to touch my hair or
hold my hand. I love him. He is comforting. Real. I
am free from want.
Or I’m not. What about the desire for lyricism? Luck?
A publishing contract? Some days I just want to be
left alone. I want to eat a meal in the sunshine,
with my book and my thoughts, without guilt. I want
24 obligation-free hours. I want words that fly out
of my fingers, practically effortlessly. I want to
watch them take off and form themselves into
unstoppable narrative. I am power-mad for deadly
metaphor.
But even more strongly I want to be an image in
someone else’s head, a character real and fully
formed. I need an author, someone to flesh out the
plot of my own life, someone who understands these
redirected desires implicitly. He (yes) sees me,
knows my lurid heart, feels the iciness of my
thoughts. He loves me anyway. This is what believers
get from God, I suppose. It’s an impossible task for
any human being, given that we are opaque even to
ourselves.
Pointless,
pointless desire. But it does propel me
forward.
My hands untied
Kevin, summer of 1984.
Enter spring–let's say April–1984, West Street, Wilmington, Delaware.
Birds are singing. The tulips and pansies in our raised beds are starting to bloom. Recent March winds have deposited the remnants of chaos, muddied papers, dead leaves and tree limbs, in the alleyway. The winds lifted deck chairs against back fences, turned over plastic flower pots, battered pedestrians. They blew Kevin the poet-carpenter, intellectual powerhouse and gin guzzler, in down the street, saluted him with a flurry of cherry blossoms.
My mother invites the new neighbor over for dinner. He seems strange, a little awkward in his old-fashioned glasses, his blue eyes intense and clear through Coke bottle lenses. Kevin speaks with a touch of New Jersey nasal and renovates and flips houses for a living. He arrives lean and tanned, armed with words of sharpened steel and a large bottle of Gordon’s, his old blue merle collie Barney by his side.
What could I do? I was fourteen. The last guy in our house didn’t even speak when I was at the table.
Here’s what I didn’t do: talk. Smile. Instead I just sat and shoveled in the food, exuded resentment, made infrequent eye contact. Maybe I smirked. And Kevin, a man I had just met, called me on it.
“What’s your problem? You’re just sitting there, sucking all the air out of the room.”
I have no memory of my response.
It wasn’t until yesterday, as I was attempting to capture this pivotal moment yet again, looking over what I’d written almost a year ago on that same dinner, that I realized: I blame myself. Reading over my early attempts is somewhat painful. I was straining to describe that night, to explain Kevin’s poetic rockstar persona and my mother’s deadly attraction to him, to explain my role in my own rejection. The end of parenting, my premature emancipation, the series of adult situations I got into before my time? Culpa. Mea culpa. I should have put on the charm, talked, given a little bit that night. I should have been someone else.
If I had won Kevin over that evening, maybe my mother would have stayed engaged in my life. She might never have started bringing dinner to him, eating in his dusty dining room every night while I ate alone. I wouldn’t have begun wandering the Wilmington streets after dark, wobbly with purloined gin, smoking unfiltered cloves and blasting the Dead Kennedys from my Walkman. The Little House would have stayed empty. The end of innocence could have been put off for another couple of years. If I were a better person, a different person, no one would have told me that I was evil, the root cause of family turmoil.
I know. I know. My brain tells my heart that it would have made absolutely no difference in the outcome if I had smiled or curtseyed or made insightful conversation about Nietzsche and Wordsworth. To be honest, until yesterday, I didn't know I felt this way. I blame myself.
Why do children take responsibility for things over which they have no control? Why do adults shift the blame to the helpless? And why, when we molt and grow and leave our child forms behind, does this sense of responsibility for our own small fates, this idea of being the masters of our abuse (if only I were nicer or less shy or stronger ...) carry on into our adult life?
The child decides that she is the cause of her mistreatment. The adult lets those early experiences dictate her behavior. We find ourselves recreating situations again and again, little kids in the guise of adulthood, sifting our lives through the rusty emotional sieve of the formerly helpless. We choose partners who fit into old scenarios, make decisions based on faulty data, try to get it right this time. With our motives hidden and our reasons obscured, the do-overs usually fail. Then? Familiar pain and reinforcement of our feelings of worthlessness.
Or maybe it's just me who's felt this way. Yes, I've done this, set up the scene, chosen guys who reject who I am, who blame me for their own shortcomings. I've blundered my way through friendships, the sullen fourteen year old in a thirty-year-old's clothing. And although I have stopped replaying the same scenes over and over again, I still have an overarching sense of responsibility for the trajectory of my childhood. My invisible scars feel completely self-imposed, my exposure of them a shameful confession. I feel rotten from the inside, capable of destroying entire worlds. Run from me before I drag you into the muck!
But I'm not that way. I'm not.
So I'm writing my path to self-acceptance, still trying to forgive myself and my family, to look at the world through clean eyes. I don't want to shift blame. I want to let go of the entire concept of it. After all, I'm here, alive, doing so much better than I ever thought I would be. It's time to let go, to untie my hands and live fully.
I figure I'm about 20% there. Maybe more. And if I can do it, you can too.
Coming up: February's blog, a return to the Maureen story (we'll skip over the guess who's coming to dinner segment), and some awards. Not necessarily in that order.
Shameless
Image from Hope4Survivors
You want instant writer's block?
Try to write about your own shame.
That's not how today started. I wanted to write a
story about a boyfriend I had in college, the tale of
my second long term relationship. Our innocent
beginnings. He was a teller in my bank, we shared
smiles and pleasantries. Then one evening, when I was
leaving the local watering hole with one of my male
floozies, J approached me and said “I know you’re
leaving with this guy, but can I call you sometime?”
I gave him my number.
There was the little detail of my real boyfriend and
our slowly dying couplehood. I had to put that out of
its misery. It wasn’t a clean death. And when J went
on a white water rafting trip with his family a month
into our serious dating, I might have had a bar
hookup or two. In between his return and our demise,
we shared a period of sweet intense love. I loved
him. I really did.
I was kind of crazy then. Angry. Pathologically
needy. J was sarcastic and cruel, bitingly funny with
a mean streak brought on by his quietly twisted
childhood. After six months of total absorption, our
relationship stalled and then limped along for
another two years, with sporadic weekend visits (the
margarita-inspired sex in a sprawling azalea near the
Capitol grounds; the drunken knock on my door after a
Redskins Super Bowl victory; my leap into the pool
with the band, fully clothed, after I secretly
followed J and Frieda back to his bedroom). I had a few
mini-boyfriends on the sly, including one fellow
philosophy major who totally trampled my heart and a
graduate student who was a Jew posing as an
Italian-American. Nervous about how he would be
perceived in a Catholic-tinged philosophy program,
the graduate student exploited his olive-toned skin
and love of opera to go undercover, lived an odd
temporary lie.
Still, J and I continued in our half-love without
discussing the side relationships. The week I headed
for graduate school, he left me a message, sang “I’m
Leaving on a Jet Plane,” to my answering machine,
funny and bittersweet as ever. In November of that
year, 1992, I found out that he’d gotten a new,
serious girlfriend. After a tearful, confessional
conversation, I mailed him a copy of the credit card
receipt for my abortion. I’d been holding on to it
for five months, waiting for the right moment to tell
him.
Shame.
Ashamed of who I was and what I did. Ashamed of the
abortion – the abortion. You think you can wash away
shame or pain by showing it to the world, or to a
limited subset of the sympathetic. Sorry, my good
religious friends, my lovers of life. I let one baby
happen by accident and took care of the next by
violence.
By the end of my first semester in library school, I
was in crisis, totally falling apart. Enter my first
real attempt at therapy and my future first husband,
the slow process of life rebuilding. If you are
reading this, thank you future first husband, future
ex-husband, for being so totally solid. I don't think
I've given you enough credit for that. There is
absolution in unconditional love.
I am starting to sift through the decade after the
stillbirth, shining light on a dark time, preparing
myself to come clean. I have wondered if the blog, my self-made
public confessional, is the best way to expurgate
shame. Wouldn't it be simpler to say nothing at all?
Maybe finally get around to locating another trusted
therapist, go the traditional recovery route? Or, if
I must expose the ugliness, couldn't I just make it
quick, compile a list, invite brief flagellation or
accolades for my honesty and then move quickly on to
self-forgiveness?
No, no, I have to transform the shame into a
narrative, examine it inside and out. I need to dust
if off, shine it up, put it in the shop window.
Later, I'll pass it along to my fictional characters.
They are waiting backstage, eager to take on the
burden, ready to be set into motion. But before all
that, before I can pass the torch in good conscience,
I'll occasionally be picking apart my mistakes here,
aiming for tricky self-forgiveness.
I hope you can stay with me for the ride, can keep an
open mind and an empathetic heart. Oh, the places
we’ll go!
Hello ... Columbus?
Capitol Plaza Apartments
The studio at Capitol Plaza Apartments was cheap and
within easy walking distance to Union Station. On the
first floor of an eight-story building, it had a
large window overlooking the basement roof and a
hemmed-in view of surrounding structures. Small and
dark, with parquet floors and “apartment-sized”
appliances in the not-even-galley kitchen, it was a
cozy cave, the right place to hide out for my final
year of college. I moved in August 1991.
To pay the bills, I took out more student loans, got
a better paying part-time job working in a library at
a high-profile law firm. That’s where I met Chas.
Chas had recently divorced and was trying to figure
out his newly single life at 39, the house gone, his
routine changed. I was a loner 21, a strange
combination of vulnerable and shuttered, talking more
to the homeless men who bivouacked on my street than
to my fellow college students. We were both in love
with DC, with its high crime rate and crack wars and
the insane mayor-for-life Marion Barry. The brick
rowhouses, the policy wonks, the strange political
celebrity, the feel of it all: It was home.
Chas had left Columbus, Ohio in the early 1970s and
headed straight for the District. He would tell me
stories of growing up the city, where his large
family lived in a massive brick Victorian. It sounded
exotic in its blandness, the spread-out burg with the
solid architecture. “They just don’t make houses here
like they do in Columbus,” he would chuckle, and I'd
smile as if I knew what he was talking about. Chas
got his own apartment at 16, a few years before he
moved to DC. Since I’d been emancipated from parental
supervision from the age of 14 or so, he felt like a
kindred spirit, another concealed soul,
self-protective and insular.
Most of our conversations took place on my early
evening library shifts where there was no one else in
the office to interrupt us. He would discuss the
pursuit of church ladies (they were a tough bunch),
explain his theories on electromagnetic radiation,
how the destructive energy fields from power lines
were spreading cancer and causing miscarriages. We
would stare out the window at the office building
across the street, watch the after hours workers work
or not work, watch them watching us. There was one
man who was always talking on the phone, standing
with his back to the full-length window glass,
earpiece pinned between head and shoulder. It was a
performance just for us, the man’s hands swooping and
slicing the air as though the person on the other end
would be persuaded by gesture. On the street below,
commuters dallied or rushed, flagged down taxis,
spilled out of the Metro station on the corner.
A lone wolf on the streets of Dupont
Circle.
I told Chas all about my former roommate Martha, my
escapes to visit her in Chestertown, where our
evenings at Andy’s were blurred through multiple
glasses of Dark and Stormies, a potent mixture of
Goslings Rum and ginger beer; he’d get the details
of the Bass Ale-soaked nights we had at the Irish
Times or the Dubliner. Sometimes I would give him
sanitized versions of barhops with Abe, an old
friend from Delaware. Abe and I usually mixed our
liquor, beer, wining and cocktailing it to the
final rounds of Long Island Ice Teas. These
evenings generally ended in an argument over
something petty. We screamed across disco lights
and crowded dance floors, tossed barbs in the back
alleys of Georgetown, only to do it over again a
month later.
In none of these conversations did I tell Chas about
my drunken flirtations, about the Marines Martha and
I dragged back from the bar one night, about the
make-out sessions with Eastern Shore acquaintances,
the booze-fueled pursuit of contact. Alcohol always
uncovered the chasm, brought the need for other
people to the surface.
In between the pickups and the throw-ups and the work
and the studying, I’d occasionally see my faraway
half-boyfriend. But most weekends were quiet. “Friday
night drinking night?" the corner liquor store owner
asked me during one regular visit, to which I gave a
weak nod and smile. I’d drink, study, write papers,
maybe catch the PBS Saturday night movie on my crappy
box of a television. The Capitol Building was close
to my apartment and I would walk around its lit-up
beauty at night in all kinds of weather, braving
bracing November winds, floating through the
incredible sweetness of spring, when the cherry trees
and azaleas were in bloom. (“I am alive, I am alive”
I would think as I walked a path of fallen pink
petals, feeling the joy rise up in me).
The week before Martha drove me out to Illinois in a
battered U-Haul truck, Chas and I went out for one
last round of beers, a temporary goodbye. I had every
intention of returning to DC immediately after
graduating from library school. But then I met a guy
who got a job and we moved to a new town together:
Columbus, Ohio. We started to build a life, adopted
some animals, and finally bought a house. It was a
four-bedroom brick Queen Anne in the Old Towne East
neighborhood, a steal at $125,000. When I gave Chas
the address, he was quiet for a moment.
“That’s the same block I grew up on,” he finally told
me. Almost exactly across the street from our new
house was an empty lot, the location of Chas’s
childhood home.
Franklin Avenue house and neighbor (we never had a
flag up and the neighbor will have to be a story for
another day). Photo from Old
Towne East Neighborhood
Association.
It was a strange coincidence. What were the
odds?
The factoid with legs
At my grandparent's house during the John The
Murderer era.
It was a dark place, with a
cavernous bathroom, small squares of mint-green tile
above the white, a pedestal sink, the tall window
adjacent to the toilet covered by a pullcord shade.
Outside of the bathroom, the rest of the old
Wilmington rowhouse loomed: shadowy rooms; marked-up
walls in need of paint; hardwood floors scratched and
worn from decades of footsteps, the worst places
covered by faded area rugs; a raggedy couch there, a
threadbare recliner here; the folding tables with
chipped veneer. Because the windows were painted
shut, the air was stuffy, smelling of overcooked
food.
I don’t remember other kids. I don’t remember
playing. I do remember lying on the floor (or was
that a cot?) for my nap, but not sleeping. Maybe
that’s why the bathroom is so solid in this elusive
memory – those that don’t nap are made to stand in
the bathroom. Bad girl.
Tears and stubbornness. It wasn’t fair. No one could
make me sleep in this place.
The woman who ran the home-based daycare knew
John the
Murderer (click here
for more on him), my
mother’s ex-boyfriend. So when he showed up after
the breakup, after we moved out, when he came by
to pick me up during naptime, she let me go. I was
quiet and polite – this was important, to go
along, to not make him angry, to stay safe. He
took me to a store, had me pick out a huge stuffed
animal to take home, and returned me without harm.
It was a somewhat threatening attempt to get back
into my mother’s good graces. When that didn’t
work, he pursued us to my grandparent’s place,
"kidnapped" my mother for a brief time, another
sketchy story of violence that isn’t mine to tell.
Recently, when my little one, my sweet, sometimes
maddening almost-three-and-a-half year old was
behaving just like a preschooler should, testing
boundaries, being frustrating, I felt the anger flame
up inside of me, the low boil going immediately to
steam. After calming down, I thought about my life at
his age and how small and defenseless and maddening I
must have been myself, a little person in the midst
of some very bad things, trying to protect her
mother, to keep it together. The past was reaching
out to slap me in the face again, the suppressed
anger of long-ago, the abuse I both witnessed and
experienced.
I’ve asked my mother to tell me what happened while
we were living with John. Some of it I vaguely
remember (or know from past conversations)– being
made to stand at the table for meals, his physical
abuse of my mother, his tendency to drink – but there
are gaps in my knowledge. I need to know, to confront
it, to feel the suppressed feelings. It will be
another step toward emotional wholeness, a step
toward being an aware parent.
My mother has agreed, apologetically, guilty, worried
that I will be angry with her. There is no cause for
worry. I just need to know.
It's the next hurdle.
Everything around me remains the same
And the story is just about really, finally, complete. The final excerpt (still in draft mode) is below. For other excerpts from the work in progress as well as posts on the topic, follow the stillbirth tag.
I'm putting this experience to bed now.
Photo by PhineasX.
Gusts of words swirl around me that
week. I walk right through them. Who needs to talk?
Dad is explaining the baby’s name to his father: “She
said it was the first thing that popped into her
head.” “Jennifer didn’t know what was going on,” my
stepmother tells the phone receiver. At an aunt’s
house for Thanksgiving, we sit and hide behind the
blast of televised football and the scraping of
forks, my paternal grandfather’s frequent
throat-clearing sounding a note of general
disapproval. Six days after the birth I try the
nightgown trick again, tighten it over my empty
abdomen. Flat as a pancake.
On an unseasonably warm December day, wisps of clouds
pulled across a cerulean sky, Dad drives me back to
Maryland. There is clean-up to be done. He drags the
stained twin mattress to the end of the driveway,
props it against the fence, bloodied side in. (“Very
tasteful of your father,” Mom tells me later, with
more than a hint of sarcasm.) My parents share a
laugh at the ancient pack of pilfered Pall-Malls I’d
jammed underneath it – if they only knew about the
empty beer bottles hidden in the box spring of the
other mattress. Dad gives me an awkward hug, waves
goodbye from the car. I open the door to the Little
House.
Smells become part of the background of a place, as
invisible as the color of the ceiling or the
punctuation of electrical outlets against wallboard.
You forget how a house smells, forget it practically
the moment you close the door. The stale air of the
Little House hits me like a slap in the face. It is
the scent of bottled-up mildew, of pressed wood and
formaldehyde, the smell of isolation. I take a
canister of Lysol and scour the room with an
antiseptic rain, spray the walls and floor until they
are damp. Over the afternoon I slowly change the feel
of the place, moving furniture and taking down
photographs.
When the familiar urge hits, I walk quietly into the
main house. From my grandfather’s room comes the
sound of MacGuyver, then the jingle of a commercial.
An ice-cream scoop sits in the sink beside a spoon
and scraped bowl. Grabbing a large tumbler from the
dishwasher, I kneel to open the china cabinet, reach
for the Johnny Walker Red on the bottom shelf. I walk
back to the Little House clutching my glass of
whiskey and Coke between both hands, taking careful,
deliberate steps on every slate stepping stone, as
though one misstep onto grass means bad luck. After
locking the door behind me, I take a sip. The drink
is strong and bitter, cold and soothing. Humanizing.
Some drink to numb the pain. I drink to feel it. I
begin to cry.
On Monday morning, puffy-eyed and stoic, I walk to my
mother’s for our ride to school and work. She is
cranking up the ancient, oil crunch era Toyota with
the nonworking gas gauge. An egg and scrapple
sandwich lies on the passenger seat, on top of the
paper. I hop in, open the Wilmington
News-Journal, take a bite of food. Mom puts the
car into gear and backs out of the driveway.
Everything around me remains the same.
Inner battle
Grappling with myself.
Photo by my husband, taken from the vast Santa
collection of my father and
stepmother.
The things I am supposed to be
doing and don't want to do, the shoulds, they
sometimes control me. They become obligations
body-checked by anger. Or maybe it’s the should nots,
the tamping down of what rises up naturally: I should
not be feeling angry. I have no right to be upset.
This is not supposed to be a blog about current angst
(except for the mundane, piles of laundry, sick kid,
dog-walking variety). Most of the anger I carry
around is the nostalgic sort, dealing with that stuff
that happened when I was a kid, the things I can’t
change and must make right in my mind in order to
live a full life. It’s been working, for the most
part. I’m letting go.
Yes, I have complained about my current relationships
with my parents, have brought up marital discord from
the not-so-distant past, but most of this has been in
the context of grappling with painful memories,
revealing old scars to healing light.
But I haven’t talked about my stepmother. Part of the
reason I don’t talk about my stepmother is that she
is practically a saint. She is my father’s total
champion, and if anyone needs a champion, it’s him.
My father has treatment-resistant depression, a
condition he has been grappling with from the time he
entered college. It was because of depression that he
stopped working in his early 40s. The man has been on
many different varieties of medication; he’s been
through research studies; he’s done electroconvulsive
therapy (ECT) and lost a chunk of his memory in the
process. Eventually the drugs lose effectiveness, the
troughs get deeper, he stops functioning.
There are physical problems, too. Diabetes. Obesity.
Arthritis. Within the last two years my father has
developed debilitating back pain and can barely get
out the door. At the age of 57, he is practically
housebound, a predicament he and his wife have taken
on with characteristic stoicism. Throughout it all,
my stepmother has been a rock, always supportive,
never complaining, a breadwinner, maker of meals, and
vacuumer of a four bedroom house.
Why am I angry with this woman? Why am I carrying
around this stupid useless feeling? Because I am
invisible to her. Because when I was pregnant with my
second son, she talked about it being my first baby
(perhaps a teenage stillbirth doesn't count). Because
– stupidly, since I really should let go of this one,
but couldn't they have waited a week? – she got
married to my father two days before my fourteenth
birthday. Because she never even so much as e-mails
on my birthday. She has no idea why I might be
feeling pain and apparently doesn’t want to know.
Perhaps she feels she might be implicated in some
way. I don’t know.
My father loves me, but he has not been a very good
father. It's just the truth. Four years of every
other weekend visits does not a good father make.
Financial support for one's child – which I do
appreciate – doesn't make one a good father either,
though certainly there are many absentee fathers out
there who don't even do that. He laid the foundation
for distrust early. A little recognition of this past
and his part in it would make a huge difference.
After he read
the blog,
he acknowledged it in a general way, though we've
never talked about it. But what about her?
I know she thinks I'm a bad daughter and in many
ways, I am. Phone calls sometimes go unreturned for
days. I'm late with birthday and father's day
greetings or send a lame e-card. I put off making our
travel plans to see them and have been absent for
multiple surgeries. I avoid discussions of Christmas,
a holiday that is an obsession for them. The guilt
floods over me, paralyzing and cold, and I feel a
surge of preemptive, protective, useless anger.
What am I supposed to do with this anger? What do you
do when you can’t talk to someone about your
feelings? How do I do the right thing while honoring
how I feel?
So many questions. Does anyone have answers?
(And when this particular angst is out of the way, I
have many awards and other kindnesses to acknowledge.
That's the next post.)
Bloodhound
Image courtesy
of In Praise of
Sardines
Last year this night bled into
Sunday afternoon. Following a trail of crushed
blackberries, I traced the stains with my fingers and
watched as we went from mud to cracked glass to
bruise. Late night notes, an errant bike ride, “drama
at Inspiration Point.”
In a year, total turnaround, but, as always, I focus
on dates.
Tonight’s bad mood explained.
Crying the rodent death blues / The beast in me
Take the case of Happy.
Happy (short for Happy Easter) was a golden hamster my grandmother gave to me for Easter 1976. He came complete with a Habitrail, one of those cages with a main unit attached to smaller annexes via clear tubes. It was just like a wild hamster warren except translucent, plastic, and above ground. Watching Happy scurry through the tubes, from wheel to main cage to tiny den was amusing. He impressed me with his ability to get through tiny spaces. I would scoop him out of the cage and cup my hands around him, leaving an opening that got smaller and smaller over time. Happy was always able to make it through.
One winter morning, hamster feed in hand, I opened the Habitrail and discovered it empty. All of that time spent squeezing through my fingers had been training for Happy’s escape. His disappearance was upsetting, but even more devastating was the discovery a few days later of his tiny corpse in the basement. It was stiffened with rigor mortis, hamster toes stuck in a permanent curl. Happy’s last meal had been rat poison.
By the age of seven, I had lived through a few pet deaths, all of the feline variety. Sheba had been hit by a car, Amber was anemic, and Regis bothered his neutering stitches until infection creeped in. Each death brought tears, but with Happy it was different. For many months after the hamster’s untimely death, I rode a wave of grief. On long rides to my grandparents’ or on the walk to school, the loss would hit me.
Dinnertime was the toughest, with all that time to think under the monotony of adult conversation. My mother, her someday husband Jim and I would be sitting at the white picnic table in the kitchen and I would feel a pang. The spinach soufflé would grow cold on my fork as I stared past Mom and out the window into the backyard. Happy was buried back there, his corpse stuffed for one final time into a toilet paper tube. I imagined him in better days, pushing his way through my open-toed shoes, doing endless laps on the wheel, escaping from my fingers. I couldn’t contain my sigh, the big exhale of emotion.
“Do you know what I’m thinking about now?” Long silence, then another sigh, “I’m thinking about Happy.”
These words of grief, repeated many times over that year, were not taken seriously.
By age eleven I was ready to try rodent stewardship again, this time with a gerbil. Perhaps it is a sign of Happy’s hold on my heart that I no longer remember the gerbil’s name. He (or she) was also cut down in the prime of life, a victim of illness. He had been listless all day, sitting in a corner of his cage, not touching his food. The gerbil refused to open his mouth whenever I presented an eyedropper full of restorative honey water. I hovered over the sickbed into evening. As night came, a summer storm rolled in. The sky flashed with lightning and my gerbil took his final breaths in an echo of thunder. After it was over, I reached out and stroked his still-warm body with an index finger. And then – an indication of my future impulses? – I immediately wrote my version of the night’s events: “Death of a Gerbil.”
My mother and Jim teased me for what they interpreted as my overemotional response to almost everything. Jim also thought I was too serious and would describe the child me as being like a 42-year-old woman (as I approach the last year of my 30s, his description makes even less sense). The labels were applied with a grain of contemptuous truth to everything from my asthmatic coughing fits that led to vomiting as well as my often-expressed desire in sixth-grade to kill myself.
Over the years I’ve learned how to regulate my external emotional responses, but I still have a flair for the melodramatic that usually comes out in my writing. For example, I started this post with some ideas about the loop of deep self-doubt that occasionally runs through my mind. The initial paragraph read very differently:
I am afraid to see a psychic, for what she may tell me about what she sees in my soul. Will she feel the energy, the darkness that is eating me from within? One look in my eyes, a quick riffling through my internal dialog, and the extent of the rottenness at my core will be clear. She’ll have to make something up, be polite, get me out of there.
This is grown-up melodrama. Like my grief for Happy, when these feelings hit, they are genuine. I acknowledge that there are times when I feel rotten and hollow. This doesn’t mean I am rotten and hollow – my feelings are not objective reality, but to deny them and their origins would be denying part of myself, part of my internal life.
I fight these moments of darkness. But I am convinced they are part of being human and will never fully go away. We don’t want to acknowledge feelings of deep inadequacy, so most of us go around trying to pep-talk ourselves into feeling better. We don’t want to face the beast within.
The good in us, the light, is powerful. It can lift us above the void. But if you feel pangs of self-doubt, why not acknowledge the reality of the feeling, trace it as far back as you can, and move on? Don’t underestimate your ability to confront the beast.
The darkness within doesn’t define us. We are far more complex than that.
For readers who are now thinking of the Nick Lowe song, here it is, as sung live by Johnny Cash, a man whose life was defined in some part by his attempts to push through the darkness. Next post: blog of the month.
I slip into the night
My first memory of the house is from the summer of 1972. I am three, walking the 20 feet from the cottage to my grandparent’s place, planting my sturdy feet in thick grass and clover. I take off in a run when the ball of my right foot meets something small and sharp. It burns. I begin to cry. Someone – my aunt? my grandmother? – whisks me into the main house, probes tender flesh with pointed tweezers to remove the bee’s stinger. Afterwards, I lie on the family room sofa in cool air conditioning, injured foot propped on a pillow, a thick paste of soothing baking soda drawing out the pain. I watch cartoons, sucking on a straw to get at the last of Coca-Cola over ice.
That was over thirteen years ago. My grandmother has been dead since 1979 and the Little House is now my home. I spend my days waiting for darkness to fall. Bring on the night, I couldn’t stand another hour of daylight.
Inside the main house at 9:30 p.m. sharp, my grandfather takes out his hearing aids and removes his prosthetic foot, trapping himself in bed for another night of muffled sleep. Four houses down the street my mother, blinded by man and money troubles, sleeps in a cocoon of sadness. My father is sixty miles away, a prisoner of debilitating depression; his kindly wife is totally focused on his well-being. Unheard, unseen, and seemingly unimportant, I slip into the night or let the night slip into me.

This is where my power of
description seizes up.
Really, I’m on the road to forgiveness, and I don’t
want to rehash the past in angry diatribes here.
But – the inevitable but – I am in the midst of the
never-ending stillbirth story, attempting to write
about my time in the Little House, a companion piece
to my biological grandmother’s experiences and as I
try to get my mind around it I find myself asking:
WHAT IN THE HELL WERE MY PARENTS THINKING?
When reality broke through, when my pregnancy became
apparent and ended a month later in a stillbirth, in
dramatic labor occurring in the Little House, when it
became clear that I needed parenting, WHY DID NOTHING
CHANGE?
These are not new thoughts, but the underlying
feelings have changed. My anger before was mainly
self-directed, anger at my family turned inward: what
evil in me brought on their rejection? But now I am
reaching a different conclusion: my mother and father
had so little respect for themselves, for their power
as parents, that they gave up, figured I was fine on
my own, or maybe even assumed that they would only
make things worse. My mother stopped parenting; my
father never even started. They deserve my
compassion. It's no use getting angry at those who
don't see their own worth.
Now I have to work through the feelings, unpack the
meaning of the Little House, dense with suppressed
emotion, so much a part of who I am. I’ve left it
almost completely out of most other versions of the
stillbirth story because it feels like an emotional
bomb. As I try to get back into that time of
isolation, loneliness, self-hatred and anger, my
self-protection (or something) kicks in.
It is time to control the explosion through language,
to capture the shards of the experience on the page.
I'm scared. But if I don't go back, the experience
controls me.
From the inside
Part of what unsettled me was the link back to my own words (which I’ve changed to better reflect my feelings). The “why” of writing to survive was initially a rather bleak description of what life was like for me for the first two years of my son’s existence. This was a difficult time with many struggles to maintain eveness. I lost a lot of myself, my marriage changed, and I’d have to say there was some depression tossed into the mix, too, though I was never treated.
So. I love my son. I am lucky to stay home with him. He makes me laugh. We dance and sing and talk and read together. He has also been an impetus for change, a reminder to slow down and enjoy. With him I am able to remake my own childhood, borrowing the good bits and discarding the bad. I am lucky to be able to do this AND write.
Which brings me to my husband, an amazing man who is my biggest supporter. When I need reassuring about my parenting skills, he is quick to soothe. He loves to read my work. He gets take-out when I am tired of cooking. He understands when I use naptime (when naptime happens) to write instead of clean. We are truly a team. I love you, H.
There are nuances to this angst, and as I’ve been writing here and privately, the angst shifts and dissipates. The words have saved me.
This is writing to survive.
The dammed
And I’ve been trying to figure it out: why?
I am filled with untapped ideas and complex emotions. They are waiting in my mind, rapping at the walls of my skull, tugging at my brain: Give us life! Make us real! They are desperate for description, for a life on the page.
But I don’t have the language. The words aren’t coming. My subconscious is hog-tied.
If I knew the why of it all, then maybe I could fix it. So I try to feel whatever it is that I’m feeling, try not to beat myself up with what I should be doing or how I should be spending my precious moments of free time. What is the emotional component to this word clog? Which key will open the box?
One clue: I’ve been struggling with the never-ending stillbirth story. What felt complete looks like it will need a rethink, mainly based on the suggestions of a couple of shrewd readers. Their comments weren’t critical, but instead showed other paths I could take, the way it could expand even within its strict confines of time and place.
Aha. The key. My subconscious isn’t hog-tied. It’s working.
I was sixteen and living in an unheated two-room summer cottage adjacent to my grandfather's house when I became pregnant. We called the cottage the "Little House," or the "Upper Room," names taken from a children's story and the bible, symbols before the fact, names repeated in an irony-free world. This was where I lost my virginity, where I got pregnant, and where I later gave birth to a preterm baby who never took a breath.
My life in the Little House was free from supervision. It was full of lies and neglect, tears and isolation. The events leading up to and directly after the stillbirth, combined with other emotional scars from childhood, have defined how I feel about myself, have colored my interactions. I know how to keep a safe distance.
As I keep on writing that particular story, it changes. Not the facts, but the feelings. I find other ways of telling, understand how the experience that separated me can also connect. The distance falls away, I uncross my arms, open my heart and mind.
I sometimes, however, ignore the darker emotions of neglect and anger associated with that event, wash them away in a wave of sympathy for my under-equipped parents. I don't know how to feel the feelings, to give them voice, without directing blame. Is it possible to forgive but still be angry? My writing turns into a mincing dance around the unspeakable.
The story is worth the work. But I also want it out of my head, done.
The feelings need time. They will out.
The harvest
Now we’re clutched close, lost in a kiss, tender lip to darting tongue. His calloused carpenter’s hands stroke my hair, wrap me tighter. I think over and over: “This is what is happening right now, this is what is happening right now.”
Then, a fast drive through shuddering cornfields, car windows open, my hair whipping around in a pre-knot frenzy. The stalks are taller than I am, still green, with the threat of decay around the edges.
One morning, the fields will be brown. The next week, empty.
I won’t be seventeen forever.
A talisman against loss
Some children sleep though high fevers, resting up as their bodies fight off the germs. Not our little one. The heat disturbs his sleep. For several nights he woke up in the 2 - 3 a.m. time slot, asking "Is it wake-up time?" Well, no, but we didn't have much say in the matter. Time for a drink of water, maybe for another dose of Motrin, and then we'd settle in for cuddling and long attempts at getting back to sleep. Two hours later, once he was out, I would be able to sleep myself.
The combination of being sick and not getting enough sleep put me in a strange frame of mind. Everything seemed fraught with premature nostalgia. The Duplo block set he got for his birthday, with a castle and the toy knights? A relic of a childhood soon to be over, the toys destined to languish in an attic. The recent photographs of our growing boy? Documentation of a time we won't be be able to remember a year from now. My cuddly 3-year-old will change into a different person, perhaps several times over, and each stage will be as fuzzy in my mind as his first weeks of life. It cut, this realization of the slipperiness of time and memory.
Along with an ache for what has not yet passed, I started to see danger in almost every moment, as though I was preparing myself for an inevitable loss. The bee I saw crawling on our grass -- would it deliver a fatal sting to my son, sink its poison into his chubby bare foot? (Never mind that we have no idea if he is allergic. It is a genetic possiblity). Would this be the dog walk where I would lose my balance and fall backwards, landing on my son, strapped to my back in an Ergo carrier? (Oh, for those days when he insisted on wearing his bike helmet at all times!)
And what about me? Was I paying enough attention to the dangers that I faced? Is the morning coming when, groggy and uncaffeinated, I will accidentally dip my low-hanging robe sleeve into the burner flame, stare in shock as the sleeve is consumed? Would I finally miss that step and go tumbling into a crumpled heap of bone and flesh on the floor below?
Maybe if I tried to keep the dangers in mind, tried to remind myself that what we love can be taken away, that no moment is innocent, I would have a mental talisman against loss.
That was a few days ago. Sleep is improving and my outlook is returning to normal. Neurotic worrying is not what protects us from danger. I am lucky to live in an incredibly safe part of the world, with access to clean water, plentiful food, and good medical care. I don't have to dodge bombs or gunfire. I don't need a talisman.
But I am going to watch my step when I go down the stairs.
So. What would I write if ...
This has been a hard week of slog and attempts to think my way through a muddled, sad brain.
There could be at least one reason I am struggling -- the end of July marks an anniversary of sorts (some might call it an antiversary). This, coupled with an overnight work retreat for my husband next week, a true triggering event, is bringing me down. These dates will lose their meaning over time, but the first go-round stinks.
So. Maybe that's it.
(Ever since my mother sent me this quote from Seamus Heaney on the use of 'So.' as prelude, a call for attention, I've been using it as a sentence all on its own. The quote is below, Famous Seamus on translating Beowulf and using the term 'So.'
There you have it -- a little esoterica to balance out the angst, to confuse the crowd. Oh, for courage and greatness.)
"And when I came to ask myself how I wanted Beowulf to sound in my version, I realized I wanted it to be speakable by one of [my big-voiced Scullion] relatives, [who had a kind of Native American solemnity of utterance, as if they were announcing verdicts rather than making small talk. ] I therefore tried to frame the famous opening lines in cadences that would have suited their voices, but that still echoed with the sound and sense of the Anglo-Saxon:
Hwaet we Gar-Dena in gear-dagum
peod-cyninga prym gefrunon,
Conventional renderings of "hwaet," the first word of the poem, tend towards the archaic literary, with "lo" and "hark" and "behold" and "attend" and—more colloquially—"listen" being some of the solutions offered previously. But in Hiberno-English Scullionspeak, the particle "so" came naturally to the rescue because in that idiom "so" operates as an expression which obliterates all previous discourse and narrative, and at the same time functions as an exclamation calling for immediate attention. So, "so" it was:
So. The Spear-Danes in days gone by
and the kings who ruled them had courage and greatness."
The smog
Maybe it was the week of haze, the sun a bright disk behind clouds of diffuse smoke, the smell of fire hanging in the air. Or I could be homesick, tired of a landscape of bungalows, thirsty for brick and marble.
That's it. I want to go home. Not to DC (though I wouldn't mind just a taste of that city), but back to my grandparents' house in Hollywood Beach, before it was ruined by death, back to some sweet summer when my grandmother was alive.
We'd drink sugary Coca-Cola over ice, hang out in her freezing bedroom. She had a perpetual supply of Cheez-Its (it was a land of hyphenated foods, tasty concoctions of flavored chemicals with catchy, meaningless names), and I'd jam handfuls into my mouth while we watched The Price is RIght. Sometimes I would listen to the sound of her sewing machine humming along as she worked on another outfit or colorful muumuu.
After lunch, I would walk down to the river, step in the soft tar by the side of the road, sink into its soothing warmth. Somebody's grandparent was always sitting on one of the benches overlooking the beach, smoking a cigarette, keeping an eye on the young swimmers. With a running leap, I'd arc into the water, trying to avoid the muddy river bottom, several inches of sludge and leaves. I was heading for the raft or for water deep enough for an underwater handstand, ready to emerge with handfuls of muck and dirty fingernails. When a container ship came through the channel on its way to or from the C & D Canal, swimmers fought the pull of its engines and treaded water until the ship passed.
I'd swim until the skin on my fingers and toes wrinkled in protest, until I was covered in a thin film of mud, sometimes until I was shivering. Then it was time for the walk up the road, a towel wrapped around my waist, looking forward to farm-fresh corn on the cob and summer tomatoes.
Nostalgic memories are free of pain. They do come with an ache, however, a longing for simplicity. I'm sure it wasn't so simple, but my grandmother's house was a safe place, a place where I could be a kid. As I've been working on the stillbirth story again, I've been thinking of the dramatic event as the final nail in the coffin of childhood. That it happened in the one place where I had truly been able to be a child, where I was safe for a short time, seems especially sad to me. The happy memories will always be tinged with loss.
So maybe this funk has been a little burst of mourning, more grief experienced years after the fact. Let's hope that getting it out will allow me to let it go. I'm tired of the mental smog. I want to enjoy the sun, revel in the blue sky freed after a week behind smoke.
Depression's child
Stepfather shuffle

If you've read the West Street Sequence (so far) of A
Prolonged Illness (note: no longer on the web
site), you
will know about Tim, my mother's ex-husband. Jim, the
Philadelphia Flyers lover. Tim, the man who wouldn't
talk when I was at the dinner table, unless it was to
harangue me. Tim, the Big Mean Step-Father.
After Mom kicked him out and life became
simultaneously freer and crazier, Jim did some
soul-searching. Went to therapy. Joined a church.
Eventually remarried. And would take me out to dinner
about once a year. The last time I saw him also was
the most bizarre. Tim, his wife, and his sister
(Joy), came to DC to have dinner with me before I
left for graduate school. I hadn't seem Joy in almost
ten years. She just couldn't stop with the remarks:
"You talk just like Chris [my mother]! You have
mannerisms just like Chris! You move your hands just
like Chris! That's exactly what Chris would do!"
Since she hated Chris for hurting "Timmy," these
comments were not meant kindly. I eventually burst
into tears. Joy gave a petulant apology. I swear she
even stuck out her lower lip.
These dinners were never comfortable for me. What was
his agenda? Did he feel guilty? Did he want to make
it right? Who knows, maybe he was fond of me. Hewas
in our lives for 7-8 years, for a large chunk of my
childhood.
We lost touch after he and family moved to Idaho,
about a decade ago. I tracked him down late last year
(yeah, I know, I know) and he's been sending cards
and presents for C for holidays ever since. So here I
am in the middle of a Tim flashback, hating the man
for being a prick, when we get this Easter package
from him with toys for C.
I'm feeling a bizarre mix of feelings right now,
mainly anger and guilt, the usual partners in crime,
though there has to be some sadness, too. Do I have
to forgive everyone, see the human in every single
fucked up bastard I've come across?
Nubbin brain
I'm 38 years old and I haven't written a creative word since I was an undergraduate. I don't expect it to come easily. The Mom and K project has an emotional heft that makes it difficult, too. And I seem to suffer from a twisted nostalgia, a real desire to inhabit the past, at least so I can write about it about it with some veracity. I'm trying to let go of my obsession with uber-accuracy, which helps when my literal mind gets caught up in the details.
Mark Doty has a good essay about memoir and truth in the latest Poets and Writers -- but now that I have H and C beside me reading a book, the nubbin brain is shrinking even more and I have a hard time bringing it to mind. Check it out if you can, though you'll probably have to get your hands on a physical copy.
Existential angst, Part 2
I had some doubts about whether I should post this -- nothing about writing here, nothing positive and chirrupy either.
Well, this is me. I can't make up what I am not. When I'm feeling better, it will be about writing. When life feels like a cruel joke to be endured until my extinction via death, that's what I'll write about. At least I'm still writing.
So, today: The dream hangover -- usually a nap thing, or middle of the night phenomenon for me. I don't always remember the dream, but I wake up with a sense of dread, or a feeling of failure that cannot be recovered from, or with the gnawing ache of permanent loss. Today I had a napless nap attempt in an empty house ideal for sweet sleep. I emerged from bed still tired, thoughts tangled and knotted.
I felt old and sad and crazy for thinking I could transcend anything with writing or thinking or interacting with others.
Life is a blind march towards death. When I emerged from bed, I knew my life was irrationally -- crazily -- lucky, and undeserved. I was sure my feeling of dread was because H and C must have been in a fatal car accident while I was not sleeping. The cheese stands alone.
They came home untouched, alive.
No K & Mom story writing today. Definitely tomorrow, though. I'm not that bad off.





