In Baltimore, new people are moving in, are paying top dollar to remove the Formstone. Men, almost always men, come in with crowbars, pry the fake rock off the façade, tuck and repoint the newly exposed brick, repair tumbledown walls. Often the brick was already turning to dust when the first workers set up scaffolding, draped the famous white marble steps that the fastidious Polish ladies of Baltimore kept bright and clean. Entire blocks were caged in chicken wire and lathe as the men slathered cement mix on chockablock rowhouses, transforming old world brick into new world faux.

In San Francisco, they are propping houses up on jacks, underpinning foundations, retrofitting in case of earthquake. What do they find beneath the slatted wood? The houses rest on broad oak beams or heavy hips of steel propped up on concrete columns, strong, but not enough to take the shaking that is inevitable. The workers come with their heavy equipment and digging machines, extend legs deep in the ground. They marry house and foundation, bolt them together to ensure that the two don’t separate in a moment of crisis.

I dream that I am in a house, that I am the house, a faded Victorian, gingerbread rotting on the porch. My foundation is sunk and the slightest shaking will slump me into the street, or have me crying drunkenly into a neighbor’s garden, letting shards of my window glass dangle in the koi pond.

I am my mother’s house, an alley rowhouse no more than 12 feet wide and 27 feet deep, huddled with my compatriots on Finch’s Way, a one-block dead-end Baltimore street. The brick underneath my Formstone is solid and plumb. I am bright with open windows that let in Mexican music and the sounds of the crazy woman across the street cursing the traffic and the illegally parked cars. I am tolerance smelling of English tea roses and home cooking. But be careful climbing the winding staircase at my core, where the stairs narrow at the inside edge and you must climb in darkness.

One misstep will send you tumbling.

(Image: Looking at Kevin's old house on West Street, the one on the left.)

Tags: dreams, houses, metaphor, Baltimore, San Francisco, overextended metaphor, earthquakes, Formstone

I was tentative at first, hid myself behind veils and a false name. Over time, the veils slipped away, I walked out from behind the curtain, showed my face to the light, revealed my name and purpose. And being seen is ok. It's good. I want people to know me for who I am, for who I was, to keep the secrets from defining me.

Because the secrets don't define me. Even better, after seeing the light of day, after being transformed into stories, they have become almost irrelevant, forming and transforming experiences, important ones, but not the core of who I am.

Visitors to this Web page, however, may have a different impression. In the interest of shaping writing to survive to better reflect reality and also to bring a more professional feel to the page, I have made a few changes. They're subtle — a new tag line, slightly different selections in Excerpts from Life, a more complete look to the food writing page, which I've renamed Kitchen Detour. Most of the old stuff is still here, stories of angst, secrets revealed, but you have to dig a little deeper to find it.

Next post: Crumbling beneath the Formstone. Or something along those lines, with a departure from post titles derived from pop music.

(Image: Mirror, Little House by Jennifer Trinkle, 1986.)

Tags: blogging, self-promotion, secrets, anonymity, emotional striptease

Impatiens on the front steps.

Then there was Mr. X, my future ex-husband, another April romance. After his estranged wife finally agreed to a divorce, we leapt into commitment. Mr. X brought me a bouquet of stolen lilacs, fragrant and in full bloom, along with a homemade tape of the band Squeeze. We ate thick chunks of asparagus over al dente pasta, moved on in summer to goat cheese, basil, and sundried tomatoes on seeded bread from Strawberry Fields. Those first six months were a bacchanalia of Berghoff bock and bacon, of homemade hollandaise, of chorizo burritos as big as our heads. Because he was not yet divorced, we tried to hide our relationship, played footsie under the table at the weekly library school happy hour. It only added to the excitement, to the feeling of being so lucky and in love. Chosen.

Mr. X is to blame for my love of gardening. After we moved to Ohio, he introduced me to seedlings and compost, to the pleasures of growing our own food. Our second spring together we planted a garden in the shared backyard of our downtown Columbus duplex. I couldn’t get enough of it, kept on putting flowers in here and there, wanted to grow eight different kinds of tomatoes. Unfortunately, our shaky relationship didn't survive past the fourth spring. After we moved to DC and his new job turned out to be untenable, he returned to Ohio State. He left six months after we moved, coincidentally on the weekend of our second anniversary, though it was not intended to be a separation. Distance brought perspective. One cold March day, I decided on divorce.

With that April came ... love. I'd been friends with D (now Mr. Writing to Survive), a coworker, for months, but suddenly our relationship shifted. It was a mixed-up, uncertain time. I was suspended between two lives. Mr. X and I had to come to an agreement over the house, divvy up our possessions, and fight over the dog and cats. D's mother, thousands of miles away in Southern California, was dying of cancer. My own mother, having left Kevin temporarily, was living with me.

But D and I were deep in the process of discovery, our minds tousled with passion. There were memorable evenings, late night dinners at Lebanese Taverna, sitting by the Lincoln Memorial in the pale pink of sunset watching the cherry trees turn into blurs of white, nights spent just hanging out talking, developing our shared sense of surreal humor. My mother liked him, too, and would smile when he told her "Goodbye, Mrs. Casey!" upon leaving the house. He was like the polite high school boyfriend I never had. One wind-whipped day, the weather damp and cold, D and I drove to Ocean City. We couldn't stop laughing, in part at ourselves for taking a beach trip on a day that was a holdover from winter.

It was the spring we started building the foundation for our lives. It was also a spring without a garden, when I let the lawn dry out and the dirt harden. Without water, the young azalea bushes that bordered the house died. I could barely cook a potato, let alone take care of plants.

Basil plants.

Spring returns, and with it the renewal of lust, the desire to stroke new greenery, run my fingers through the dirt. It is the beginning of love all over again, to join with my husband and make things anew.

It takes over everything, this garden lust, takes over my brain and my time, pushing everything else out. My writing has gone to seed and I haven't been visiting my blogging friends, choosing instead to sink my hands into the soil, to fill up pots with new seedlings, to transplant root-bound herbs. At my last count, we had over thirty pots filled with vegetables, herbs, and flowers. One plant remains, a sugar pumpkin that will go by the back fence, will eventually wrap its tendrils around a trellis, and that's that.

It is about time that I resisted temptation, maintained fidelity to the plants already in my life. I must avert my eyes from seductive seedlings.

Tags: gardening, optimism, spring, love, weeding, metaphor

Cherry tree on West Street.

I tell myself that when I am dying, leaving the things of this world, it will no longer matter that I paved the banks of that river, diverted its flow, moved the humming stream of desire to my imagination. What I want with an ache of jealousy, with the pain of something that was never meant to be, won’t matter to me then. The impulse – to covet, to pursue, to get – will be meaningless. Self-denial will have been the obvious course.

Don’t expect a description here, a list of lusts. It’s not all about lust (though sometimes, of course, it is. I am human.). It is the pull and push of expectation, sadness at the inevitable narrowing of life. Here I stand on a plank in the river, steering in the direction of what will be, trying not to gaze back. My husband is here too, pushing us through the water, sometimes reaching back to touch my hair or hold my hand. I love him. He is comforting. Real. I am free from want.

Or I’m not. What about the desire for lyricism? Luck? A publishing contract? Some days I just want to be left alone. I want to eat a meal in the sunshine, with my book and my thoughts, without guilt. I want 24 obligation-free hours. I want words that fly out of my fingers, practically effortlessly. I want to watch them take off and form themselves into unstoppable narrative. I am power-mad for deadly metaphor.

But even more strongly I want to be an image in someone else’s head, a character real and fully formed. I need an author, someone to flesh out the plot of my own life, someone who understands these redirected desires implicitly. He (yes) sees me, knows my lurid heart, feels the iciness of my thoughts. He loves me anyway. This is what believers get from God, I suppose. It’s an impossible task for any human being, given that we are opaque even to ourselves.

Pointless, pointless desire. But it does propel me forward.

Tags: river of desire, The Who, See Me, Feel Me, Listening to You, deadly metaphor, to be imagined, someone else's character, melodrama