Sweater dress logic
That's me up there, in our
office/guest room/exercise space, dressed in full
stay-at-home mom regalia. Baggy cropped pants? Check.
Shapeless long-sleeved t-shirt? Check. Hair in
desperate need of a cut or at the very least a comb?
Oh, yeah. And then of course, there is the room
itself, the armoire mirror obscured by smudges, the
partially-made bed, the pillow propped on my desk
chair so that I don't get a backache when I write,
the old boxes in the corner that my mother puts in
the back windows at night during her visits to block
out the neighbor's porch light (she likes to sleep in
near darkness). Welcome to my glamorous world.
I don't tend to get dressed up during the week (or
ever), because what's the point? Most mornings I sit
around writing or letting my mind go in four or five
dark directions, and afternoons are kid time. I'm not
going to put on my fancy spandex pants to go to the
library. Over the years I’ve worn many short and
form-fitting outfits, but since my son was born I've
apparently given up on looking good. It isn't worth
the bother or the expense, and who am I trying to
impress? My husband finds even frumpy-mom me
attractive and I have no female coworkers to dazzle.
The game of dress-up, of wrapping myself in appealing
fabrics and styles, is no longer familiar.
But feeling frumpy is depressing, so I'm starting to
think about what I wear, to attempt to dress like I'm
still in the game, like I haven't given up completely
on feeling attractive. It takes work, sometimes it
isn't worth it, but I make the effort. I've started
to go shopping for clothes in person again, not
online or at outlet stores, but in resale shops,
places like the Crossroads Trading
Company,
where I might find funky, offbeat duds on the
cheap, where I'm likely to find interesting
options in small sizes.
This is where I found the sweater dress.
The dress was short, slate blue and formfitting, with
a princess waist and a cozy turtleneck collar. It
went well with a pair of knee-high black leather
boots that I bought at the same store.
When will I wear
this thing? I thought, but clothes shopping
often puts me in fantasy mode, a sunny place where I
shower seven days a week and get my hair cut four
times a year, where I remember to brush my teeth
hours before I pick up the kid from preschool, where
I decide to put on cute dresses every day instead of
baggy pants. The dress was under twenty bucks, so I
went for it. I made an investment in fantasy. My
husband and I were planning a nice dinner at
Oliveto to mark the completion of his
dissertation, so I had an
occasion.

On the evening of our dinner, I
laid next to the boy as usual, waiting for him to
fall asleep, for his breathing to become even and
light before I tiptoed out of his room to change. Boy
asleep, dress safely on, I applied the tiniest bit of
makeup and pulled my hair back. As I creaked down the
steps, my husband was talking in the living room with
our babysitter. She is freshly twenty-one, effortless
with both adults and children, and as I came closer I
realized that I was wearing a
dress, that
I was wearing the dress. It was as though I had just
put on a buttless formfitting leather jumpsuit. I
felt exposed, like I was pretending to be something I
wasn't, a young person, a stylish person,
non-maternal.
I had brought a coat with me downstairs and I whipped
it on before the babysitter could see me, then ran
behind the magazine rack to put on my boots.
Indecency covered, I fluttered out the door with my
husband before she could notice that I was dressed as
an imposter, that I was attempting to play the part
of an attractive, stylish woman. And in the cold
restaurant, I kept my coat wrapped around my
shoulders, covered my cheap disguise.
Did the blame for my discomfort lie within me or was
it the dress? Was I over-thinking the whole thing?
(Remember how neurotic I can
be?) The
dress had one more chance to prove herself. We had
a cocktail party to attend.
The party took place in a typical Berkeley house, a
small two-bed, one bath, and it was hopping by the
time we arrived at 8:30. It was my kind of crowd,
mainly parents that had escaped their kids for the
night, a mix of thirty- and forty-somethings. The
women were brightly plumed, showing off cleavage and
shoulders, wearing dresses in thin colorful fabrics.
The room was a tangle of bare legs, and men in dark
colors, of manicured toes peeking out of exotic
shoes. I felt positively demure in my turtleneck
sweater dress with black tights and scuffed black
boots. The princess waist seemed too youthful, like I
should have had an oversized lollipop in my hand
instead of a beer. And it was hot in there, so steamy
that a bloom of sweat broke out on my wooled-over
torso. I could have removed my boots and taken off my
tights, could have swung the tights seductively
around my head, grazed the faces of the other
partygoers before tossing the hosiery out of an open
window. But instead I pulled on my turtleneck, looked
enviously at the bared collarbones around me.
Apparently clothes are all about context.
I haven't given up on my sweater dress or on
regaining my fashion mojo. But I might need to start
fresh, to begin with the foundation garments. Next
week I will jettison my vintage underwear collection
for a more contemporary look.
You won't be reading about it here.
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First image: Me, in the
office, this morning. The frump-quotient has
gone up since then. I got cold and put on a
fuzzy sweater and socks.
Second image: Sweater dress.
I promise that, after two days of sunshine, I will smile
What is it about my son’s illnesses
that plunge my life into despair, knock me into a pit
for the duration? Four days at home with a sick
four-year-old, four nights of not-enough sleep, his
body sandwiched between my husband and me in the
middle of the night, exuding heat, the constant bark
of his cough punctuating my waking dreams.
“Just spit it out, cough it up and spit it out,” we
told him Wednesday night as he hovered over the sink.
His coughs have been from the center of his body,
deep and hoarse. He let loose a fishing line of spit,
coughed again, and threw up into the basin. It was
very matter-of-fact, but he was concerned. "Will I
need to go to the doctor now?" he asked. "That's not
the bad kind of throw-up, is it?"
“I used to cough until I threw up when I was a kid,
too,” I told him as I rubbed his back. “It happened
to me all the time.” It did. I had a bum pair of
lungs and was prone to bronchitis and
middle-of-the-night asthma attacks. It didn’t help
that my mother and I lived in a series of mildew
pits, that I slept hemmed in by cats drawn by my
little girl warmth. I was allergic to both mildew and
cats and probably the cigarette smoke that twisted
through my grandparent’s place. Used tissues would
pile around me like snow drifts. I had a lot of
“melodramatic” coughing fits.
The doctor said the asthma was nervousness or
hysteria or some such nonsense. I remember turning it
over in my mind, that these terrifying attacks, the
desperate quivering of my lungs for breath as I sat
up in the dark, were emotional. They were my fault,
or maybe my mother's, for being a single Mom, for
being a bit of a hysteric herself.
The unfortunate thing about running on fumes, about
being stuck to the side of a sick boy for four days –
I have no perspective. I wish I could tell you of the
helpful doctor who helped me manage my asthma, who
held out her hand for mine. There was no helpful
doctor, though I did at least get an inhaler.
The truth is, I've never wanted to be helped, except
maybe in my secret inner heart, and if you don’t want
to be helped people generally don’t help you. Maybe
it’s safer this way, but it’s also a drag, and when
you’re in a funk it only drags you down further.
But give me two days of sunshine and maybe a week of
health for the boy and the rest of us and I will
leave the funk behind. I promise you that everything
will be different, that I will smile back at
strangers, will embrace friends and acquaintances.
After the long gray winter, spring will come again
and I will be filled with warmth and perhaps
something resembling happiness. Or contentment. I'd
settle for contentment, the absence of grayness.
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Image: Kid in between colds,
disguised as a mummy.
Prompt: Write about a time
someone helped you
What's new, pussycat?
My husband and I have always
thought this was a funny picture of him, very 70s,
very huh? When I posted it on Facebook, where
the photo on the screen was larger than the original
Polaroid, I finally really looked at the lion. Here was this a wild
animal lying on his side like an overgrown house cat,
napping while a seven-year-old boy straddled him.
This was not a full leonine life. Even lions in zoos
get to pretend they are wild occasionally, get to
roar and faux-stalk the sunscreen-scented tourists.
Then the comments for the picture started coming in.
They were variations on worry, about putting one's
child on an actual living lion, no matter how
moribund and perhaps drugged (and most likely
toothless) the big cat was, with a chilling mention
of Dave Egger's novel What is the
What: An Autobiography of Valentino Achek
Deng. Deng was one of the "Lost
Boys" of Sudan, one of countless children
separated from their families or even orphaned,
"beset by starvation, thirst, and man-eating lions
on their march to squalid refugee camps in
Ethiopia" (Publisher's
Weekly review as quoted on amazon.com).
In a few hours, the picture had totally changed for
me.
But I still feel bad for the lion.
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For the k.d. lang version of What's New, Pussycat?,
click here.
Image: Mr. T at Magic Mountain, 25 February 1973.
Because I am hungry for art
But worse than feeling the real world slip away is the feeling that I get when I don't write. It's a kind of lovesickness, an ache of not-having. The only way to feel better is to sit down and start typing. Even if it's painful to write, even when I procrastinate, when I avoid turning on Freedom for the Mac and bop around the Internet looking up information on John Quine or Anya Phillips (I've been re-reading Please Kill Me and the 70s punk scene is haunting my brain), eventually I get around to writing. Because I have to. It fills me. Without it, I am empty.
I want to write all night, sipping on red wine and smoking the occasional cigarette. I want to go to sleep at 3:00 a.m., sated with language, and wake up for a light lunch of mineral water and salad, of warmed baguette slices smeared with roasted garlic and chevre. After lunch, I want to linger over a book, sip a cup of muddy espresso in preparation to wrestle with words on and off into the night. I am up at 3:00 a.m. these days, listening to a frustrated cat howl, staring at the billowing curtains as my mind forces me to consider various bleak scenarios, feeling the heat of a feverish, fitful boy as he pushes me off the cliff's edge of the bed. A week of just the two of us -- me and the words -- would cure my angst. One week of writing in a dark room, embraced by a circle of lamplight, feeling the sediment on my tongue as I drain a final glass of wine, letting my mind dance with the headrush of unfamiliar nicotine. Just a week. I would take the time to focus on this useless fantasy in order to discard it before returning to the here and now.
The Round Robin, with its daily prompts and sweet feedback, helps, but sometimes I still feel like I'm bouncing around in my own mind, where (as usual) it's all about me. Other times, though, I create something that I can't explain, but I like.
So here you go, a piece that is a mix of homesickness and the past and an attempt to transcend. And let's hope for a few weeks of health and clear weather, of writing and creating. Of sanity.
Stained
I want a
cylindrical room made of factory glass, the door a
piece of carved mahogany salvaged from the She-Wolf,
Lord's old boat, the one that is sitting on a trailer
in the backyard, the hitch supported by a stack of
cinderblocks. Against the cool glass, set into block,
the mahogany will seem rustic, warm to the touch. I
will rub my hand against it before I enter the room,
think of the times we went waterskiing or just bobbed
around in the muddy waters of the Elk, my wet ass
spreading a dark stain on the boat seat.
Even then that boat was a piece of shit. Lord wasn’t
paying attention to it. He let it sit in the water
all winter long. The varnish wore off, the gleam
melted away. Every year he bought cans of teak oil,
stacked them in the shed, and let them sit. Barnacles
coated the She-Wolf's hull. They were rough against
my hand, cut into my feet as I pushed against the
boat into the heavy water.
So, the room. It is lit from within, white
light/white heat. Even the ceiling is made of factory
glass. The floor, too. It is empty. I will go inside,
lock the door, and remove my clothes. I will press
myself up against the glass. See if you can tell me
what you are looking at, my blurry image refracted in
each square. I will light a cigarette, will snuff it
out on the rounded wall, again and again. You will
see flesh, the death of ember, the end of the spark.
Lord is dead now, too, washed away, though not in the
way you would expect. It had nothing to do with
water. It was emotion. The dike broke, his water
wings deflated, a big hole opened in his roof and the
house filled with rain. You want me to tell you about
it, to be more direct, but I won’t. I have his boat
and my plan. Every weekend I sand down the mahogany,
try to remove the stains, think about my cylindrical
factory glass room. I picture Lord on the other side,
horn-rims slipping off his nose, one hand marking his
place in the book. I mystify him and he likes that.
Image
by Vinje.
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The slog and drag of the humdrum

Here are the things I don't write
about here:
My son's colds and coughs
Chores, like vacuuming up the fur, dust, and sand
that accumulate pretty quickly in a house with three
cats, a dog, and three humans
The laborious process of rewriting my novel (well, I
may mention this in passing, but not in great detail,
since that would send all of you to snoreland, but it
is indeed laborious, like work-on-the
same-three-paragraphs-for-six-or-seven-hours
laborious)
The difficulty of writing something that is
long-term, of continuing through it without the
instant feedback of blogging
Cooking dinner whether I want to or not
How we're
figuring out where the kid will go to school for
kindergarten in the fall
Tips and tricks for keeping one's
sanity after weeks of rain and afternoons inside with
an energetic four-year-old
Coping mechanisms I use to see us through one of Mr.
T's business trips
My political views
Natural disasters
The pros and cons of having another child
The perhaps impossibility of having another child
My anxieties about the quality of my writing and the
wisdom of my current career choice
RIght now I'm stuck smack dab in the slog and drag of
the humdrum. The novel is taking precedence over the
blog and I don't feel like I have enough time to
really shine up any of my short pieces of fiction for
this space. I'm not sure that many people want to
read the fiction anyway. It seems that most readers
are interested in my personal pieces, either angst
from the past or my depressive musings on current
life. Not that my current stuff is all darkness,
exactly, but I think my views are cloudier than the
average person's, cloudy with a little patch of blue
sky that expands as I examine it, which can make the
whole process hopeful, I suppose, in a Jennifer
Trinkle sort of way.
It feels as if my mind is preoccupied, that it is
working on something. I just need a few hours with a
keyboard to find out what it is. But who has the
time? I'd rather work on the novel or maybe that just
feels like the right thing to do right now, a
necessity, a way to lose myself in words and justify
my existence.
So I'm not sure what to put in this space at the
moment, but I know my mind will crack open again and
offer itself up for material. In the meantime, I may
be posting more short writing prompts, or perhaps
reposting some of the oldies but
goodies.
We'll see.
Image: Everyday me, as recorded
by my computer.
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Swann song

I miss the tall ginkgos with their rotting fruits,
the way the berries felt beneath my feet with just
enough crunch, a pleasure to step on. The sidewalk
was covered with ginkgo leaves, too, bright yellow
fans dampened with the rain. A storm had come through
the night before, had knocked the leaves off along
with the fruit. The air was full of the smell of
them, acrid, rotting, sweet.
We were lost and I was defensive about it, but if you
were going to be lost, this was the neighborhood to
be lost in. The street was tunneled in by wide brick
rowhouses, voluptuous Victorians with turrets and
whimsical windows accented with stone. Each house had
a set of black iron steps, shiny and slick,
one-two-three-four, up to the entry. The steps made
little caves over doors to English basements, a term
which conjures up mold and damp and a view of other
peoples’ ankles, the angling of a dog’s leg as it
releases a spray of urine against low iron window
bars.
He got angry with me after I got angry with him and
we had an embarrassing fight in front Martha, a hissy
fit that revealed more than we intended. A tense
moment with the map revealed my mistake and our luck:
we were three blocks from Adams Morgan, a short walk
to a few cold beers and a platter of Ethiopian food.
The three of us marched from Swann Street to 18th
Street, walked uphill against a thin wind. It was
getting dark, people were bundled up against the
cold. We walked without talking, single-file past the
homeless, the crazies, the young people with their
know-everything attitude. And then we shared a meal
with all the awkwardness of something being over,
knowing we had years to go before it would really
end.
This is
from a Round Robin prompt this week, my (slightly
edited) response to a very different photograph.
Photo by Antediluvial.
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Pictures of Atlantis

This is a record of young love and wobbly stability.
There's Mr. X in male cheesecake pose, lying in front
of the newly-planted impatiens in the backyard of our
first Columbus apartment. Here's Loudon the
sheltie-dog, a ball of fluff, on his first day
home. Sidney
and Zoe appear as
young kittens, playful, flexible, and sleek. In
one set of pictures, Mr. X and I pose separately,
each of us holding a champagne glass and wearing
the dark-lensed glasses that came with my
grandmother's 50s-era sunlamp. We look like goons,
but that was the point. And then there are the
shots of our wedding, that great party we gave,
where his relatives filled the space and made it
joyous while mine were reserved and inward, quiet
in their happiness. These photos are relics of
another time, part of my life but outside of it,
too.
As time went on, Mr. X and I took fewer pictures.
Fifteen months after we were married, we both got
jobs in Washington, DC and life got much more
stressful. Mr. X clashed terribly with his
incompetent boss. Our living situation wasn't
comfortable. The basement tenant in the house we
rented, a man named Dewey Wayne (I've since forgotten
his last name), had an intense personality. Dewey
Wayne had sold his house in Raleigh and put all his
money into a move to DC, which included paying a
year's rent in advance. He had a habit of leaving his
front door open while he took his dog on walks, which
was his business, except that his place was connected
to ours by a door that we couldn't lock and our
neighborhood wasn't a good place to leave doors open.
The washer and dryer for the building were in his
apartment and he freaked out (rightfully) once or
twice when we walked in on him, unannounced, to do
our laundry.
Then there were the rats. The backyard, a rectangle
of bare dirt dotted with ratholes, held a thriving
rodent commune. We had a parking space out by the
trash cans and the rats began to use our car as
storage space, something we discovered on our way to
the grocery store one weekend. As Mr. X pulled out
onto 15th Street, the engine began to smoke. Over the
course of our ten-minute ride, the car slowly filled
with the odor of roasted, rotten meat. We rolled all
the windows down and covered our noses with tissues
to filter out the smell. When we pulled into the
parking lot, Mr. X popped open the hood: two
smoldering pork rib bones had adhered to the
carburetor. The car stank for weeks. Later a rat
actually chewed its way into Dewey Wayne's apartment
("I came in and there he was on top of the
refrigerator, munching on a bagel. Like Mighty
Mouse," he told us).
Mr. X and I finally fled the rental after five months
and bought a house in Takoma Park, Maryland. The
night before the house inspection, our car was stolen
from our street, though it was recovered somewhat
unscathed a week later. In the meantime, Mr. X's job
had gone from horrible to intolerable. His old
position in Columbus was still open and they were
happy to take him back. On the weekend of our second
anniversary, only eight months after we had arrived
in DC, he returned to Ohio. There were solid reasons
for him to leave that had nothing to do with our
marriage, but it was the beginning of the end, or at
least I can mark the final slide with this event. We
were doomed from the beginning.
Mr. X is remarried now. He and his wife have a child
on the way. We haven't spoken in a couple of years,
though we are Facebook friends. And while the past is
always present for me in some way, I don't think much
about that time when I was young and in love and it
was all fresh and new, when I was with someone who
was my loyal protector, when I was learning to be an
adult without drama. I wasn't good at living without
drama and still courted it with alcohol and
arguments, with cruel remarks and coldness, but there
was an underlying sweetness to the relationship. Mr.
X helped pull me out of my childhood, was the first
person to hold out his hand.
The only evidence I have of that time is some
paperwork and photographs. We had no children and the
last living pet we shared is fading fast. There are
no friends in common with which to reminisce, to
verify that it all happened. But I'm still not sure
what to do with the artifacts, the pictures that show
the world that we created for a brief moment, now
submerged in memory.
Image:
Champagne on our first anniversary, Columbus,
November 1996. I still have the glasses and --
strangely, but coincidentally -- my son just fished
them out of a toy box this morning and put them on,
even though he hadn't worn them for months.
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The power of positive and sometimes delusional thinking

I skipped ringing in the new year,
chose to switch off the light five minutes before
midnight on December 31st. Still, I was awake at the
moment it turned, was lying in bed whispering to my
husband in the dark. We heard firecrackers and whoops
of happiness, the joyous drunken sounds of other
people. My heart wasn't in it. I just wasn't ready to
give up on 2009, didn't feel like shoving into
another year with all that pressure to change my
ways, to become a better person.
I finally celebrated 2010 on January third, got a
little crazy. Yeah. I moved some furniture, switched
an entire room around. The living room had become a
stale and cluttered space. Even the furniture seemed
bored, stuck in place for over two years. Our couch
had stretched into a permanent yawn, the lamps sagged
with boredom, and the chairs were slouching in
defeat. It's been this way for so long because the
kid has an attachment to sameness, to stasis, but
yesterday I offered him a very compelling reason to
shake things up: with the couch across the room, we
could build a huge fort between it and the dining
room table. Never underestimate the power of a fort
on the will of a four-year-old boy: it did the trick.
I've included a picture of the perked-up room at the
top of this post. It's airy and wood-textured, a
comfortable and open space. It fits.
This post was originally about spaces made fresh,
about a new year beginning and the value of shaking
things up. The living room felt stuck and so did I,
but as I shifted the furniture things opened up. My
possibilities expanded. My mind, however, wasn't
quite ready to completely commit to this topic, or
perhaps my mind just works in very mysterious and
cloaked ways. Typing "living room" in a preliminary
draft led to thoughts of the Bye Bye Birdie
song "Got a Lot of
Livin' To Do." Oh, yes, there are versions of it out
there, including several high school productions
muddying up YouTube, but I then stumbled upon Shirley
Bassey (to see
the movie musical version, in all its campy glory,
click here).
The song runs for the first three minutes of this
clip:
Ms. Bassey
is a little brassy here, not too subtle. She belts it
out. Still I like her attitude. And look at the date
of the recording -- February 22, 1966. This is the
actual birthday of a significant person in my life
and as I was listening I suddenly pictured him as a
tiny thing, a mewling newborn swaddled in white.
Maybe his mother cradled him from her hospital bed as
she watched Ms. Bassey perform on television. There
he was, untouched and innocent, with the whole of
life ahead of him. He had a lot of livin' to do
(still does, he's just lived almost 44 years of it).
I started to cry. It was everything, the hopeful
song, the image of the baby full of potential, this
strange feeling of inevitable loss, the relentless
passage of time, that brought me to tears. The tears
weren't totally about him or about the time that we
all lose just by living. They were about
babies. Or about how we start off so
small, so dependent, waiting to be imprinted by
circumstance, by imperfect parents, by our own
built-in limitations. But the song isn't meant for
tears, it's meant for inspiration, an encouragement
to live life to its fullest, a message that I may
need more than most.
This somehow led to thoughts of another unlikely
tearjerker of a song, coincidentally titled
"Shirley", by the all-female grunge/punk bank
L7. It's about Shirley
Muldowney, the first professional female
drag racer. L7 mixes simple, in-your-face lyrics
with drag racing announcer commentary and the
sound of an engine gunning. I have never gotten
through it without breaking down, including the
four times I heard it while writing this post.
Maybe it's the naive idea that it proposes, that
we are capable of anything: "How many times must
you be told, there's nowhere that we don't go?"
(The song is specifically about women being just
as capable of men, but I think it can be a
universal battle cry for the downtrodden.) I think
it's also Shirley's absolute confidence in herself
that gets me. In one sample from an interview an
announcer asks "What's a beautiful girl like you
doing racing in a place like this?" which Shirley
answers with one word: "Winning."
Listen to the song if you'd like, though you may need to link to the music site above to hear it in its entirety. Shirley probably won't have the same effect on you as it does on me, though I'd love to know if it does. I've reprinted the lyrics below, but you'll need to hear the chords, the heavy guitars, the whiny machismo of the announcers' patter to feel the full effect. It's almost enough to make you believe in infinite possibility.
These two songs are connected by optimism, by the fantasy that we have time stretched out, a gleaming eternal path of joy, the idea that if we just have enough confidence, enough inner strength, we can let the bad stuff roll right off, can experience the heady completeness of fulfilled potential. "Halting me is a fantasy," as the L7 song goes. The line itself may be a fantasy too, but perhaps one worth believing in, the power of positive and sometimes delusional thinking. If either one of these songs doesn't convince you, try moving some furniture around. It can help to create the illusion of control.
Oh, and Happy New Year! You're alive, so come on and show it -- there's such a lot of living to do!
***************************************************
(This post is written in the style
of Lydia of Writerquake. She often writes compelling
mixes of song, image and word, pieces that point
to the core, the heart, of the matter. I'm not
claiming to do all that, just thought of her as I
was writing it and wanted to shout
out.)
Shirley by L7
Welcome the first lady to try and
qualify in an NHRA-dragster competition ~ Shirley
Muldowney!
Feels so real
Crushing the steering wheel
How many times
Must we toe this line
Halting me
Is a fantasy
Cha-cha! call her cha-cha!
What's drag racing coming to?
How many times must you be told
There's nowhere that we don't go
she's got good traction!
I suggest you find a seat in the grandstands, because
you don't want to miss this!
She's just here wants
What she wants to do
I wonder if Shirley's got in her to hold that
throttle down
kills your joke
as she's burning smoke
Shirley Muldowney is pulling ahead... and she takes
the red light
And you will find
Crossing the finish line
Shirley Muldowney has just set a new track record!
Satisfaction!
How much times must
you be told
There's nowhere that we don't go
She's got
good traction!
What's a beautiful girl like you doing racing in a
place like this?
Winning.
Winning.
Winning.
Winning.
Winning.
The lady got through it
Winning.
What's drag racing coming to?
There's nowhere that we don't go
What's a beautiful girl like you doing racing in a
place like this?
Winning.
Winning.
Winning.
Winning.
Winning.
![]()
Thug life
We have family in town
for the next week, so things may be quiet around
here. In the meantime, Happy End-of-December and
Merry New Year! And be on the lookout for these guys
-- I'm not sure if they are carrying little Christmas
trees or spiky clubs.
Image:
Some of the many Santas in my father and stepmother's
collection.
A sense of place
We lived in that first Adams Morgan apartment for five-and-half years. It was a stately, if somewhat shabby one-bedroom with a working fireplace in the living room and an ornamental fireplace in the eat-in kitchen. The ceilings were high and the front wall had three windows set in a subtle, pleasing curve. Just off the kitchen was a sliver of backyard space that I planted with impatiens and elephant's ear that first summer, before we figured out that the upstairs air conditioner dripped on our heads, left the small landing permanently damp, and that the dryer vent above would sometimes let loose flurries of lint. There was also no coat closet. Shortly after signing the lease we remedied that by buying the armoire at an antique shop around the corner on 18th Street. So the armoire was first. The dog, the marriage, the kid, they all came later. The apartment saw it all.

The one-bedroom was on the bottom floor of a
four-story townhouse and the family that owned the
house and lived in the floors above us had two girls
and a pug. They weren't overly noisy, didn't have
loud parties or screaming fights, but since our space
was separated from theirs by a only couple of thin
interior doors, we heard everything. There were
pounding footsteps and scraping chairs, the sad howls
of their dog when they left her alone over long
weekends, fourth of July firecrackers set off three
feet from our bedroom. Once the baby came along, the
baby that slept like an insomniac, whose sleep we
were desperate to encourage, we left the apartment
for larger digs in Alexandria, Virginia, though our
son was sixteen months old by the time we finally
moved.
Moving to Walnut Street brought us full circle. The
drafty three-bedroom house had a fenced-in yard, two
floors, and a second bathroom and was on the very
same block Mr. Trinkle and I had lived on when we
first moved in together in late 1999. But it was
temporary from the beginning: as we were packing up
our DC apartment, we got a call that led to my
husband's current California job. In the end we lived
in Alexandria for only six months. I remember that
time through a haze of rain and snow, of grasping
grayness and cold feet. We were a 25-minute Metro
ride into the city, but felt very far away from our
cozy, familiar neighborhood in the heart of DC. My
husband often didn't get home from work until after
our son was asleep and we no longer had our
occasional babysitter. I tried to keep sane, joined
some mom's groups, bundled up the boy to get into the
city when I felt up for dragging a stroller on the
Metro or schlepping our 25-pounder on my back. Just
as spring was beginning to dab the trees green, to
coax flowers out of the soggy ground, we moved again,
to Berkeley.
And it was tough. The first year here was lonely. Our
son hated playgrounds and other children in general
and I knew no one. Mr. Trinkle was grappling with a
new job situation and I was grappling with an
unacknowledged past. It's hard for me to believe now
that up until the summer of 2007, I wrote
nothing. Nothing.
Well, maybe the
occasional whiny journal entry, at the rate of one or
two a year, but that was it. I started writing and
Mr. Trinkle and I started repairing and then I found
a friend or three and a writing group and a good
place for the kid to go to preschool. And then Mr.
Trinkle finished his dissertation (I could be calling
him here "Dr. Trinkle," but he nixed that one),
something that had been hanging over him, over the
two of us, for our entire relationship.
We've been talking about what is next. It could be a
move from here back to there, back to the center of
the policy universe with its wonks and its humidity
and beautiful houses. If we lived in Washington, DC,
my family would be geographically closer. I have
long-time friends there that I miss, and there are
those cherry-tree lined streets and majestic
buildings. I just don't know if it's home anymore.
Home. DC used to be home. It felt that
way from
the beginning, from the day I moved there at
nineteen. It was all about the houses, the formal
public architecture, the restaurants and street
people. I took pride in living in the center of a
very specific universe, the place where people
would gather to march and protest, where the
federal government would slowly crank out laws,
regulations, and decisions. Even the wonks, in
their rumpled suits, walking with a sense of
purpose or the wide-eyed look of the permanently
distracted, were endearing to me. (The K Street
lobbyist/lawyer types left me cold.) I still feel
truly alive wandering the neighborhoods there,
sludging through summer heat or pressing my boots
into the slush. However, I've never lived in DC
without a shield, a barrier between myself and
other people. The town was made for shields, all
that talk about policy and none about emotion. The
emotions go underground, are sublimated by
intellect. It's so ... male and macho, in
an über-rational sort of way.

Berkeley's architecture does nothing for me. My
general reaction when I walk around our neighborhood
is "meh,
bungalows"
though I do enjoy getting up into the hills
where the air is
rarefied. It's the people and the philosophies
here that I love, the crunchiness of it all.
Berkeley is where I had the freedom to come clean
and to become a writer. I don't feel (much) of a
need to explain myself here, to talk about why I
don't have an outside job, to stumble over the
"what do you do?" question. And I've made some
real friends here, too, women that I want to know
even better, that I want to have years with, so
that our children can be lifelong friends, too.
Home is eucalyptus-scented. It's juicy local
strawberries all year long. It's hills with bay views
and streets with devoted bike lanes. It's where my
son is making friends and where I am, too, friends
who don't know me as a librarian but as a writer and
a mother, a woman with a past who isn't defined by
that past. This feeling, of home and openness, is
fresh and delicate. I don't know if it will survive a
move.
Ask me next week, though, and I might be pining for
marble and brick, for trail runs in Rock Creek Park,
for fireflies on June nights and snowstorms in
January, for dinner with friends at Lebanese Taverna
or Oyamel. I'll tell you that I can maintain those
new friendships, can adapt to life back in the
District, that proximity to my family will make
things easier, will give my son the safety net of an
extended family.
I'm split. We'll figure it out soon enough (I hope)
and I'm sure you will be reading all about it.
Upper
image: View out kitchen door, Washington, DC, Winter
2005?
Lower image: Our sidewalk, Berkeley,
2009.
Golden
I finally stopped running.
The routine felt oppressive and there was all that
huffing and puffing. Everything went by so fast, the
bungalows of Berkeley a blur, the friendly cats
passed in a leap, the crazies of University Avenue or
MLK deftly avoided (or ignored). I couldn't think
beyond my heartbeat. When I first started running
again,
there was pleasure in the rush, in the pounding of
my feet. There was purpose. But now I was getting
bored with my routes and not feeling motivated
enough to pick new ones.
So now I walk. Three mornings a week, I wander the
sidewalks, sometimes stop to pet a cat or watch one
hummingbird dive-bomb another. I still move quickly,
a hair over four miles per hour, fast enough to get a
workout, but slow enough to really see things. My
weekday walks are relatively short, about three
miles, but on Sundays I have the luxury (thanks to my
husband) of going longer, often past six miles.
View of the hills from my street.
From our neighborhood in the flats,
with its stubby trees and cozy two-bedroom bungalows,
I head for the hills, where the trees and the houses
stretch out in all directions. It's not that the
hills are less populous: even more than in our West
Berkeley neighborhood, houses here are packed in
tight. And like the flats, there are places where
large backyards have been taken over by second,
income-generating houses. But there are all
those trees, and the streets twist and get
vertical before suddenly dipping and rising again.
The houses are generally bigger and more various, fun
to look at, to imagine myself in. The views are also
incredible. My Sunday walk is a hike on sturdy
sidewalks, much of the beauty with none of the mud of
a woodland trail.
For the first half of the walk, I usually talk to my
mother on the phone -- though I have to ask her to do
most of the talking during some of the steeper climbs
(and forgive me my heaving breathing). We've had some
of our most interesting conversations during these
walks, about books and what it means to be a writer,
about art and spirit.
View of Marin County and the San Francisco Bay from
Euclid Avenue, just before the Berkeley
Rose Garden.
During the second half, I look at
the houses and the view. I think. On a clear day, you
can see the hills of Marin County across the Bay or
catch a glimpse of the Golden Gate bridge. I imagine
a life in a house perched high, where I would inch my
way up from the sidewalk on a set of narrow steps
edged into rock. The chill of pine-scented fog would
accompany my morning coffee and I would watch every
sunset from my teetering deck, stand wrapped in a
wool blanket, sipping a glass of plummy Zinfandel as
the sky fills with color. Near the base of one hill,
I pass a small wooden house constructed around a
tree. The house is rustic, with unfinished planks as
siding. On colder mornings, a line of smoke trails
from the chimney. What would it be like to live in
such a house, where nature has been invited in? Here
I would bake my own bread in a wood-fired oven, have
a huge untidy garden, maybe a couple of egg-laying
chickens out back.
The view down from
Keith Avenue.
Around mile four, I'm going downhill and the
endorphins start to kick in. I think about how lucky
I am to have my husband, so funny and creative, smart
and loving, how lucky we are to have our boy, how
maybe I can do this writing thing after all. I don't
worry about income or what is coming next, just feel
appreciative for all that I have. Which is a lot. I
realize that in many of my alternate-life fantasies,
I am alone, and I wonder about my imagined bereftness
when I have a loving family at home. I'm
self-protective even in my imagination, and I make a
vow to change that, to bring my family into these
scenes, there with me as I sip the Zinfandel or
collect eggs from the chicken coop. The recognition
of my stubborn fear of loss makes my heart ache and I
pick up the pace in anticipation of seeing my husband
and son.
The trees start to get smaller, the houses less
lavish. The sidewalk loses its slope. The hills are
behind me now, a dramatic backdrop against cottony
blue. My legs are starting to ache and my stomach
growls in anticipation of food. By the time I reach
our block, I have acclimated back to the flats, to
the place where my family waits. I walk in the front
door, tired and happy. Mr. Trinkle, the kid, and our
various animals greet me with hugs, kisses, and
licks, and the humans in the house sit down for our
traditional Sunday breakfast of bagels and cream
cheese with a side of the Sunday New York
Times.
This is where I belong.
Top image:
A peek at the San Francisco Bay and the Golden Gate
Bridge, taken from just above the Berkeley Rose
Garden. All photos from November 2009.
I can walk under ladders
My husband defended his dissertation.
I am typing in a sun-filled room, buoyed by three sleeping, contented kitties.
The laptop has been around almost six years and is going strong.
My marriage is better than it ever was.
There is more than enough food to eat today, this week, this month.
Our son is happy, healthy, and full of imagination.
Nora-dog is curled up in a patch of sun, perhaps dreaming of chasing squirrels or nibbling on giant biscuits.
Blogging has brought me both friendship and readers. I am grateful for both.
We live in a lovely house.
Twenty-four years ago today, something terrible happened, but I survived intact. Enough.
I am a writer.
I can transcend.
I'm lucky. I'm lucky. I'm lucky.
Thank you for being a part of it.
Chiaroscuro
Look. I’m all out of words. They started drifting away from me this morning, when I woke up with the boy at six a.m. As the day continued – conversation with the visitors, trudging off to music class, trudging back, stopping at the store, fixing lunch for the visitors, making conversation with the visitors, entertaining my son, taking care of our various animals, fixing dinner, putting the exhausted child to bed, making more conversation with the visitors – the words just left.
I say I was making conversation with the visitors, but the truth is that by the end of the day I was mainly nodding and sighing sympathetically. It was all I had left. So here I am, bereft of creativity, my mind swimming with stories of thyroid nodules and nerves like tangled spiders’ webs, of early deaths and shattered psyches. What’s in store for me? Should I be so smug about my flexible back and thin, muscular legs? Should I be grateful that my mother taught me the proper way to eat? Or that I inherited her frame and general good health? Maybe I will fulfill my genetic heritage some day soon: develop an autoimmune disease, succumb to the rot of debilitating depression, start to feel my legs tingle and fret as if they were plugged into the wall.

Part II:
Resonance
OK, OK,
OK, Part I was the result yet another prompt, from a
family visit in September. It was a photo prompt that
had nothing to do with the resulting piece. I was
going through my old stuff, looking for something,
saw this, thought: Aha! That feeling some of us get
after too much family time on Thanksgiving. Except I
haven't gone home for Thanksgiving in years, and if I
did, it would actually be wonderful to be with my
mother, though Kevin's
absence would still be
palpable.
Sometimes
I'm afraid that you're getting the wrong impression.
Maybe you think that I sit around immersing myself in
the past, feeling sorry for myself and penning
various memorials to the me who used to be. Or that I
prefer to
dance with darkness rather than frolic in joy and
light.
I write about what resonates and I have a complex
relationship with both happiness and the past. The
past is always present for me; it informs the
present, keeps me grounded. And it provides me with
great material. Don't even have to think about it. As
for happiness: I am capable of feeling great joy. I'm
generally happy, except when I'm
not.
The hollows, shadowy,
cold as falling snow, call to me. Light is
meaningless without darkness. I need texture, a rough
patch here and there, a little complexity and strife
to make it more interesting.
But maybe my next post will be about puppies. More
likely about finishing NaNoWriMo. Or my husband
wrapping up his dissertation. Or maybe it really will
be about puppies, cute little fluffballs, good enough
to eat.
Lordy, lordy

Guess how old I am today?
Just add one to this
number.
I'm fine with it. Really.
Image: Me in 1970 at Hollywood
Beach.
New blood

Nick’s existential angst or blood lust, take your
pick, has taken the form of 2:00 a.m. howling. He’s
the loudest cat I’ve ever known, full of throaty
confidence and the ability to project, the kind of
cat depicted in old-time cartoons, sitting on the
fence yowling as neighbors hurl shoes. He’s an opera
singer belting out a sad little tune, “Let me out!”
or “I must kill!”
It must seem like a cruel joke when we get out the
cat fishing line, the feathers attached to a stick.
As I whip them around the bedroom, the feathers turn
and beat through the air as though they were birds'
wings. Like all cats, Nick has an active imagination
and allows himself to be taken in for a few minutes.
He hustles and jumps, takes a very strong cat arm and
pins the fluorescent feathers to the carpet in one
swipe. The feathers crunch and crumble as Nick snaps
his jaws against them, tries to carry his prize
downstairs.
I am actually tempted to let him out – it feels cruel
to keep him from something he loves and clearly knows
well. My other cats have all been indoor-only from
the beginning so they didn’t know what they were
missing. But I know that it isn’t a safe world out
there and we signed a contract saying that his paws
would never touch dirt or concrete sidewalks again.
Perhaps it’s time to take in a budgie or two, a
little something to make life more interesting for
our 2:00 a.m. howler.
Nefarious times I live in

Forgive me, fellow bloggers, for I have sinned. I did
not intend to leave this blog for almost a month
while I frittered away five weeks with my son. My
mother visited for ten days and I did not blog. I had
eight hours of babysitting one week and I did not
blog. This past week -- my son's first back at school
in over a month -- coincided with the visit of an old
friend and I did not blog.
But during those eight hours of babysitting, I
started to think about writing again, about tackling
the never-ending story in some different way, fitting
in time for as-yet-nonexistent freelance work,
attempting to keep this blog somewhat current (all
while finishing household projects). Good writing
grows best in the dark (thanks, rcb!). What sees the
light here in fragmentary form tends to stay that
way. Or sometimes it embarrasses me later in its
undeveloped melodrama and weak attempts at capturing
reality.
It's tempting, really tempting, to put up little bits and
pieces on the blog. There's nothing like instant
feedback to keep one going, except that I don't keep
going. The past -- meh. I've dug into it, and created
stories out of it, have exposed enough. Now I'm
looking to take the facts of my life, the weird
experiences and characters as twisted and lively as
wisteria in bloom, and make them fictional. I want to
harness the crisscrossing metaphors of my
subconscious.
Blah, blah, blah. I'm continually on the edge of
something, a change, a new way of being, perpetually
on the hopeful precipice. But I've come so far from
the first days of this blog, typing in the dark and
yearning for more.
Image: My mother and me walking in Muir
Woods, August 2009. Photo by Mr. Trinkle.
A crumb

But first, a preface to the crumb.
I haven't been here lately. My son is out of school
until after Labor Day and we've had a series of
pet-related good things and bad things. Cat dying:
bad. Adopting a kitten and a new adult cat: good.
Nora the dog passing a pea-sized bladder stone at the
Emergency Vet: bad, though it could have been much
worse. Attempting to dissolve remaining stones
through antibiotics and diet: good, though if it
doesn't work she will still need surgery. Me giving
Nora cranberry extract pills with xylitol in them:
potentially very bad, since xylitol can be fatal
in small doses to dogs. Nora surviving xylitol
exposure unscathed: amazingly, wonderfully good.
In between pet-things and kid-things, I'm still
taking the Round Robin, a writing prompt-based class.
So here is a crumb for those of you who are still
reading this blog, from the prompt
I
remember.
I
remember that her fingers were thickened by
arthritis, were scattered with freckles. Helen’s
nails were coffee-stain yellow, bitten down to the
quick, and she kept fumbling at the wedding ring on
the fine silver chain around her neck.
I looked at her hands because it was easier than
looking into her eyes, or letting my gaze drift to
her useless foot in its bright blue stocking.
Sometimes after a visit I’d look at my own hands and
realize that time is written on our hands the fastest
of all. Already my knuckles are puckering in
idiosyncratic ways and the backs are beginning to
resemble the uneven surface of a barren planet, ropy
with rocky veins and hairline fracture wrinkles.
Helen wasn’t a worker. The hardest work her hands had
seen was the kneading of whole grain bread dough,
maybe a bit of digging in the garden. She’d cracked
open books, propped them up, her thumb and pinky
keeping them open. Me, though, I’d scrapped carcasses
in the field, held up splintery boards with the meat
of one palm while I grasped a hammer in the other.
Some jobs we worked all winter long, if we were lucky
inside, but we weren’t always lucky.
I read a book once about men working on a tower,
applying mortar and making repairs in the ice and
slush of January. They were suspended from ropes
attached to scaffolding, wore gloves with the fingers
cut out as a symbolic act. Their hands were gouged
and scuffed, palms smoothed by rough passes over
granite, life and work written on the
body.
Image: The
kid, pretending to be a cat, because we don't have
any good pictures of our actual cats being actual
cats. Yes, he is holding an egg mold, which is this
fictional cat's weapon of choice. It makes him fly or
it's a bomb or he shoots it or something.
Goodbye, Sidney
Sidney enjoying the yard, late June 2009.
He showed up at a coworker's back
door on New Year's Day 1995, a half-grown kitten who
needed to get out of the Columbus, Ohio chill. The
kitty was charming, climbed up on her husband's back
while he worked in the garage, greeted the couple
with a high-pitched mew whenever they entered the
room. But they couldn't keep him, so my boyfriend and
I took the cat in, named him Sidney. We had a
six-month-old sheltie named Loudon and he and Sidney
quickly became buddies.
By January 1996, my boyfriend and I had gotten
married and purchased a Queen Anne-style house in a
downtown Columbus neighborhood. We'd taken in another
foundling kitten, Zoe. By mid-1998, we were living in
separate states, scheduled for divorce. I got the
cats, he kept the dog.
Yesterday afternoon, after a long illness and slow
decline, Sidney collapsed by the water bowl in the
kitchen. My husband, son and I rushed him to the vet
to be gently nudged into death. It was sad and it
still is sad and I don't think I can write much about
it.
We will miss our sweet kitten.
Sidney and Loudon, January 1995
Sidney looking at snow ... or at a ghostly cat?
January 1995.
Sidney stretch, 2001?
Diversionary tactics
Don't be disturbed by the
photograph. It is only a diversion. In fact, I
actually posted it a couple of weeks ago and then
removed the post. I had nothing to say and the
photograph wasn't adding to the conversation. Today
it appears as filler, a little piece of San Francisco
scenery. Or maybe it works as metaphor, too, though
as a metaphor for what you'll have to be the judge.
Last night I was walking home from my food writing
class, feeling energized and full of something
(beans? ideas? hope for the future?) when I realized
that I have a commitment problem. I've been circling
working life for almost five years now, keeping
decisions on hold, tossing words into the air. I
fumbled into my first career, became a librarian
almost by default, then stumbled when making what
felt like a deliberate move into the world of
cooking. And I've been floating with the current ever
since.
I have to commit or I'll keep on writing 450 - 800
word posts here forever and ever. It's not a bad gig,
though the pay is lousy. I love interacting with my
blogging friends. But I need something more
substantial. A career.
Do you know what I mean?
For your trouble, your time, maybe as a reward for
leaving a comment, here's a recipe. Consider it
another diversionary tactic or maybe just some picnic
food for your next visit to Fort Funston, the hang gliding mecca.
Herbed feta
and tapenade sandwiches
Briny tapenade and thyme-spiked feta punch up the
flavor of this Mediterranean sandwich. A couple of
simple tricks -- adding a sprinkling of herbs and
olive oil to a supermarket cheese, roughly chopping a
handful of olives with a touch of garlic – give it an
effortless homemade touch. Bring extra bread along to
sop up red pepper juices and the occasional escapee
feta tidbit.
Makes 2 sandwiches
1/2 cup kalamata olives, pitted and roughly chopped
1 small clove garlic, minced
2 tablespoons mayonnaise
1/2 cup feta cheese, crumbled
1 tablespoon fresh thyme leaves, minced (can
substitute 1 teaspoon dried)
1 tablespoon extra virgin olive oil
pinch freshly ground black pepper
4 slices country bread
1 small cucumber, peeled and thickly sliced
1 large red pepper, roasted, seeded, and quartered
Stir together kalamata olives, garlic, and mayonnaise
in a small bowl. Lightly toss feta, thyme, olive oil,
and black pepper in another small bowl. Slather each
slice of bread with a generous amount of tapenade and
layer the feta, cucumber, and red pepper on two of
the slices. Top each sandwich with the remaining
bread, slice in half, and serve.
Image: Hang gliders at Fort Funston, Memorial
Day 2009. Photo by "Mr. Trinkle."
Gut and rebuild
In Baltimore, new people are moving
in, are paying top dollar to remove the
Formstone.
Men, almost always men, come in with crowbars, pry
the fake rock off the façade, tuck and repoint the
newly exposed brick, repair tumbledown walls. Often
the brick was already turning to dust when the first
workers set up scaffolding, draped the famous white
marble steps that the fastidious Polish ladies of
Baltimore kept bright and clean. Entire blocks were
caged in chicken wire and lathe as the men slathered
cement mix on chockablock rowhouses, transforming old
world brick into new world faux.
In San Francisco, they are propping houses up on
jacks, underpinning foundations, retrofitting in case
of earthquake. What do they find beneath the slatted
wood? The houses rest on broad oak beams or heavy
hips of steel propped up on concrete columns, strong,
but not enough to take the shaking that is
inevitable. The workers come with their heavy
equipment and digging machines, extend legs deep in
the ground. They marry house and foundation, bolt
them together to ensure that the two don’t separate
in a moment of crisis.
I dream that I am in a house, that I
am
the house, a faded
Victorian, gingerbread rotting on the porch. My
foundation is sunk and the slightest shaking will
slump me into the street, or have me crying drunkenly
into a neighbor’s garden, letting shards of my window
glass dangle in the koi pond.
I am my mother’s house, an alley rowhouse no more
than 12 feet wide and 27 feet deep, huddled with my
compatriots on Finch’s Way, a one-block dead-end
Baltimore street. The brick underneath my Formstone
is solid and plumb. I am bright with open windows
that let in Mexican music and the sounds of the crazy
woman across the street cursing the traffic and the
illegally parked cars. I am tolerance smelling of
English tea roses and home cooking. But be careful
climbing the winding staircase at my core, where the
stairs narrow at the inside edge and you must climb
in darkness.
One misstep will send you tumbling.
(Image:
Looking at Kevin's old house on West Street, the one
on the left.)
Subterranean homesick blues
Detail from "Untitled (Big Man)," 2000, a sculpture
by artist Ron Mueck, in the Hirschhorn
Museum's permanent collection. Photo by
Jennifer Trinkle.
I'm still here, still in DC,
the blog and my blogging friends neglected. I'll be
catching up over the next week, but in the meantime
...
When we flew into Dulles twelve days ago, I thought I
was over it. We’ve been gone from DC for exactly two
years and I’ve adjusted to life in Northern
California. I prefer the open, laid-back vibe of
Berkeley and San Francisco and the first thing I
recoiled from when I walked the familiar avenues of
DC was the attitude. Lots of self-important people
with important tasks. This town is crammed with
policy wonks, the young ones fresh from graduate
school, green with enthusiasm, the old ones graying
in their suits, cynical but perhaps even more full of
it, the seriousness of their jobs, the weight of the
decisions they make, a heavy surety of purpose.
But it’s beautiful here. I’ve always loved the brick
rowhouses with their curving lines, the public
buildings full of grace. Late April is too early for
wilting humidity, too late for wintry mix. Rock Creek
park is punctuated by the delicate whites and pinks
of dogwoods, with twisted redbuds adding their
outlines against the pale green of new leaves.
Everything growing is green or white or pink, though
we’re missing the explosion of azaleas that happens
in late spring.
I was cocky. I told people that the pull I felt for
my adopted hometown (which intensified greatly with
Obama’s election) was gone. Then, tonight, our last
night here, I felt the pangs.
I have no choice in the matter. We’ll fly back
tomorrow evening and I’ll go back to my strange
little life, return to my third incarnation, now
playing the part of a stay-at-home mother with a
writing complex. I’ll spend hours without stepping
into crowds, wander the empty sidewalks of my
moribund neighborhood, thinking back to the bustling
streets of DC, to my quick jogs across busy
intersections with only seconds to spare before the
light change. Once a month I’ll meet with my writing
group and feel awkward, without context, but still
grateful to be there. And I’ll dig in my heels, try
to grow a life without the context of work and a love
of place.
Will blog for squirrels
Nora, researching a
blog post.
The writing to survive household is
traveling this week and next, from DC to MD to DE to
NJ and back. In the meantime, Nora, our Russian
Squirrel Hound, will be filling in. Or something like
that. Expect a photo post or two.
P.S. -- People googling my name: You are freaking me
out.
Trivial pursuits
Butterfly in our backyard sour grass.
The February rains came. They
cannonballed out of the clouds, burst against packed
soil, strong-armed flowers and soft green leaves out
of lifeless bushes. Our sour grass exploded. The
backyard is now electric with it, lemon-drop yellow
and neon green as it spreads over bare spots where
the sprinkler didn't reach last summer. A few days
into my blogging break the rains knocked out our
internet service, though we're not completely sure
how they did it. Water is wily.
Thanks to the wireless connections of two neighbors,
we weren't totally internet free (I do not recommend
sneaking onto someone else's wifi network, but
desperate times call for such measures. It's a bit of
an addiction, this internet thing.), but mainly we
enjoyed the sudden stretch of time to fill. When the
man from AT&T finally fixed the problem, he had
to skitter into the crawl space, between the house
and the mud, to put in a dedicated jack for the DSL.
It was fixed just in time for my break to be over.
Here's what I did over my winter blogcation.

READ: I read Living with the
Truth, by
Jim Murdoch (I'm not going to write a review here,
much as I would enjoy a chance for Aggie and Shuggie
to discuss it on Jim's
blog, but
I suggest you order
it); A Thousand Splendid
Suns, by
Khaled Hosseini (good, but brutal), and
started Nothing to be Frightened
Of,
a kind of
memoir by
Julian Barnes (how have I missed his fiction?).
The shorter 'do.
TRIMMED: Is ten months too long to
go between haircuts? I got my hair cut for the first
time since last April, thinking of
Karen, my blogging hair stylist
friend, as I finally picked up the phone to set it
up. The answer is, yes, ten months between
haircuts is way too long. This time, I made an
appointment before leaving the salon.
THOUGHTS ON WRITING: It's all about the questions and
the quest. In the March/April edition of
Poets &
Writers,
poet Lucia Perillo says she writes
assuming
there is no reader. Is this really possible? Is
she being disingenuous or am I misunderstanding
her point? If we assume no audience, I think it
would be impossible to write. This might be worth
a post, if I can liven it up a bit.
ACTUAL WRITING: I finished my stillbirth story and
submitted it. While of course I am thinking positive,
sugar-sweet, happy thoughts about getting it
published on the second try, I'll probably have to
keep on submitting. Maybe I'll need to give it
another once- or twice-over, but I'll wait until I
hear from this particular publication, just in case.
Think good thoughts for me, please!
THE END OF THE BLOG?: Not yet. I won't be updating as
much or getting as Entrecard-obsessed this time
around. But I do want to get serious about my
writing. That's why I've killed a chunk of the
afternoon to write this post. Did I mention the
internet is addictive?
Catch up and a writing prompt
So I barely dropped an Entrecard, didn't even go downstairs for two days, just sat in bed, didn't eat, and spend a lot of cuddling time with my son while my wonderful (and healthy!) husband took care of us and everything else.
But that's not why I'm posting. My writing class has started up again. Back to the daily prompts, thank goodness, which provides a break from harrowing memoir, gives me something else to post. Today's selection is White. The prompt is first draft, untouched, warts and all. It seemed like an especially appropriate choice for this blog, which operates in shades of grey and distrusts attempts to whitewash the past. And for another blogger's approach on colors as prompts, check out the most recent stuff at Yoga For Cynics. He's always worth a visit, no matter the topic.
White
Can you think of anything more
bland? White bread, white rice, white collar.
Something devoid of detail; the absence of pigment,
of nutrients, of personality. Or perhaps you think of
purity when you see the colorless expanse, a bride in
her virginal wedding dress, the priest’s collar, the
petals of daisy. What’s that all about? Then there’s
a blank page or screen, waiting to be filled, the
background to the rest of our lives, the tabula rasa.
Let’s smudge it or spill the ink, write dirty words
or talk about sex, reveal all our secrets. Let’s
sully the white.
Dirty snow. Image from TreeHugger.
White is too much pressure. Don’t
you cringe when you see the white pair of pants? The
white shoes that must come out after Memorial Day and
go back into the closet at the conclusion of the
summer? Suddenly I’m picturing a pair of white shoes
I had in high school. They were Mias, 80s
fashionable, flats with pointy toes that beat my feet
into submission. How long were they white? By the
time I tossed them aside they were scuffed, grey.
They smelled like sweat. Inside, dirty imprints of my
heel and toes.
“Do we really need these details?” you ask. “Do we
really want the dirt, the skinny, on your white
shoes? OK, we can move to other formerly white
things, can see how writing about something muddies
the page, dirties a secret life. Underwear stained
with menstrual blood; t-shirts with their half-moons
of brown under the armpits; ring around the collar.
I’m actually thinking about lies, though, secrets,
the kinds of lives we say we have and the hidden
world underneath. Everyone’s hiding something, is
afraid to reveal certain details, has some shame. I
say show it to the world, let go of your lily white
fantasies.
They are totally unrealistic.
Can you concentrate on anything else? Because I can't!
All of this optimism, hope, and change in the air is getting in the way of my writing!!
It's absolutely wonderful. But I can't concentrate.
So as a little motivation, here's a teaser for my next post, the story of a childhood friendship that disintegrated in the Little House. It involves Space Invaders and sparklers, cigarettes and fluorescent eye shadow, vinegary jug wine and Budweiser. There's a kidnapped car and a bit of blame-shifting. For many years there was silence. But, as my old friend reminded me recently in an e-mail, "There was a lot of good, too. Don't forget that."
She was a prolific letter writer and I've kept most of her correspondence, mainly for the very funny envelopes. Like this one, from a 1984 letter:
And in between the writing and the reading and the card-dropping and the commenting, let's try to "pick ourselves up, dust ourselves off, and begin again the work of remaking America." At least those of us who live here. It's going to take a bit of work, but we are up to the challenge.
What are words for?
So here are some pictures, a little holiday filler. I'll see if I can dredge up some writing before the end of the year.
Christmas morning pteranodon, courtesy of Uncle B.
Preparing the cioppino.
The final product.
Homemade Mexican
chocolate ice cream.
This year's inadvertent (but popular) theme:
dinosaurs.
I'll be catching up on comments
here, there, and everywhere in the next couple of
days.
Until next time ...
He sees you when you're sleeping
Writing prompt: Many in the park are reading the white butterfly
I love that cabbage butterfly as if it were a fluttering corner of truth itself!
Tomas Tranströmer, "Streets in Shanghai"

Photograph from
Wired New
York
Many in the park are reading the
white butterfly. Or worshipping the wrinkling God,
exposing their winter-white limbs to the sun. Backs
against thin towels, resting on hodgepodge quilts or
supported by near-dead grass, they lie among the
remains of dog shit and crushed beer cans. Four
months of relative darkness, of travel wishes: the
sea and sky clear, the beach unpeopled, a tropical
drink supported by sand. Stuck in the city for the
long haul, they celebrate the coming of spring.
They travel from studio apartments, from
many-windowed penthouses, stream in from the train
station, form in groups released from grubby
cubicles. Maybe they are cutting school, calling in
sick. It could be that they don’t have anywhere to be
in the first place.
She props herself up on her elbows, surveys the
landscape of bodies. Across a line felled by desire,
a white butterfly floats, a promise
fulfilled.
Channeling Sam Kinison
Illustration
from YTMND.
MOMMY! I WANT MOMMY!
(here I am!)
NO! NOOOOOOO! I WANT DADDDYYYYY!
(ok, he’s standing right there; parents switch
positions)
NOT DADDY, MOMMY!
(well, Daddy is the one who is here right now. Would
you like robot pajamas tonight?)
NOT THE ROBOT PAJAMAS – THE SHARK PAJAMAS! I WANT THE
SHARK PAJAMAS!
(the shark pajamas, buddy?)
THAT’S WHAT I S A I D: THE SHARK PAJAMAS!
(parent
begins dressing child in shark
pajamas)
NO! I WANT THE ROBOT PAJAMAS ON!
(parent and child together):
AHHHHHHHHRRRRGGGGGHHHHHH!
Another day ends in tears at the writing to survive
household. Maybe our three-year-old son is developing
neural networks at incredible rates and his thoughts
are pulling him in different directions. Perhaps he
is experimenting with control – how much does he
have? How will we, the beleagured parents, react to
his cries of frustration? It’s normal (right??), but
exhausting, and patience-trying, and sometimes it’s
hard to see the humor in it all.
Bath time last night was a screamfest. I wasn’t there
– baths are generally my husband’s responsibility –
but I could hear every outburst. I finally realized
what it reminded me of: my son was channeling the
long-dead 80s comedian Sam
Kinison.
Here is a little taste of my current home life, minus
the lunges and hair pulls, with a very young-looking,
relatively thin Kinison on the David Letterman show.
The comedian was known, as Wikipedia puts it, “for
his extremely vitriolic humor” and can be offensive,
so viewer beware.
writing to survive – where one day you can read about
Gertrude Stein and Edgar Allen Poe, and the next you
can watch Sam Kinison.
Now you know about my tasteless side.
People stop and stare
Hugh Laurie as Bertie Wooster
I had a nickname name for him, a code word really, so that I could write it in my notebooks without fear of discovery. Bertie Wooster. It’s embarrassing, but 100% true: I was a 12-year-old P.G. Wodehouse fan, with a huge crush on my ash-blond, hazel-eyed classmate. Even in high school, after the thrill was gone, after Bertie had metamorphosized into a six-foot tall pothead, after I fell hard for a senior basketball player (another unrequited love), I would blush when we passed in the hall.
Crushes, I’ve had a few. They have ranged from the silly (the hot dog stand guy, summer of 1984) to intense (first husband, early days). These infatuations have been distracting, fun even. Nothing, however, has persisted like my 14-year obsession with Mr. H.
We met at work, my first week at my first real job. Mr. H. was cute and asked a coworker if I was attached. And so the internal churning began. I was attached – soon to be married, actually – but I couldn’t shake the butterflies, the deep blushes, whenever Mr. H would show up in the library. There he’d stand, feet away, hovering over the fax machine (the only one in the office); or he’d actually stop by to (gasp) ask me a question. My heart would race: it races now, as I remember those chance moments. Knowing he spent time in our neighborhood, I would survey the sidewalks evenings and weekends, on the lookout. The soundtrack for that year was a strange mix of Morphine and Holly Cole. Her version of On the Street Where You Live, with its stalkeresque undertones stirred up the ironic obsessive in me.

Today I am a happily married woman. Over the years, the crush has been mainly dormant, with a few volcanic moments. At this point, it’s academic – what meaning does this person hold for me? why do I continue to have those frustrating dreams? – but I am tired of it. And so, today, needing a new writing project to fixate on, I thought: why don’t I write a letter to Mr. H? You know, lay out my feelings in a literary sort of way, show them the harsh light of reality; get them out of my system. Maybe I send it, maybe I don’t. If I don’t, maybe I get it published. Everyone’s into reading about other peoples’ sick love obsessions! I can take this useless, ridiculous feeling and parlay it into art.
Yeah. I’ve been working on it for much of the morning, and I find that the writing process doesn’t purge the feelings: it makes them more intense.
My crush has morphed into a middle-aged thing, a yearning for escape from quotidian existence. I am ensconced in my (relatively) safe life, a housewife wannabe writer, parent to one tiring preschooler. Not much excitement here, though things are quite comfortable and loving at home. Maybe I need to take up bungee jumping or fencing, something to liven up the system.
So: Jennifer, let sleeping crushes lie. Oh, and Mr. H, if you are reading this (do you read this blog? I doubt it.), write me back, OK?
Only joking.
Writing prompt: Watch it!
The Metro is packed. The threatened end-of-day thunderstorms have arrived and I am jammed in with other hangdog federal workers, soaked tourists, and a crowd of high school students all wearing identical Smithsonian raincoats. I stare at a man’s hairy hand, thick gold ring on his index finger, as I hang on to the pole by the doors. We breathe in the heavy air, faint with adolescent sweat.

Picture from The Janus Museum.
As the warning chime rings and a disembodied voice tells us “Doors closing,” she walks in. I see her almost every day at Union Station sitting by the Christopher Columbus fountain behind a phalanx of plastic bags. “Got any money to spare today, baby?” she’ll ask. Before I encountered her there, she once sat next to me on the Metro, in one of those seats half hidden behind plexiglass at the back of the car.
She’s hard to forget, this middle-aged African American woman, probably homeless, maybe a little crazy. Every morning she gets up and puts make-up on her face, stripes of beige and dark tan, giving herself the face of a bland tiger. Her eyes are always hidden behind sunglasses. Today she wears a threadbare, stained trench coat, tan, stylishly cinched at the waist.
Commuters flatten themselves against daytrippers as the tiger woman forces her way into the car, except for man beside me. “Hey, you: watch it!” he yells. She ignores him, the doors close, and we’re on our way. Next stop, Judiciary Square.
The rampaging dog chair
Nick Cave in The Birthday Party days.
Ten years ago I read an article about ballet dancers. All I remember about it now is this sobering fact: most of them end their stage careers by the age of 30 (a 2007 New York Times article puts the average at more like 35). After a handful of years of twisting this way and that, leaping, bending and living under tight calorie restrictions, the dancer’s body is just worn out. “Another possible career bites the dust,” I thought to myself, but that was the extent of my worries about my thirties.
Today I turn 39 and I find that I am worried about the years ahead. And I feel totally ridiculous about it.
So, reassure me, people! Please?
Thanks, HaloScan and ... ominous piano practice?
Unfortunately, my elation at the retrieval of the missing comments has been tempered by the sound of one of the Neighbornator's offspring practicing the piano. Yes, it's "Ain't No Mountain High Enough," though it's much improved from last year's attempts.
I am afraid that the annual jazz party preparations have begun. We have our bags packed in case we have to leave on short notice.
Jailbreak
It was the end of an incredible, challenging half-year. I’d spent June through October in New York, studying culinary arts at the Natural Gourmet Institute, living in a studio sublet in Chelsea. By day I’d take notes on “health supportive” food and create vegetarian gourmet fare with my fellow classmates. Evenings were for wandering Manhattan. The Hudson River was a few blocks away from my apartment, and the West Village was an easy, entertaining stroll. Sometimes I’d go the distance to Midtown where the streets were hopping with humanity and the buildings were a mix of architecture spanning three centuries, old brick storefronts intermingling with structures of concrete and glass.
The streets of Manhattan were overwhelming to me: too much stimulation, every block packed with shops and restaurants, with signs and graffiti (“Mama Loves Neckface”?), every address crying out for attention. Night subdued the signs, softened the calls. So I walked and watched, sometimes talked on the phone with my husband, who was back in DC. We’d go over the days humiliations and occasional triumphs. A few late nights in Brooklyn with my friend Jules – drinking, talking, attempting karaoke (never, never again) -- sealed the New York experience.
I went back to DC for six weeks before my internship at Greens Restaurant and spent the time preparing to start a personal chef business. During this break I appeared on a local television news program cooking contest, which led to a later on-air meeting with Anthony Bourdain. My world was opening up into something completely new. It was shiny and scary, anxiety-producing and freeing, a chance to create a business and change my life.
So. November 29, 2004. I was in my favorite city, San Francisco, about to work at Greens, my favorite restaurant. But something was distracting me from restaurant job panic. The day I started my internship, I also had to track down a drugstore. No matter how many tests I tried, the results were always the same. I was pregnant.
One new world slipped away as another one appeared. This was an alien planet created with an equal mix of worry, sacrifice and love. What would it be like to have a little creature totally dependent upon me? Was I up for the task? Was the pain I carried around hereditary, something involuntarily slipped in through the genes, a burden to be shared? I was terrified.
The 80-hour internship went by in a blur. I was a solitary, preoccupied figure, standing in place at the salad and dessert station as other employees, efficient in their clogs and hats, sharpened knives prepared for work, zipped around me. I would look at my slow, inexperienced hands as they grasped the serving spoon and tipped that night’s curry onto a plate. I methodically patted out tart dough as dinners were plated around me, carefully removed the skin and pith from scores of oranges in a haze of prep staff conversation, inexpertly mixed the ingredients for the filo pastry of the day in the cold of the isolated back kitchen.
It wasn’t enough time to even get my feet wet. My inexperience would never get the opportunity to disappear. I was going to be permanently interrupted.
But was I?
Since my son was born, I’ve been living as though all that was ever going to happen to me already had. I’ve let the experience of being a mother stop me from participating in the larger world. The stories I write here are about the past, about the life I had when I had a life outside of my house.
On the other hand, by writing these stories I am reentering the world, slowly emerging from my own head. And I find that my dreams have changed. That shiny new world of four years ago is no longer relevant.
I can’t wait to find out what happens next.
Would you like bloodworms with that?
He sold the whirligig mallards and Canada geese at a produce stand on Route 213. They were solid moneymakers, big sellers with the weekenders who clogged the roads every Friday and Sunday night. Lined up outside the stand, a bank of lures staked to the ground against a backdrop of cantaloupe and corn, the birds would be set off by the breeze, wings turning frantically in a frustrated pantomime of flight.
Wing tracing was not enough to keep sixteen-year-old me occupied for two months, however. That’s how I ended up, after a lot of maternal arm-twisting, as the sole employee at Eastern Shore Marine, a small marine supply store in Chesapeake City.
Eastern Shore Marine was a muddle of motors and Docksiders, winches and water-skis. It didn’t know exactly what kind of store it wanted to be: hardcore marine supplies (motor oil, pumps, pulleys) or day on the water store (skis, shoes, inner tubes). For the fishermen, we had a refrigerator full of packaged live bloodworms. If you wanted to toss some cash at an Evinrude motor, we could get you one. And towards the end, Eastern Shore Marine became the local dealer for Motorola car phones, exotic objects with a limited range, toys for the gadget aficionado.
Every day at the shop offered me a new opportunity to feel stupid. I knew nothing about boating. People would question me about sailing pulleys, or what weight motor oil they would need, would quiz me on outboard motor horsepower and I would stammer through a non-answer, look dumbly at the shelves, hope for an epiphany.
The store’s owner, John Jackson, wasn’t much help. When he was there, it was mainly to down beers in the back with his buddies, an off-duty Maryland state cop and the rug cleaning guy from the shop next door. From the clenched jaw, one-sided phone conversations I overheard, I could tell that John’s marriage was disintegrating along with his business. Maybe the responsibility for both was too much for him, too many things to juggle.
Over the two summers I worked for him, John became more and more erratic. Though he hardly ever showed up during my shifts, my boyfriend Derek and I would sometimes run into him at Bennett's Liquors or at the Canal House, the local boater's watering hole. He'd greet us with a high-pitched hello and a tight grin, insist upon giving us ice or a drink. "Want some iiice?!" became our catchphrase for him, a reference to the night he filled Derek's cooler with an intensity beyond the task.
John was a no show for my last week of work, the week before I left for my freshman year in college. Even his wife was calling, trying to track him down. Then another call would come in on the line, John's distant voice over car phone static. He'd be at the store by noon. It never worked out that way.
Alone, I’d pace the aisles, line my white MIA shoes heel to pointy toe in a circuitous route around boating supplies. The occasional customer would show, hopefully with a simple request. I waited for business, drank diet Dr. Pepper, ran my finger along the bottles of teak oil. The sailing equipment fascinated me and I would finger the pulleys, try to figure out the knot chart.
When Dan, one of our suppliers, dropped by with beer for a farewell visit on my last day, I didn’t see a problem with cracking one open. We sat in the office and talked over a couple of Coors, had a meandering goodbye conversation about John, my college plans. At the end of my shift, I emptied the cash register, doled out my weekly salary. I locked up and delivered the keys to the rug cleaner, then hopped into my grandfather's waiting car.
Within six months, Eastern Shore Marine was closed. I never saw John again.
Louise Peevish
"Oh, Louise is being peevish again," we'd say. "Louise Peevish."

It was the move back to Maryland that did her in.
There were stories of other dogs that had cracked
after hearing the tests at Aberdeen Proving
Ground,
dogs that pushed their way through second story
window screens, desperate to escape the sounds of
the bomb and munitions tests across the river. The
aural bombardment contributed to Louise’s general
nervousness, but now when a thunderstorm blew
through town, she was absolutely inconsolable. No
drug calmed her. By the time you got the pill
down, the storm had passed.
One afternoon, my mother drove with Louise to the
local grocery store. Mom rolled the windows down a
safe distance, locked the doors, and entered the
market.
She was filling a plastic bag with green beans when
she heard a little girl’s voice. “Look, Mom, there’s
a dog shopping in the Acme.”
“Not my dog,” thought Mom, as she weighed the beans
and continued to the toiletry aisle. The little girl
spoke again. “Look, Mom, the dog is still shopping in
the Acme!”
“Not my dog,” thought Mom again. She glanced past the
row of shampoos to the plate glass windows – were
those thunderclaps she heard? – when she saw Louise,
panting heavily, on the run from one of our favorite
check-out guys, a kid who worked his way up from
bagger and always made friendly conversation. Louise
darted for the automatic doors, heading along the
sidewalk in the direction of the Chat-n-Chew.
Abandoning her cart, Mom also ran for the door.
Outside, storm clouds were gathering force. She
watched Louise scatter a school of carpenters, men in
dirty jeans and mud-caked work boots, as the dog
passed the restaurant and made a left into the
hardware store. Mom followed, pushing past customers,
until she found Louise in the back of the store,
trembling by the PVC piping.
My mother stayed there with her until the storm
passed, then walked her back to the car and drove
home, sans groceries. Apparently, the dog panicked
when she heard the approaching thunder, pushed
through an open car window and went looking for Mom.
We were grateful that she wasn't hit by a car.
About two years after the Acme incident, I came home
from grad school for a visit. Things were grim.
Kevin, my mother’s long-term boyfriend, had been
diagnosed with a rare bone marrow disease. My mother
was close to declaring bankruptcy. And Louise was
getting more peevish and skittish.
Her fits of panic weren't limited to thunderstorms;
now the dulled explosions from Aberdeen were having a
similar effect. She was terrified. If no one was
home, she would attempt to escape -- Mom was afraid
she would force her way through a closed window,
pictured a return home to bloodied shards of glass
and no dog. If someone was home, she would scratch
and pace, pant and whine. Louise was suffering.
I went with my mother to the appointment. We sat with
Louise, stroked her as the vet depressed the needle.
It was over quickly.
On the ride home, we didn't speak.
On the way to L.A.

Greetings from scenic
Cambria!
We're on a road trip down to the L.A. area, to visit
my father-in-law. This morning we drove out past San
Simeon out to see if we could find
elephant
seals.

We did!
More later. I have friends' blogs to catch up with,
too.
In the beginning ...
When I started this blog in late December of last year, I wasn't in a good place. All the things I've been writing about since then were burbling just below the surface, barely suppressed, waiting to be given form and shaped into a story. I used a pseudonym -- Anonmomous -- and wrote pretty freely about my angst at the time, my desperation, the stifled creativity that I blamed on my daily mundane existence mixed in with a childhood hangover.
I had no creative outlet, but a strong desire to write and figured that starting a blog would force me to do it on a regular basis. Maybe I would find others out there like me, or attract an audience (even an audience of one would have been wonderful). But nobody reads a blog if they don't know about it. I started using my real first name, joined blogcatalog, and things started to look up.
Most of my early posts are gone, but I recently found an interesting one from right before I "came out." I've reproduced it below.
Thanks to Geoffrey for asking some questions that got me thinking about the early days and how the process of self-expression has actually changed the story I've created for myself.
I also have to thank The Fearless Blog for her kind profile of writing to survive, and her words of encouragement. As usual, she got me thinking about how a positive attitude can change the equation entirely.
Manufacturing interest
18 February 2008
As I was thinking about whether I would post tonight, not sure if I had anything to say, I decided I would manufacture something of interest to write about: the manufacturing of interest in what I am writing here.
I have no idea how you arrived at this blog, whether you find it entertaining, or relevant, or worth five minutes of your time. I could probably come out of the closet, quit being anonymous, and invite people I know to read it, or at the very least passively put up the address in my facebook profile and e-mail signature. Perhaps then the blog would spread like a benevolent virus across cyberspace, e-mailed here and there: you simply HAVE to read this.
Would more people read? Maybe. Would it affect what I write here? Most definitely. In a good way? I am not sure. Currently, I can write corny or stupid or revealing stuff here without worrying about hurting anyone's feelings or worrying about looking corny or stupid. I would probably remove anything non-writing related, which may be the cleaner and kinder way to go. I still have much mulling to do on the topic.
H and I took advantage of our holiday Monday babysitter to go into the city. We wandered around North Beach, did some vintage shopping, had lunch. We ended up at City Lights and I was suddenly overwhelmed by all that fiction, non-fiction, poetry, ecology, etc etc, titles and authors I have never heard of and will probably never read.
What a crazy idea it is to write when there are so many talented people out there who can barely sell a book.
But I can't worry about that now, can I?
The Victorian Village slasher
We met him on a dog walk, a meandering stroll through our Columbus neighborhood, past a brick-solid hodgepodge of Victorians and gingerbread, Italianate rowhouses and cobblestone alleyways. This world was new to me, a stable life as an adult, with a fiancé, a dog, a professional job, living hundreds of miles from my mother. I was going to hold on to that stability with a death grip, make sure I would never fall back into the abyss.
But back on the East Coast, Mom was cracking up. I wasn't allowed to call her at home, so we’d talk at work. The conversations usually ended with screams (hers) and tears (mine). My cubicle was in the middle of the library, exposed. I would hold my voice tense and steady, then rush to the ladies’ room, smash the tears back with toilet paper, splash the redness away with cold water.
My mother was a frequent subject on our dog walks. I obsessed over our new rift, the rage unfairly projected, while my husband-to-be made sympathetic noises. I was to blame by choosing my fiancé, a snobbish WASP, loyal and overprotective. It was a slap in the face to my bohemian mother.
If my abandonment, my choice to betray, wasn't bad enough, she was also struggling with her long-term boyfriend, a difficult character in the best of times. Kevin was in the early stages of a rare illness that would eventually kill him. She had to support them both on a small salary and was stretched to the point of financial ruin.
On that cool September evening in 1995 Mr. X and I were having the usual discussion. Would Mom and Kevin follow through on their threat to boycott the wedding? Why was she being so cruel?
I didn’t notice the runner pass us. Then we heard it.
“Hey, jogga!”
The small voice was coming from a bush to our right. Whoever it was, they couldn’t quite pronounce their r’s.
“Hey, jogga! I am the O.J. Simpson! I am the O.J. Simpson!”
Suddenly, a little boy, no more than five, leapt out from behind the bush, making stabbing motions with his empty hand in the direction of the runner, who was long gone. He looked at us and just started talking. Yes, he could hang out in his yard after dark. His mom and dad were divorced and he was living with his dad, who liked to drink ice beer. Had we ever tried it? He had, and he didn’t like it. He talked on, aggressively friendly, clearly lonely.
Another runner flew by and the boy repeated the performance, enjoyed the effect. It was disturbing and amusing, this five-year-old's violent pantomime.
Beyond the open screen door of his house, I could hear canned laughter, the hiss of a bottle being opened. His father, up until this point a lumpy shadow behind a curtain, turned his head to the side and yelled, "Get in here!" The boy said goodbye, walked into the house, and shut the door behind him.
Over the next few months, we walked by that house several times. We never saw him again.
Crushed
For a long time I thought the dreams were messages from my subconscious, a sign of our untapped connection. But they were always full of anxiety, missed moments, twisting city streets, long distances traveled for dissatisfying conversations. The longing was mine alone.
In one dream, my mind created a labyrinthine mental institution for our encounters. We were both inmates, living in separate dormitories. The buildings were part of a Victorian-era hospital, dark and complex with hidden meanings, completely separate from the external world. We would meet and part, meet and part, sometimes with a glance, sometimes managing a quick kiss, always with that awful ache for what could never be. I woke up wondering: Do you care for me? Do I exist for you?
That was the hold he had on me: the pursuit of acknowledgment, the desire to be seen for who I was, while he existed as pure symbol, out of reach and impossible to know.
Last fall, when my marriage was going through a rough patch, we started e-mailing more frequently. I liked the exchange, felt my latent crush expand, fill the spaces I thought were empty. It was innocent fun – no lines were crossed. Then, without explanation, he stopped responding.
Over time the dreams went on hiatus. Until last night. I’m not going to get sucked into this game with my subconscious again.
I don’t need his acknowledgement to know I exist.
Dashboard confessional
That's right: I don't drive. Yes, even though I possess a driver's license, I have not been behind the wheel of a car since 1996. That was back in Columbus, Ohio, where I took driving lessons and passed the test -- in a stick shift, no less -- only to continue with my non-driving, pro-walking lifestyle.
The Ohio license was my ticket to a Washington, DC license, which in its turn practically guaranteed me a California license, both sans driving test. California required that I take a written exam, which I passed by the skin of my teeth, with a score just good enough to get my golden pass to the highways. But, don't worry. If you are driving the roads of our fine state this summer, or any time in the near future, you will be relieved to know that I will either be safely ensconced in the passenger's seat or hoofing it.
Though I am a big supporter of public transportation (how could I not be?) and I am happy not to have to plunk down an extra car payment, my decision not to drive has nothing to do with a political stance or with economics.
I am afraid.
Five people from my high school were killed in car accidents in the space of a year and a half. When I was fifteen, I was in an accident on the very same winding Delaware back road where two upperclassman had been killed a month before, though I got off lucky, with a few stitches near my right eye.
I concluded early on that cars are big, heavy, and fast and can cause a lot of damage. The possibility of killing someone with a two-ton, gasoline-powered weapon is terrifying. I can't suspend disbelief, act as if there is no danger involved. Everyone shuttles around in these shuddering heaps of metal and plastic as though it is the most normal thing in the world. And I guess I do, too, as a passenger, though I'm not exactly a relaxed passenger.
It's a phobia, one that was relatively easy to live with when we were in the middle of convenience, in a fantastic DC neighborhood where everything was within walking distance and if it wasn't, I could hop on the Metro to get there. No one even needed to know that I didn't drive, which was wonderful, because I'm embarrassed by it, this dependency on my husband, this weird fear of mine.
Now that we're in a less convenient place, I am feeling the effects of life without driving. I know what I need to do, but I don't know if I can do it. Hey, if Sarah Vowell can survive without driving, why can't I? (But then again, if Katha Pollitt finally did learn to drive, what's my excuse?)
Reality
True, I am happy not to be in the working world. I can't imagine anyone else taking care of the boy on a full-time basis. I am a worrier and a control freak and I would miss him. There is no job waiting interesting enough to pull me away and I'm a poor juggler. The rush to work, the rush home, the mad dinner dash -- I didn't like it when I was childless. Mix in a needy little one and I would be a raving lunatic, in a less fun way than I am now. A full-time care situation would also be less than optimal for my total homebody, somewhat mommy-obsessed son.
(Note: There are many reasons to be a working parent. My mother was a working parent. Most of my friends are working parents. I love them all and admire their ability to have a working life and a home life. Their kids are generally happy and well-adjusted. I have nothing against mothers who work.)
Then there is reality: money. Farting around with my fascinating life story isn't going to bring in the cold, cold cash. My husband bears the burden of supporting us in a very expensive part of the U.S. I haven't contributed to Social Security in almost four years (yes, I still cling to the quaint idea that Social Security will exist when my time comes to cash in). And I miss having an outside focus.
To make money writing salable stuff takes concentrated effort. A plan. It takes time to implement a plan. And seven hours a week of childcare isn't a lot of time.
My solution: stop sleeping.
Though I don't sleep much as it is.
All that jazz, Part II
I’m sure it was an oversight when Dieter neglected to give us an invitation to his jazz party. We had been out of town the previous week. Perhaps a strong wind had blown the slip of paper off our porch. Maybe Dieter, Jr. had inadvertently skipped our mailbox.
I watched from our upstairs bedroom as a small tent went up. Thinking back to Angelica’s mention of the party, I imagined flinging open the gate between the two yards. The hordes would spill in, clutching Coronas and Aquafinas, swaying to saxophone solos and smashing our sepia grass into the dirt.

Our landlord and Dieter were tight, friends from when
she lived in our house. The fence contains two
remnants of their relationship: a double-doored gate
connecting the yards and a 2x2-foot window. The
thick, beveled glass offers a view of birch and
bamboo, visual access to the back corner of Dieter’s
world. It's a sideways glance, no eye contact
necessary, thank goodness. The gate came with a shiny
new padlock. We’ve never bothered to remove the key,
so there it dangles, a symbol of hope gone sour, of
potentials never realized.
I was thinking about our poor neighborly relations --
where did we go wrong? -- when the dog nosed me in
the thigh. Oh yeah. Time for a walk. I put my son in
the back carrier, leashed Nora, and walked out into
frenetic Birdland preparations. The Neighbornator
family was bringing in more foodstuffs. I put on my
friendly face.
“You’re coming tomorrow?” Dieter asked, his tone
light. As we passed his dog, Nora growled and lunged,
putting on her vicious cur act. She’s insecure and
totally harmless, though you’d never know from her
bark. I pulled on the leash. "Nora! No!" My son
buried his face in my back. Dieter observed our
little drama with a poker face.
With Nora subdued, I got back to the conversation.
“Coming?” I asked blankly.
He seemed surprised. “I gave you an invitation! Are
you sure? Didn’t we talk about this? It must have
been your husband. Ja, that’s it! I talked to your
husband about it a few weeks ago.”
I shook my head. Nein.
“I am sure I talked to him about it. Ja, I remember
... Oh," he interrupted himself, realizing the
futility of this line of thought. "Ja. There will be
music of all kinds! It starts at 1:00 and goes on all
day. Invite all your friends!” Dieter was a little
flustered.
I tried to be nice about it, to muster up a smile or
some polite enthusiasm. We had just gotten back from
a trip to the East Coast. Everyone was jet-lagged and
sleep-deprived. My husband and I were in the middle
of a marital mess. Given I could hear this man’s
dinner conversation, what would an all-day jazz party
sound like? An all-day jazz party that started at my
son's nap time?
Saturday, September 29th 2007 was a beautiful day. The sky
was cloudless and the air dry and warm. A light
breeze ruffled the leaves in the trees, a pleasant
sound, easy on the ears. At 10:30 a.m., in a yard
hemmed in on all sides by houses, in a yard of
perhaps 500 square feet, in a yard next door, it
started. “Testing, testing, 1-2-3.” Someone was
testing a microphone. Attached to an amplifier.
Attached to speakers.
We were doomed.
At 1:00 p.m. sharp the warm-up act started. Gospel.
This was followed by a traditional jazz quartet. At
some point a pianist pounded out some classical music
(was that Dieter's son? The one who kept on
butchering "Ain't No Mountain High Enough"? If so, he
had improved.) Then an R&B band took the stage,
followed by a nod to Thelonius Monk.
During the intermissions, my husband and I would look
at each other: was this it? But it kept on keeping
on. The pauses were just long enough for equipment
changes. We watched as vans pulled up and spilled out
musicians and instrument cases, the next group on the
marquee getting in line. We listened for the
appreciative applause at the end of each solo. We
looked up the Berkeley city code on amplified music.
Dieter was well over his four hour limit.
From our backyard, the music was loud. Very, very
loud. No wonder Dieter didn’t understand most of what
I said: he was probably half-deaf from years of noise
exposure, Pete Townshend without the guitar. The
animals were agitated. Nora paced back and forth
until she found refuge in the bathroom, while the
cats would scratch at the back door to be let out,
only to rush back into the house with flattened ears
and disgusted expressions. My son skipped his nap.
And the bands kept on coming.
Our last escape from the wall of sound was at 8:30
p.m.. Hoping to gain back sanity lost, hoping that
our son would finally fall asleep, we went for a
drive up in the hills. No one said a word as the car
wound up steep inclines, pushed through
eucalyptus-scented air to a quiet, dark place with a
view. It was a surprisingly clear night and we could
see San Francisco. We watched lines of cars snake
across the Bay Bridge, felt wonderfully insulated
from the sounds of engines and car horns, saxophones
and vocalists. Our son was asleep. Time to go home.
Surely the whole mess was over by now.
But it wasn't.
It seems funny now, funny that we came home to a
Mexican band singing La Bamba, complete with horn
section and what sounded like clog dancing. It was
the most raucous gig of the day. It was almost 11
p.m. When would the madness end?
And then it just ended. As the song wound down, the
crowd whistled and stomped, screamed for an encore.
Ten hours of incredible music, well-performed,
well-appreciated, and very loud, and they wanted
more. It was not to be. Jazz Fest 2007 was over.
The hordes slowly dispersed. We brushed our teeth and
went to bed.
For several months, we barely looked at Dieter, whom
we christened The Neighbornator. We didn't confront
and he didn't apologize. There were no arguments
about the event or the noise level, just bitten
tongues and imagined amusing scenarios, all with the
self-centered surgeon as an object of ridicule, his
accent exaggerated and his mannerisms cartoonish.
We've gotten some good laughs out of it.
For Jazz Fest 2008, we'll be out of town.
All that jazz, Part I
Yes, our wayward next-door neighbor is originally from Germany, though his accent has been softened by thirty years in the U.S. “Dieter” is in his mid-50s, of medium build, tall, with white hair and sky-blue eyes. He’s a neonatalogist with a specialty in prenatal surgery. Maybe it takes his kind of arrogance, of surety, to operate on the not yet born. The hand must be steady and the conscience clear before you make the cut. You don’t toss that self-confidence aside upon leaving the operating room. Dieter prides himself on being a regular guy who does his own home and car repairs. He rides a sleek black motorcycle to the hospital. He blasts classic jazz tunes and world music while doing yard work. But these are not crimes.
Maybe we weren’t receptive to friendship. Perhaps we have nothing in common. There was talk of a barbecue that never materialized. He and his wife made a welcome to the neighborhood visit that ended at the front gate. Dieter didn’t seem to approve of our dog training or of our slow to smile toddler and most of our conversations left me feeling vaguely insulted. The relationship became one of brief smiles and half-hearted waves from car windows.
But we became very familiar with the patterns of Dieter’s life. We had no choice. The houses in our West Berkeley neighborhood are built tightly together. They tell the secrets of the lives held within: whose marriage is in jeopardy, who drinks too much, who cries before leaving the house every morning.
This knowledge of our neighbors' lives is forced, impossible to avoid. Unscreened windows let in fresh air and leak out unsolicited information. We hear the arguments, the sex, the banal exchanges on what is needed at the store. Glasses clink and sobs are suppressed into pillows. People curse during arguments and berate their teenagers for sullen attitudes. (As I type this from the deck, I hear a mother and daughter fighting. The daughter is screaming “I don’t care! I don’t care! I don’t care! “ over her mother's tirade. Closer, shoes crunch on gravel. Someone clears their throat as they open a back door. There. The door slammed behind them. Silence.)
When Dieter spent all of last August sprucing up the yard and power washing his house, I knew something was up. He was on the cordless phone all the time, speaking enthusiastically, making arrangments, using "Ja, ja" instead of yes. We’d heard about his annual shindig. “I told him that you’d be great friends, hanging out together, opening up the yard for his annual jazz party,” said Angelica, our landlord, naively before she took off for Arizona. Now I watched a small tent go up, saw the stacks of chairs and tables, observed as Mr. And Mrs. Dieter ferried cases of water and beer from the car.
My heart sank when the deliveries started. A medium-sized truck with ‘PIANO MOVERS’ in huge black letters on the sides was the first to pull up. Three burly men gently moved a wrapped baby grand to the backyard as Dieter supervised with pride. Over the course of the day, more trucks lined up, delivering equipment, microphones, lights and other mysterious things. The big event appeared to be imminent.
No one had said a word to us.
Continued ...
Schlump
Am I the only person in the world who needs time, real time to exist and think and be by myself, to write? Extemporaneous writing just doesn't do it for me. Just sit down and write ... but what if I have nothing to say? Sometimes I need to sift through my thoughts, to make sure everything is all clear, before words come out.
Write about what you know. Hmmm. Maybe I need to get out more. I don't particularly feel like writing Mom-lit. I love the little guy and find practically everything he does worthy of mention (did I tell you about his pteronadon song? "you are my friend pteronandon, you make me smile ..."). To write about him, however, would box me into this life. I need an escape hatch or, at the very least, a window to open to let in the breeze.
Just keep writing, 1000 - 2000 words a day, wrote a commenter here recently. I admit, I got defensive. It isn't so easy to just sit down and write so many words for me, partially because of the nature of my life (and I probably wouldn't be writing at all if I had a job outside the house) and partially because I've never written like that. I think too much, maybe, and the thoughts get tangled up in each other. My internal editor tries to sort things out, to make sure all is nice and neat before letting the words loose from my mind.
I have a friend (are you reading, Bob?) who shows up periodically in my in-box, long e-mails about his life, writing, academia, and philosophy. If he were working on the 2000 words a day quota, one e-mail would practically take care of it. Bob has always been this way -- the words flow. They're not always the most well-crafted, but he is a good writer and he gets there eventually. I'm jealous.
When I decided to start writing, Bob -- who has 3 children and teaches and writes for a living -- told me that he didn't know any writers who sit down for blocks of time and just write. Everybody fits it into the odd moment, writing ideas on a scrap of paper here, tapping away at a laptop there.
I'm creatively bereft at the moment. No ideas, no tapping. This is a theme here lately, but just writing about it makes me feel like I am getting back into the swing.
Say, how many words is this???
Watch this space
The hours were long and being exposed to the inner workings of the legislative branch got old. There was micromanagement. Basement darkness. So I quit and went to cooking school. Finished cooking school and had a baby. And when part of me slowly reawakened, I began writing.
One of the things I miss about the working world is creating things for the Web (another thing that might have my old colleagues scratching their heads). Although I'm not sure how many people read or use the web pages I created, I am still proud of them, though I've deleted links to them. This document has been edited now that I'm out of the closet.
I'm in the middle of redesigning this blog and putting together an Internet site using Rapidweaver. It's kind of like the old days, except I have more control and no technical support. I'm limping my way through and it's slow going. Hopefully it will be up in a week or so, but until it is I may not be posting as much or checking in with my friends.
See you soon.
experiment
the kid is asleep on my lap. the husband is asleep by my side. the visiting brother-in-law is coughing downstairs.
and I can't reach my cup of coffee.
Throw it away
Or write up my petty complaints on my blog? Bingo.
Right now I feel like a frustrated housewife who has this little writing pipe dream. I wish I had more energy at night to write with conviction. If only the kid went to sleep before 9:30. If only he went to sleep unassisted. If only I'd started writing a decade ago, when time spread out before me and my brain was just a wee bit larger.
I know I'm lucky to have this life, to have a little time. It's just enough time to waste.
And now he wakes ...
Schticktease
There are rays of light and days of song, where the sky seems ever-blue and the breeze off the bay refreshes, when C sleeps late and naps long, when words come flying out of my fingers onto the keyboard, and dinner is easy to prepare, delicious, and enjoyed by all.
But I have a schtick here, a theme, of apprehending the past and through that apprehension (!), forgiving myself and others.
Some days, a girl just isn't up to it. But the past will be there, waiting ...
Buzzer beater
(Begin boring complaint)
First, C got sick. Then H developed the same cold. When C gets sick, he sleeps like the baby he once was: poorly. Also violently, with lots of tosses and turns and kicks. When H gets sick, he snores more. My cold symptoms started on Tuesday, the same day C developed pink eye, guaranteeing that daycare was a no-go for Wednesday. Babysitter doesn't want pink eye either. Finally, after the first night of good sleep in five nights, yesterday C decided to skip a nap. I have pink eye for the first time since third grade. And I've spent most of his nap time today cleaning up in preparation for the babysitter (at least his pink eye went away).
(End of boring complaint)
Now he is awake. 'Later.
Nubbin brain
I'm 38 years old and I haven't written a creative word since I was an undergraduate. I don't expect it to come easily. The Mom and K project has an emotional heft that makes it difficult, too. And I seem to suffer from a twisted nostalgia, a real desire to inhabit the past, at least so I can write about it about it with some veracity. I'm trying to let go of my obsession with uber-accuracy, which helps when my literal mind gets caught up in the details.
Mark Doty has a good essay about memoir and truth in the latest Poets and Writers -- but now that I have H and C beside me reading a book, the nubbin brain is shrinking even more and I have a hard time bringing it to mind. Check it out if you can, though you'll probably have to get your hands on a physical copy.
Players win and winners play
Another long no napper today. My ole nubbin brain keeps on shrinking, with very little to show for it. I did learn that toddlers (at least my toddler) enjoy raking clean cat litter and can turn almost anything into a digger -- even themselves with the proper equipment (dust pan and litter scoop).
I'd like to transcend the day now, please.
I've been reading Beautiful Children , a first novel by Charles Bock. Some of it is very well done. The portrayal of how a marriage can slowly fall apart captures a sense of sadness and inevitability when people no longer communicate, can't bridge the distance they've built between themselves, but still care about each other. What happens to the couple when their only child goes missing is also poignantly written. Many of the characters are real and believable. It's a long and ambitious book with various interweaving story lines. I can feel the struggles he had writing it -- ten years and at least four rewrites -- and it is on the bombastic side, well maybe some lower form of bombasticity, since his language is simple for the most part. Just over the top. Maybe he should have stayed with the couple and their struggle, but I'm not sure that would have been as interesting for Bock or his readers.





